Jonathan Glazer Latest Celebrity News & Gossip

Nominations for the EE British Academy Film Awards will be unveiled Thursday in London via a livestream that begins at 12 pm GMT/4 AM PST.

Rebecca Rubin Film and Media Reporter “Barbenheimer” forever! Greta Gerwig and Christopher Nolan, the filmmakers behind last summer’s blockbusters “Barbie” and “Oppenheimer,” are among the best feature film director nominees at the 76th annual DGA Awards. The Directors Guild of America nominated five directors in total, including Martin Scorsese for “Killers of the Flower Moon,” Yorgos Lanthimos for “Poor Things” and Alexander Payne for “The Holdovers.” “In a year full of so many extraordinary films, DGA members have nominated an incredible group of gifted storytellers,” Directors Guild of America president Lesli Linka Glatter said in a statement.

Everyone remember filmmaker Jonathan Glazer’s 2000 British cult crime drama and debut feature, “Sexy Beast” with Ben Kingsley and Ray Winstone? Of course you do, it’s a stone cold classic even if it is relatively straightforward compared to Glazer’s latter day more enigmatic masterpieces like “Under the Skin” (2013), and “The Zone of Interest” (the latter of which we named the Best Film of 2023).

There was one last critics’s group to give their say on the top films and performances of 2023, the National Society of Film Critics, and they didn’t disappoint. In a mild surprise, the NSFC picked Celine Song’s “Past Lives” as Best Picture in a weighted voting system ahead of Jonathan Glazer’s “The Zone of Interest” and Christopher Nolan’s “Oppenheimer.” The A24 release premiered at the 2023 Sundance Film Festival almost a year ago.

The National Society of Film Critics 58th annual awards has honored Celine Song’s directorial debut Past Lives for its top prize, beating out runners-up Oppenheimer and The Zone of Interest for Best Picture.

The BAFTA Film Awards have unveiled this year’s longlists for 24 categories, and in the lead are Christopher Nolan’s Oppenheimer, Greta Gerwig’s Barbie, and Martin Scorsese’s Killers Of The Flower Moon. Scroll down for the lists in full.

French director Justine Triet’s Cannes Palme d’Or winning film Anatomy Of A Fall swept the awards at 36th European Film Awards in Berlin this evening, winning Best European Film, Director, Screenplay (with Arthur Harari) and actress for Sandra Hüller.

Cinema professionals from across Europe are gathered in Berlin this evening for the 36th European Film Awards.

Leo Barraclough International Features Editor The 36th European Film Awards are underway at the Arena in the German capital of Berlin. The awards have been voted on by the 4,600 members of the European Film Academy.

Cinema professionals from across Europe are gathering in Berlin this weekend for the ceremony of the 36th European Film Awards on Saturday evening.

It’s been about ten years since filmmaker Jonathan Glazer’s last feature, the chilling and dazzling “Under The Skin,” starring Scarlett Johansson as an alien who begins to learn empathy. His latest, “The Zone Of Interest,” is arguably the opposite, about a family and community of affluent Germans and Nazis, who arguably ignore their sense of empathy, living next door to the most famous concentration camp of all time.

Leo Barraclough International Features Editor Jonathan Glazer’s “The Zone of Interest” and Aki Kaurismäki’s “Fallen Leaves” led the European Film Awards race after nominations for the major categories were revealed Tuesday. The films were nominated in all five major categories – European film, director, screenwriter, actor and actress. Justine Triet’s “Anatomy of a Fall” was close behind with four nominations – film, director, screenwriter and actress.

Finnish filmmaker Aki Kaurismäki’s Fallen Leaves and UK director Jonathan Glazer The Zone Of Interest lead the nominations in the main categories of the 36th European Film Awards which will take place in Berlin on December 9.

Leo Barraclough International Features Editor A24 has forged an exclusive output deal with Happinet Phantom Studios covering the distribution in Japan of A24’s upcoming releases, including Alex Garland’s action film “Civil War,” starring Kirsten Dunst, which has a highly anticipated launch at AFM this week. Happinet and A24 have worked together on the release of a number of films in Japan, including triple Oscar winner “Moonlight,” and “Midsommar,” whose gross in the territory was the biggest outside North America.

“The events of the last couple of days have been quite difficult for everybody,” said filmmaker Jonathan Glazer as his film about a Nazi commander at Auschwitz screened Sunday at the New York Film Festival.

Ben Croll Remarking on the sterling success of Yorgos Lanthimos’ “Poor Things” in Venice and of Jonathan Glazer’s “The Zone of Interest” in Cannes, “All Quiet on the Western Front” director Edward Berger has noticed a trend – and he hopes to apply that recognition back to the German industry. “Film4 came and took [filmmakers like Jonathan Glazer,] Yorgos Lanthimos and Steve McQueen and gave them the opportunity, fostering them and sheltering them and [helping] them make their movies — and look where they are now,” said Berger at a Venice Film Festival panel.

Christopher Vourlias When U.K. writer-director Jonathan Glazer approached Polish cinematographer Łukasz Żal about “The Zone of Interest,” a provocative Holocaust drama adapted from a 2014 novel by Martin Amis, he had a bold proposition for the film, which centers on the domestic life of an Auschwitz commandant and his family living in the shadow of the notorious concentration camp. What if, Glazer suggested, they shoot the scenes inside the Höss family home without a single camera on set? Working on location, production designer Chris Oddy and his crew built a replica of the camp commandant’s real-life house.

French filmmaker Claire Denis has been announced as the jury president for the Official Section of the 71st San Sebastian Film Festival, running from September 22-30.

Clayton Davis Senior Awards Editor Actor Sandra Hüller could be the critical darling of awards season with two acclaimed performances in two high-profile international feature contenders, France’s “Anatomy of a Fall” from Justine Triet and United Kingdom’s “The Zone of Interest” from Jonathan Glazer. The German performer has opted to campaign her work in Glazer’s Holocaust-era drama for best supporting actress, Variety can reveal exclusively, greatly increasing her chances for possible double acting recognition this year. Her work in Triet’s French Oscar hopeful will be submitted for lead actress consideration.

Matt Donnelly Senior Film Writer Malia Obama, Oscar-winning directors The Daniels and “The Mandalorian” star Pedro Pascal were just a few of the notables who turned up in force for the first Los Angeles screening of A24’s holocaust drama “The Zone of Interest” on Tuesday night. The intimate gathering at West Hollywood’s London Hotel was something akin to a bucket of ice water in a social Mojave, as the ongoing Hollywood strikes have shuttered red carpets and made party RSVPs into war room fodder for talent publicists and studio communications executives.

TELLURIDE – At a festival full of gutsy films Daina O. Pusić’s directorial feature debut, “Tuesday,” may be the most visionary of them all.

Over the past 20+ years, filmmaker Jonathan Glazer has only released a total of 3 films, with his last one being 2013’s “Under the Skin, a film that is often regarded as one of the best of the 2010s. So, needless to say, folks are really excited to see the long-awaited WWII drama, “The Zone of Interest,” Glazer’s upcoming film, which has finally been given an official release date.

Over the past 20+ years, filmmaker Jonathan Glazer has only released a total of 3 films, with his last one being 2013’s “Under the Skin, a film that is often regarded as one of the best of the 2010s. So, needless to say, folks are really excited to see the long-awaited WWII drama, “The Zone of Interest,” Glazer’s upcoming film, which has finally been given an official release date.

Clayton Davis Senior Awards Editor A24’s “The Zone of Interest” is spoken in German, but was filmed in Poland and is written and directed by a British auteur. So what does that mean for its prospects for best international feature at the Oscars? Written and directed by Jonathan Glazer, “The Zone of Interest” premiered last week at the Cannes Film Festival where it emerged as an early favorite for the coveted Palme d’Or after receiving widespread acclaim. The film tells the story of a commandant of Auschwitz, Rudolf Höss (Christian Friedel), and his wife Hedwig (Sandra Hüller) who strive to build a dream life for their family in a house and garden next to the camp that was one of the sites where six million Jews were murdered.

Clayton Davis Senior Awards Editor The Cannes Film Festival has had its fair share of impressive movie premieres this year, with audiences embracing new films from the likes of Jonathan Glazer, Todd Haynes and and Hirokazu Kore-eda. But even the most sustained standing ovation doesn’t guarantee that a movie will walk away with the Palme d’Or, Cannes’ highest honor. It all depends on the vagaries of the jury’s taste, and this one is headed up by Ruben Östlund, a two time Palme d’Or winner for “Triangle of Sadness” and “The Square.” And it’s not just Östlund’s decision to make. The ultimate victor will come down to the personal opinions of jury members Maryam Touzani, Denis Ménochet, Rungano Nyoni, Brie Larson, Paul Dano, Atiq Rahimi, Damián Szifrón and Julia Ducournau.

“The Zone of Interest,” which premiered on Friday, the British director Jonathan Glazer said he’s been thinking about making a film about the Holocaust for many years, but only figured out the story he wanted to tell after he visited Auschwitz a few years ago. “When we started the film I wasn’t sure what film we were going to make, what perspective it would be from,” he said. But then he visited the camp where 1 million European Jews were gassed and incinerated, and 150,000 others murdered as well. “It began to evolve from my own journey, that visit,” Glazer said. “The house and garden the commandant lived in … Its proximity to the camp was jaw-dropping.

Rebecca Rubin Film and Media Reporter “The Zone of Interest,” writer-director Jonathan Glazer’s searing Nazi drama about the banality of evil, became the talk of Cannes Film Festival after its debut on Friday night. But the director admits he didn’t know the story he wanted to tell before the cameras were rolling. “You never really know why you tackle and subject. It’s an ever-evolving journey,” he said at Saturday’s press conference for the movie. “It wasn’t one particular moment that I knew I was going to make this film. When I started the process, I didn’t know what perspective we were coming from.” In the end result, “The Zone of Interest,” which is loosely based on the 2014 novel by Martin Amis, tells the story of Rudolf Höss, a Nazi commandant who designed and built Auschwitz. It also looks at his relationship with his wife Hedwig, as they create their dream life directly next door to the concentration camp. In crafting a portrait of the Holocaust, Glazer says he conducted an “enormous amount of research” to capture the divide between the Höss family’s mundane domestic dramas and Auschwitz, which lies on the other side of the garden walls.

Zack Sharf Digital News Director Jonathan Glazer just delivered the first instant sensation of the 2023 Cannes Film Festival. “The Zone of Interest,” only the director’s fourth feature film after “Sexy Beast,” “Birth” and “Under the Skin,” earned a six-minute standing ovation following its world premiere. Glazer’s film is austere and challenging as it tells the story of the commandant of Auschwitz and his wife, who have created their dream home directly next to the concentration camp. The constant screams of prisoners, gun shots and smoke from the gas chambers haunt their paradise, but their indifference to such horrors creates a terrifying and sinister juxtaposition.

CANNES – If anyone tells you the world doesn’t need any more films about the holocaust or the atrocities perpetrated by the Nazis in 2023, we’d suggest you politely correct them. Despite over eighty years of cinema on the subject, there continue to be new stories waiting to be told (and some re-told).

Zack Sharf Digital News Director The 2023 Cannes Film Festival is jam-packed with buzzy world premieres, from Martin Scorsese’s “Killers of the Flower Moon” to Wes Anderson’s “Asteroid City.” Todd Haynes is also back to unveil “May December,” featuring the A-list pairing of Natalie Portman and Julianne Moore, while Disney is bringing Harrison Ford to the Croisette for “Indiana Jones and the Dial of Destiny.” New films from Pedro Almodovar, Jessica Hautner, Jonathan Glazer, Catherine Corsini, Hirokazu Kore-eda and more are also set to make their debuts at Cannes this year. Cannes is often seen as a launching pad for Oscar season. Warner Bros. in 2022 kicked off its lengthy awards run for Baz Luhrmann’s “Elvis” on the French Riviera, with the film going on to land eight Academy Award nominations, including best picture. Palme d’Or winner “Triangle of Sadness” also picked up Oscar nods for best picture, director and original screenplay. Two international film nominees, “Close” and “EO,” launched at last year’s festival, while “Aftersun” best actor nominee Paul Mescal got his awards start in the Directors Fortnight sidebar. All of this is to say the industry will be closely watching the buzz on all of this year’s world premieres.