‘Anatomy of a Fall’ Review: Justine Triet’s Family Drama Keeps the Audience Guessing

Jessica Kiang Apparently determined to prove herself francophone cinema’s most inexhaustible precious resource, Virginie Efira once again lights up the screen prior to burning it down in a role that, after Justine Triet’s “Sibyl,” Paul Verhoeven’s “Benedetta” and Rebecca Zlotowski’s “Other People’s Children,” is of a type she has come to define: the strong-willed, smart fortysomething woman chafing against her society’s conformist expectations. Delphine Deloget’s debut “All to Play For” features one of Efira’s more straightforward incarnations of this dramatic type — fewer sly kinks, no arch winks. But she is no less riveting and lovely for it and in Deloget’s confident, gentle grip, she turns in one of her most committed performances, all the more moving for its commitment to valorizing the kind of woman seldom treated on screen with such respect and compassion. 

The growing row around Cannes Palme d’Or winner Justine Triet’s politicized victory speech as she received the coveted award for courtroom drama Anatomy Of A Fall spilt into the French parliament on Tuesday.

Jane Fonda took matters into her own hands over the weekend at the 2023 Cannes Film Festival. The 85-year-old veteran actress introduced the Palme d'Or Award to French director Justine Triet.Fonda introduced the historic moment, noting that seven female directors were nominated for the prestigious award for the first time and applauding the festival for its progress.She then gave Triet the award for her film.

Elsa Keslassy International Correspondent David Thion, the French producer of Justine Triet’s Palme d’Or winning “Anatomy of a Fall,” is reteaming with Guillaume Senez for “Une part manquante,” a Tokyo-set drama which Be For Films is representing in international markets. “Une part manquante” will also reunite Senez with popular French actor Romain Duris, who starred in his 2018 film “Our Struggles” and earned a Cesar nomination for it. Brussels-based Be For Films had sold “Our Struggles” in most major territories and presented at a flurry of international festivals. Duris will play Jay, who hasn’t seen his daughter for nine years since getting separated from his Japanese wife. As a foreigner residing in Japan, Jay was denied custody of his daughter. Hoping to find her somewhere in the city, he abandons his career as a renown chef and becomes a taxi driver. After all these years searching in vain, Jay is about to give up and move back to France when Lily hops in his cab. But she doesn’t recognize him.

Jane Fonda found a way to get director Justine Triet’s attention after she left the stage without her award at the Cannes Film Festival over the weekend.

Elsa Keslassy International Correspondent The Cannes Film Festival managed to avoid pensions reform’s protests and a power cut during its entire duration, but Palme d’Or winning director Justine Triet made up for both with a fiery political speech that took aim at the French government. Her impassioned plea became instantly viral and has been dominating headlines in French media. After being introduced on stage by Jane Fonda and thanking her partners on the film and Cannes’ jury, Triet said the country “was rocked by an unprecedented protest movement that was extremely powerful and unanimous against the pensions reform.” She argued that the “protest was denied and suppressed in a shocking manner, and this pattern of increasingly uninhibited dominating power is now at work in several areas; obviously socially is where it is the most shocking, but we also see it in all spheres of society, and the film industry hasn’t been spared,” said Triet, drawing cheers and a few boos from the captive audience inside the Lumiere Theater.

Jane Fonda took a pretty dramatic step to make sure that director Justine Triet didn’t forget her Palm d’Or award at the 2023 Cannes Film Festival.

pic.twitter.com/6tv8TEj8zwFonda, an honorary Palme d’Or winner herself, presented Triet the prestigious award for her dramatic thriller film “Anatomy of a Fall” (“Anatomie d’une Chute”). In her speech, Fonda reflected on the first time she attended the French film festival many years ago.“There were no women directors competing at that time, and it never even occurred to us that there was something wrong with that,” Fonda said. “We have a long way to go.

At least once, I can say the winners of the 2023 Cannes Film Festival competition are actually the right ones. Maybe not exactly in the order I would have put them, but still, out of the 21 movies competing, it is hard to argue about almost all of the choices made by the Ruben Ostlund-led jury that, among others, included Americans Brie Larson and Paul Dano. I said almost.

Neon has continued its remarkable streak of consecutive Palme d’Or wins with English and French-language drama Anatomy Of A Fall.

Cannes jury head has described the process of selecting the Competition winners as a “very intense experience”, at the jury press conference following the Palme d’Or victory for Justine Triet’s Anatomy Of A Fall. You can see the full list of winners here.

CANNES – The 2023 Cannes Film Festival has come to an end and that means the Palme d’Or winner has finally been revealed. Presented by jury president Ruben Östlund and special guest Jane Fonda, the honor went to Justine Triet’s “Anatomy of a Fall.” Recently acquired by NEON, it becomes the independent distributors third Palme winner over the past four years after “Titane” and Best Picture winner, “Parasite.” READ MORE: “The Zone of Interest” Review: Jonathan Glazer’s often brilliant examination of human complicity [Cannes] Tried becomes just the second woman in the 76-year history of the festival to win the Palme after “The Piano’s” Jane Campion and “Titane’s” Julia Ducournau.

It’s a wrap for the 2023 edition of the Cannes Film Festival, where French director Justine Triet’s courtroom thriller “Anatomy of a Fall” has won this year’s Palme d’Or for best film.

The 76th Cannes Film Festival is wrapping up this evening with the main awards, including the Palme d’Or, to be handed out by Ruben Ostlund’s jury inside the Palais. Scroll down for the list of winners which is being updated as prizes are announced.

Variety‘s critics pick the most notable dozen. Distributor: Neon One of seven women filmmakers in competition, Justine Triet has taken a familiar genre (the court- room drama) and turned it on its head. A frustrated writer dies of suspicious causes, leaving behind clues that implicate his wife (Sandra Hüller).

 just due to a pukey provocation jury president Ruben Östlund may take as a game, set, match.In simplest terms, “Club Zero” is a film about eating disorders, and one so unflinching about the subject that it warrants a content warning ahead of the opening credits. Of course, Hausner makes abundantly clear that her film is about so much more from the moment those credits roll, and we find ourselves in an affluent private academy full of wood panels, Formica surfaces and about a hundred other interior design choices pulled from a rec room in 1970s hell.Onto the scene struts Ms.

Elsa Keslassy International Correspondent Justine Triet’s “Anatomy of a Fall,” one of the best reviewed films of the Cannes competition, which was bought by Neon, examines the collapse of a marriage and a mother-and-son relationship in a documentary-style courtroom drama. The chamber piece is driven by Sandra Hüller’s (“Toni Erdmann”) nuanced performance as a successful German novelist on trial for the murder of her husband (Samuel Theis), who died in mysterious circumstances in a remote corner of the snowy French Alps. Their visually impaired 11-year-old son (Milo Machado Graner) is called on the witness stand, prompting a dissection of Sandra’s conduct as a wife and a mother. Supporting roles are played by Swann Arlaud and Antoine Reinartz.

Only nine directors have ever won the Palme d’Or twice. Francis Ford Coppola did it in the ’70s with The Conversation and Apocalypse Now. Ruben Östlund joined the club last year after following The Square with Triangle of Sadness. But this year, there is a very real possibility that, at 86, Ken Loach may go above and beyond that by winning a third Palme for his new film, The Old Oak. Loach first won in 2006 with the historical Irish drama The Wind That Shakes the Barley, then doubled up in 2016 with I, Daniel Blake, a caustic study of Britain’s healthcare crisis. After that came Sorry, We Missed You, a no-less withering look at the punitive gig economy. Like the latter two films, The Old Oak is set in the North East of England and completes an unofficial trilogy, this time with a slightly more optimistic bent. Like all of Loach’s output since 1996, it was written by Paul Laverty, and the pair sat down with Damon Wise to discuss the film’s themes of humanity and social responsibility.

EXCLUSIVE: Neon is nearing a deal for North American rights to Cannes competition entry Perfect Days from The Match Factory in a deal pegged in the mid-to-high six figures.

French director Justine Triet’s Anatomy Of A Fall premiered in Competition at Cannes over the weekend to a buzzy reception with its star Sandra Hüller being tipped as a front-runner for the festival’s coveted best actress prize.