Kendall Jenner may be a member of the first family of reality television, but is now admitting it’s not the kind of life she would have chosen for herself.
06.06.2023 - 17:29 / variety.com
Jessica Kiang Apparently determined to prove herself francophone cinema’s most inexhaustible precious resource, Virginie Efira once again lights up the screen prior to burning it down in a role that, after Justine Triet’s “Sibyl,” Paul Verhoeven’s “Benedetta” and Rebecca Zlotowski’s “Other People’s Children,” is of a type she has come to define: the strong-willed, smart fortysomething woman chafing against her society’s conformist expectations. Delphine Deloget’s debut “All to Play For” features one of Efira’s more straightforward incarnations of this dramatic type — fewer sly kinks, no arch winks. But she is no less riveting and lovely for it and in Deloget’s confident, gentle grip, she turns in one of her most committed performances, all the more moving for its commitment to valorizing the kind of woman seldom treated on screen with such respect and compassion.
The woman is Sylvie, introduced to us while mid-shift at her job in a busy Brest nightclub venue on a typically chaotic, sweaty night. Liquid sprays from a busted beer line; a woman passes out in the crush; someone has brought, then abandoned, a live chicken. Harried but good-humored, Sylvie wraps the tap, deposits the woman on a sofa in the cluttered backstage green room, and shoos the chicken in after her. This swift, no-nonsense woman’s job may be bartender, but in between serving drinks and shrugging off the flirtations of drunken regulars, it’s already clear that she’s an all-round, equal-opportunities caregiver too. She’s the type of woman who will look after her troubled, seizure-prone brother Hervé (Arieh Worthalter) whenever he’s in town, and who will babysit for a neighbor even when doing so robs her of the chance for a much-needed nap. But holding
Kendall Jenner may be a member of the first family of reality television, but is now admitting it’s not the kind of life she would have chosen for herself.
Nick Vivarelli International Correspondent British actor Jefferson Hall (“House of the Dragons,” “Oppenheimer”) will soon appear on screen in Emirati director Nayla Al Khaja’s psychological thriller “Three,” about a young boy who appears to be possessed. Al Khaja – who is known for standout shorts including horror film “The Shadow” and “Animal” that both play on Netflix – has just wrapped the independently-produced “Three,” her debut feature, which was shot in Thailand. Besides, Hall, “Three” also stars Faten Ahmed; Noura Alabed (“Wiladah”); veteran U.A.E. actor Mari Al Halyan (“On Borrowed Time”); Mohannad Bin Huthail (“Rashash”) and emerging Emirati talent Saud Alzarooni.
The war in the kitchen is over, for now. Season 2 of FX’s “The Bear” is not about head chef Carmy (Jeremy Allen White), his co-owner cousin Richie (Eben Moss-Bachrach), and sous chef Sydney (by long-reigning series MVP Ayo Edibiri) commandeering a lively Chicago beef kitchen as if it were a battleship, ordering their fellow chefs to fire up every chicken they’ve got or to make giardiniera from scratch.
Exes Tarek El Moussa and Christina Hall (née Haack) and their spouses got together to celebrate daughter Taylor’s sixth-grade graduation.
Soccer Aid is back for another year with two teams made up of celebrities and former professional players taking part in the charity match.
Jimmie Allen is being sued for sexual assault by a second woman.
A family in turmoil. Ioan Gruffudd has had a rocky road with estranged wife Alice Evans and their two daughters since filing for divorce in March 2021.
Footballer Josh Wright is set to star in a new travel series on BBC One.
Kim Cattrall is taking on a new role.
Jennifer Garner, 51, showed off her bright smile and perky personality while posing for a round of photos on the red carpet. The event also brought out fellow newcomers Tyrel Jackson Williams and Zoe Chao, along with original stars Jane Lynch, Ken Marin, Martin Starr and Ryan Hansen. While main cast members Adam Scott and Megan Mullally returned for the six-episode revival, they were able to make to the special FYC screening, seemingly due to previous commitments.
Elsa Keslassy International Correspondent Aside from its Palme d’Or for Justine Triet’s “Anatomy of a Fall,” the French cinema world is also celebrating the near-complete recovery of French box office after the pandemic. Ticket sales are still 11.6 % down on the average levels of 2017 to 2019, but the good news is that the B.O. jumped by 33% with 82.38 million admissions during the first five months of 2023, according to the CNC (National Film Board). The upward trend is driven by the spike in anticipated U.S. movies being released — they skyrocketed from 29 in 2022 to 51 in 2023 during the first five months, according to Comscore France. There’s also been a tide of successful French movies, ranging from big-budget, franchise-based movies like Guillaume Canet’s “Asterix and Obelix: The Middle Kingdom,” Philippe Lacheau’s “Alibi.com 2” and Martin Bourboulon’s “The Three Musketeers: D’Artagnan,” to original fare like the Omar Sy starrer “Father and Soldier” and François Ozon’s 1950’s-set courtroom comedy “The Crime is Mine.” Maiwenn’s “Jeanne du Barry” starring Johnny Depp ranks as May’s fifth biggest hit with more than 550,000 admissions ($4.3 million) since its world premiere on opening night of the Cannes Film Festival.
Josh Dallas (series protagonist Ben Stone) thinks there’s enough gas in the tank to fuel another takeoff.“I believe [the series’ final episode] is … the perfect ending for these characters,” Dallas, 44, told The Post. “It’s terrifying, emotional and surprising.
The growing row around Cannes Palme d’Or winner Justine Triet’s politicized victory speech as she received the coveted award for courtroom drama Anatomy Of A Fall spilt into the French parliament on Tuesday.
Jane Fonda took matters into her own hands over the weekend at the 2023 Cannes Film Festival. The 85-year-old veteran actress introduced the Palme d'Or Award to French director Justine Triet.Fonda introduced the historic moment, noting that seven female directors were nominated for the prestigious award for the first time and applauding the festival for its progress.She then gave Triet the award for her film.
Elsa Keslassy International Correspondent David Thion, the French producer of Justine Triet’s Palme d’Or winning “Anatomy of a Fall,” is reteaming with Guillaume Senez for “Une part manquante,” a Tokyo-set drama which Be For Films is representing in international markets. “Une part manquante” will also reunite Senez with popular French actor Romain Duris, who starred in his 2018 film “Our Struggles” and earned a Cesar nomination for it. Brussels-based Be For Films had sold “Our Struggles” in most major territories and presented at a flurry of international festivals. Duris will play Jay, who hasn’t seen his daughter for nine years since getting separated from his Japanese wife. As a foreigner residing in Japan, Jay was denied custody of his daughter. Hoping to find her somewhere in the city, he abandons his career as a renown chef and becomes a taxi driver. After all these years searching in vain, Jay is about to give up and move back to France when Lily hops in his cab. But she doesn’t recognize him.
Jane Fonda found a way to get director Justine Triet’s attention after she left the stage without her award at the Cannes Film Festival over the weekend.
Ben Croll Launching out of Cannes Premiere, Valerie Donzelli’s “Just the Two of Us” is a feverish psychological thriller about a woman brought deeper and deeper into a toxic relationship. And if Donzelli had always intended to make the project ever since reading the source novel back in 2014, the lockdowns of 2020 helped push certain elements to the front of her mind. “It’s really the story of a woman trapped under glass,” Donzelli tells Variety. “She’s confined with her husband, isolated and unable to see anyone, cut off from the world. I really wanted to explore how this hold makes you more and more disconnected from life.”
Elsa Keslassy International Correspondent The Cannes Film Festival managed to avoid pensions reform’s protests and a power cut during its entire duration, but Palme d’Or winning director Justine Triet made up for both with a fiery political speech that took aim at the French government. Her impassioned plea became instantly viral and has been dominating headlines in French media. After being introduced on stage by Jane Fonda and thanking her partners on the film and Cannes’ jury, Triet said the country “was rocked by an unprecedented protest movement that was extremely powerful and unanimous against the pensions reform.” She argued that the “protest was denied and suppressed in a shocking manner, and this pattern of increasingly uninhibited dominating power is now at work in several areas; obviously socially is where it is the most shocking, but we also see it in all spheres of society, and the film industry hasn’t been spared,” said Triet, drawing cheers and a few boos from the captive audience inside the Lumiere Theater.
pic.twitter.com/6tv8TEj8zwFonda, an honorary Palme d’Or winner herself, presented Triet the prestigious award for her dramatic thriller film “Anatomy of a Fall” (“Anatomie d’une Chute”). In her speech, Fonda reflected on the first time she attended the French film festival many years ago.“There were no women directors competing at that time, and it never even occurred to us that there was something wrong with that,” Fonda said. “We have a long way to go.
Cannes jury head has described the process of selecting the Competition winners as a “very intense experience”, at the jury press conference following the Palme d’Or victory for Justine Triet’s Anatomy Of A Fall. You can see the full list of winners here.