Palme d’Or Whisperer Neon Nearing North American Deal With The Match Factory For Wim Wenders’ Cannes Competition Movie ‘Perfect Days’

Manori Ravindran Executive Editor of International “Run the Burbs” producer Pier 21 Films has partnered with Canadian stand-up comic Julie Kim on a half-hour comedy series. The development deal marks Kim’s debut at the helm of a sitcom, which Kim will co-write with “Strays” alum, Clara Altimas. The project comes on the heels of her gala performance at the Just for Laughs Festival in Montreal, her debut at the Melbourne International Comedy Festival, and a 40-theater North American tour with Ronny Chieng (“Crazy Rich Asians”). “Julie Kim is one of today’s freshest stand-up performers with an impeccable track record for creating comedy gold,” said Karen Tsang, senior VP of creative affairs at Pier 21 Films. “We are incredibly excited to collaborate with her as she plunges into her own scripted series.”

Patrick Frater Asia Bureau Chief German filmmaker Wim Wenders is to be the president of the jury that decides the main competition prizes later this year at the Tokyo International Film Festival. Wenders has frequent connections with the Japanese capital and last year shot his “Perfect Days” film in the city. The film recently appeared in competition in Cannes and earned Yakusho Koji the best actor prize. The Tokyo festival confirmed plans to host a celebration of Japanese director Ozu Yasujiro, who was born 120 years ago and died exactly 60 years later. Wenders previously shot 1985 documentary “Tokyo-ga” as a tribute to Ozu.

Italian filmmaker Alice Rohrwacher’s latest pic La Chimera has inked a series of international deals for The Match Factory following its well-received debut at last month’s Cannes Film Festival.

Elsa Keslassy International Correspondent The Cannes Film Festival has unveiled the dates of its 77th edition which will take place May 14-25, 2024. This year’s festival wrapped May 27 with Justine Triet’s “Anatomy of a Fall” winning the Palme d’Or, Jonathan Glazer’s “A Zone of Interest” take home the Grand Prize, and Aki Kaurismäki’s “Fallen Leaves” nabbing the Jury Prize. The jury of the 76th edition was presided over by Ruben Ostlund, the two-time Palme d’Or winning director of “The Square” and “Triangle of Sadness.” The first post-pandemic edition, 2023 was marked by an overall well-received Official Selection lineup and a strong presence of American talent and studios. Some of the anticipated films spotlighted at the festival included Martin Scorsese’s “Killers of the Flower Moon”, Todd Haynes’ “May December” and Wes Anderson‘s “Asteroid City,” as well as Disney’s “Indiana Jones and the Dial of Destiny,” Pedro Almodóvar’s short film “Strange Way of Life” and Pixar’s “Elemental.”

Sideshow and Janus Films have acquired all North American rights for Catherine Breillat’s drama Last Summer (L’été dernier) following its well-received premiere in competition in the final days of the Cannes Film Festival (May 16-27).

Joji has worn many hats since his first brush with fame, but the current mantle of off-kilter R&B superstar seems to be suiting him quite nicely. The "SMITHEREENS" tour ended not too long ago, and now it's time for "PANDEMONIUM." This time, the announcement isn't accompanied by a new single; instead, Joji dropped a video to announce this run of North American dates.

Elsa Keslassy International Correspondent Well Go USA Entertainment has acquired North American rights to Kore-eda Hirokazu’s film “Monster” which world premiered in competition at the Cannes Film Festival and and won best screenplay (for Yuji Sakamoto). A critically acclaimed Japanese master, Kore-eda previously won Cannes’ Palme d’Or with “Shoplifters” in 2018 and returned to the competition last year with “Broker” which won best actor for Song Kang-ho. Well Go USA Entertainment plans to release “Monster” in North American theaters in late 2023 or early 2024. Scored by late Oscar-winning composer Ryuichi Sakamoto (“The Last Emperor”) and lensed by Ryoto Kondo (“Shoplifters”), “Monster” tells the story of a widowed mother (Ando Sakura, “Shoplifters) who notices that her young son (Kurokawa Soya) has begun exhibiting strange behaviors. When she brings her concerns to the staff at his school, she discovers that a teacher (Nagayama Eita, “Hara-Kiri: Death of a Samurai”) is responsible and demands an explanation. Told through the multilayered perspectives of mother, teacher and child, the film gradually unveils the truth which proves much more complex than anyone expects.

Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has clocked a series of international deals for The Match Factory.

Leo Barraclough International Features Editor Wim Wenders’ “Perfect Days,” which won the best actor award for Koji Yakusho at the Cannes Film Festival, has sold out worldwide. The Match Factory is handling international sales. As previously announced, North American rights went to Neon and France went to Haut et Court. Further sales included U.K./Ireland/Latin America/Turkey (MUBI), Australia/New Zealand (Madman), Benelux (Paradiso), China (DDDream), Italy (Lucky Red), Spain (A Contracorriente), Switzerland (DCM), Baltics (A-One Baltics), Bulgaria (Art Fest), CIS (A-One), Czech Republic and Slovakia (Aerofilms), Former Yugoslavia (MCF), Greece (Feelgood Entertainment), Hong Kong (Edko Films), Hungary (Cirko), Israel (Lev Cinemas), Poland (Gutek), Portugal (Alambique), Romania (Bad Unicorn), Scandinavia (Future Film) and Taiwan (Applause).

Elsa Keslassy International Correspondent David Thion, the French producer of Justine Triet’s Palme d’Or winning “Anatomy of a Fall,” is reteaming with Guillaume Senez for “Une part manquante,” a Tokyo-set drama which Be For Films is representing in international markets. “Une part manquante” will also reunite Senez with popular French actor Romain Duris, who starred in his 2018 film “Our Struggles” and earned a Cesar nomination for it. Brussels-based Be For Films had sold “Our Struggles” in most major territories and presented at a flurry of international festivals. Duris will play Jay, who hasn’t seen his daughter for nine years since getting separated from his Japanese wife. As a foreigner residing in Japan, Jay was denied custody of his daughter. Hoping to find her somewhere in the city, he abandons his career as a renown chef and becomes a taxi driver. After all these years searching in vain, Jay is about to give up and move back to France when Lily hops in his cab. But she doesn’t recognize him.

Leo Barraclough International Features Editor “Perfect Days,” which world premiered in Competition at the Cannes Film Festival, is reminiscent – in some ways – of “Groundhog Day,” but whereas in the latter film Bill Murray’s character, Phil, is trying to escape the repetitive nature of his existence, in Wim Wenders’ film the protagonist, Hirayama, is “embracing it,” the German director tells Variety. Both films show the lead characters waking at the same time each morning, but whereas, in “Groundhog Day,” Phil is awoken by an alarm clock, in Wenders’ film, as he points out, Hirayama, played by Cannes best actor winner Koji Yakusho, “wakes up on his own, or he wakes up because there’s an old lady brushing the street outside, always on time. He doesn’t need an alarm clock. He doesn’t even own one.” There is a sense that this is a man in harmony with nature, and at peace with his existence, rather than wrestling with it.

Callum McLennan Top Argentina’s free-to-air channel Pakapaka has inked a deal with Paris-based animation house Dandelooo on award-winning series “Jasmine & Jambo,” to be broadcast on the Argentine government funded channel dedicated to children’s content.  Melissa Vega, international sales manager at Dandelooo told Variety, “Jasmine and Jambo is an amazing series that is doing great internationally. Pakapaka is the perfect home for the series.” “Jasmine & Jambo,” a 26-part series spangled with humour and musical notes, is designed to engage both upper preschoolers and their parents. It is the brainchild of Barcelona-based company Teidees and Catalan broadcaster Televisió de Catalunya. At the helm of the show is Silvia Cortés, co-founder of Teidees. “Jasmine & Jambo” bagged the best international series at the Festival Ecran Jeunesse and secured a nomination for the Quality in Children’s TV Worldwide award at the prestigious Prix Jeunesse International. 

Arctic Monkeys have teamed up with The Big Issue for the official programme of their first UK stadium tour, which begins tonight (May 29).In support of new album ‘The Car’, the band will play 15 dates across the UK and Ireland over the next month, including two hometown gigs at Sheffield’s Hillsborough Park and three at London’s Emirates Stadium.Ahead of the tour beginning at Bristol’s Ashton Gate tonight, the band have confirmed that they have teamed up with The Big Issue for the official programme for the tour, with all proceeds going to the homelessness charity.An announcement from the publication reads: “The 36 page programme with a long lasting and collectible heavy cover, features brand-new never before seen images of the band on the road plus an in-depth interview with the band’s beating heart, drummer Matt Helders.”Discussing the band’s wish to support the publication’s work, Helders told The Big Issue: “The obvious reason is the good work you do… but it’s not just that. It is good journalism as well as being a good cause.”Priced at £10, programmes are available online here as well as at all the UK gigs.The 36 page programme with a long lasting and collectible heavy cover, features brand-new never before seen images of the band on the road plus an in-depth interview with the band’s beating heart, drummer Matt Helders.

It’s a wrap for the 2023 edition of the Cannes Film Festival, where French director Justine Triet’s courtroom thriller “Anatomy of a Fall” has won this year’s Palme d’Or for best film.

The official synopsis for Wim Wenders’ “Perfect Days” is one of those rare occasions when a tightly-described premise encapsulates the immensity of a film: a janitor in Japan drives between jobs listening to rock music. In this case, the janitor is Hirayama (Koji Yakusho), an older man whose job is cleaning Tokyo’s elegantly designed public toilets.

A third Wings of Desire centering on the angels that watch over us, is not in the cards, German director Wim Wenders said today at the Cannes press conference for his latest in competition title at the fest, Perfect Days.

Blake Shelton might be leaving behind, but the connections he made there carry on.The country singer announced on Thursday that he's teaming up with former producer and four-time Emmy Award-winning showrunner Lee Metzger to launch Lucky Horseshoe Productions.The pair has already collaborated on, an unscripted USA series where Shelton — along with Nikki Garcia and  host Carson Daly  -- opens up his famous Ole Red bar in Nashville to play fun drinking games with his famous friends. Now, they'll begin a new chapter of projects following Shelton's departure from after 23 seasons. «I'm excited to partner with my longtime friend and creative rainmaker Lee Metzger,» said Shelton in a press release about the new partnership.

Cannes Film Festival on Thursday, he is a modest toilet cleaner – and this gentle, philosophical character study is all the more mesmeric for it.The 77-year-old director’s fictional work has been overshadowed by his documentaries lately, but his new film, a fictional work which sometimes resembles a documentary, is a significant return to form for the director who won the Palme d’Or in 1984 for “Paris, Texas.” It begins by introducing us to the middle-aged Hirayama (Koji Yakusho) as he wakes up alone in his small flat. Once he’s cleaned his teeth, trimmed his moustache and spray-misted his plants – yes, no detail is spared – he puts on a boilersuit with “The Tokyo Toilet” printed on the back, buys a can of coffee from the machine by his building, and drives his blue van through the city’s forest of skyscrapers to the first of several public toilets he is due to clean.He treats every one of these as if it’s a royal throne, even using a small mirror – the kind that’s usually seen in bomb-disposal thrillers – to check for dirt that might be hidden from view.

The dignity of labor is explored with gentle humor and a very melancholy sense of joie de vivre in Wim Wenders’ second 2023 Cannes entry after his 3D documentary Anselm. Shot entirely in Japan, with very little English spoken, Perfect Days is an unusual film from a westerner since it does nothing to “other” a country that is often romanticized as a series of specific cultural signifiers (as in the well-meaning Lost in Translation, for example). It’s a compliment to say that Jim Jarmusch could have made it.

Guy Lodge Film Critic Before you ask, yes, Lou Reed’s rock standard “Perfect Day” does indeed make an appearance in Wim Wenders’ “Perfect Days”: on the protagonist’s stereo as suitably ideal sunlight pours into his small, neat Tokyo apartment, before swarming the soundtrack as we head out into the city on a calm weekend afternoon. If that sounds a little obvious, basic even, said protagonist Hirayama — a mellow, soft-spoken toilet cleaner beautifully played by Kōji Yakusho — would probably agree with a shrug. He’s into simple pleasures, not deep cuts. His solitary life is built around the things that make him happy and the work that keeps him solvent. He’s not inclined to wonder what other people make of it. Wenders’ film, in turn, is sincere and unassuming, and owns its sentimentality with good humor.