‘Club Zero’ Review: Jessica Hausner’s Eating Disorder Satire Is a Tough Nut to Crack

Brilliant basics! Jessica Chastain is known for rocking some of the world’s beautiful gowns when it comes to award shows, but she clearly knows her way around a simple staple piece too — one we can all wear.

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Mia Wasikowaska’s newest movie is turning heads on the festival circuit.

Clayton Davis Senior Awards Editor The disturbing thriller “Club Zero” that played at Cannes will divide audiences and critics with a scene of a teen eating vomit, but director Jessica Hausner gets one crucial thing right: It starts with a trigger warning for attendees, stating that the film features scenes regarding eating disorders. Of course, there will be many opinions on the auteur’s execution and theme, but in the same way her villainous lead character promotes “conscious eating,” Hausner delivered a “conscious warning.” This practice should become the norm for content, whether movies or television. Not only should an advisory be shown at the beginning, but marketing departments should brainstorm ways to include it on posters, trailers and other campaigns. We, and studios, cannot rely solely on the MPAA rating system to inform viewers of brutal scenes that could be triggering. “Club Zero” involves scenes and topics of bulimia, while many other films and shows casually depict scenes featuring rape, school shootings and more.

Cults and eating disorders warp the mind much in the same way: they convince the individual that their behavior is special and vital, that everyone else can’t see themselves or the world clearly, and that any external opposition only proves the effectiveness and power of their behavior. In her grueling new film “Club Zero,” Austria’s most fearless button-pusher Jessica Hausner fuses the two into a trajectory of slow-moving, inexorable body horror as primly buttoned-up as the lemon-lime polo shirt uniforms selected by her costume-designer sister Tanja.

Forget about Robin Williams’ Mr. Keating and his iconoclastic sway over his pupils in Dead Poets Society, Mia Wasikowska’s nutrition teacher Miss Novak in the Cannes competition title Club Zero takes inspiring students to a darker level.

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Rebecca Rubin Film and Media Reporter “Club Zero,” a teen-cult thriller from director Jessica Hausner, may have Cannes Film Festival attendees thinking twice about ordering that second croissant on the Croisette. The movie, which preaches the art of “conscious eating” and will definitely force viewers to consider the way they consume food, may be one of the more polarizing titles to debut at this year’s festival. Still, it earned afive-minute standing ovation at Monday night’s premiere. In the film, Mia Wasikowska, a favorite from “Jane Eyre” and “Alice in Wonderland,” stars as the nutrition teacher from hell at an elite prep school. It all starts innocently, as teen cults are wont to do, with Miss Novak instructing her students that eating less is healthy, for themselves and for the environment. By the time the other educators and parents take note, an unthinkable reality has already started to unfold.

Owen Gleiberman Chief Film Critic Jessica Hausner, the director of the supremely audacious and disturbing eating-disorder thriller “Club Zero” (yes, I used the words “eating disorder” and “thriller” in the same sentence — that’s the kind of boundary-smashing movie this is), has the potential to be an important filmmaker. Her last movie, “Little Joe” (2019), a sci-fi creep-out about a sinister strain of houseplant, was really a dark-as-midnight parable of the psychotropic-drug era. “Club Zero” won’t be for everyone, but Hausner, channeling some combination of Hitchcock and Cronenberg and “Village of the Damned” and the Todd Haynes of “Superstar: The Karen Carpenter Story,” has now made an even more gripping and provocative mind-fuck.

Bleak, clean spaces arranged in ominously geometrical order: Jessica Hausner’s eye for threatening design was destined to alight, sooner or later, on a boarding school. Our first glimpse of the expensive English boarding school for talented teenagers is from somewhere on the ceiling, from where we watch students in a sporty pan-gender uniform – long shorts and shirts in a sickly acid green, surely the color of nausea – moving stackable plastic chairs to form a circle.

Ed Meza @edmezavar German cinema is in Cannes with new works by Wim Wenders and films that explore Nazi propaganda, gender identity, economic crisis, romance, betrayal and fast cars. In addition to domestic films, a dozen German co-productions are screening in this year’s Cannes Film Festival lineup, including major works from the likes of Wes Anderson, Aki Kaurismäki and Jessica Hausner. Wenders is in Cannes with “Perfect Days,” which is vying for the Palme d’Or, and the documentary “Anselm” in Special Screenings. “Perfect Days” tells the story of a Tokyo janitor (Kôji Yakusho) who seems very content with his simple life, structured routines and passion for music, books and photography. A series of unexpected encounters gradually reveal more of his past. The Japanese-German co-production is sold by the Match Factory.

Jessica Alba is opening up about her Mexican heritage, sharing some of the struggles her parents had to go through. “I was raised by parents who were in survival mode because we were living paycheck to paycheck,” she explained during her recent interview with MSNBC.The Hollywood star revealed that it was “very stressful and challenging” at the time, adding that it was hard for them to have “long-term goals or dreams when you are just trying to get by.” The actress, who shares a lot of similarities with her grandmother Isabel Martinez, previously told PopSugar that she “inherited a lot” from her.