Claire Denis To Preside Over San Sebastian Film Festival Jury And Hayao Miyazaki Set For Honorary Award

Jessica Chastain is making a glamorous arrival at the 2023 San Sebastian Film Festival.

Isabel Coixet recounts that she vowed to never to do another literary adaptation after her 2017 English-language feature The Bookshop based on Penelope Fitzgerald’s critically acclaimed 1978 novel of the same name.

Holly Jones Incendiary Spanish director Isabel Coixet (“The Secret Life of Words”) heads to San Sebastian for the international premiere of her latest drama “Un Amor,” a take on devouring love starring Laia Costa (“Lullaby”) and Hovik Keuchkerian (“Money Heist”) that sets Coixet up to compete on the festival’s main stage for the first time. “Un Amor” is produced by Buenapinta Media’s Marisa Fernández Armenteros (“The Mole Agent”) alongside “Society of the Snow” producers Sandra Hermida and Belén Atienza, here producing out of Perdición Films. World sales are handled by Film Constellation (“Return to Reason”).

Perhaps the French selection committee knows something we don’t, but they turned the race or the International Film Oscar on its head today. Instead of selecting Justine Triet’s Palme d’Or winner, “Anatomy of a Fall,” a likely Best Picture nominee, the group picked Tran Anh Hung’s sublime but terribly re-titled “The Taste of Things” (still known as “The Pot-au-Feu” in the rest of the world) instead.

France has submitted The Taste Of Things as its candidate for the Best International Feature Film at the 96th Academy Awards, in a major upset after Justine Triet’s Cannes Palme d’Or winner and hot favorite Anatomy Of A Fall was shut out.

The Taste of Things” over “Anatomy of a Fall,” Justine Triet’s Palme d’Or winning film, to represent the country in the international feature film race. “The Taste of Things” (previously titled “The Pot-au-Feu”) won best director at Cannes for French-Vietnamese filmmaker Trần Anh Hùng. Starring Juliette Binoche and Benoit Magimel, the period movie was bought by IFC Films and Sapan Studios.

McKinley Franklin editor Hayao Miyazaki’s “The Boy and the Heron” will open Animation Is Film on Oct. 18 at the TCL Chinese Theatre in the festival’s first IMAX premiere, the organization announced Thursday. The Animation Is Film Festival, sponsored by Variety, will run from Oct.

The American French Film Festival (TAFFF), which had been due to take place in L.A. from October 18 to 22, has been shelved due to the writers and actors strikes.

EXCLUSIVE: Everybody mingles at Telluride. I have this abiding memory of Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences, at the festival’s opening-day brunch set atop a mountain in the San Juan range of the Rockies, bounding over to Cannes Palme d’Or winner Justine Triet and Sandra Hüller, her sublime lead star in the prize-winning movie Anatomy of a Fall.

The San Sebastian International Film Festival has long been considered the most intimate of the A-list festivals, neatly wrapping up a hectic fall festival season as delegates descend on the enchanting seaside city in Northern Spain. But in the last few years, the event has cemented itself into a festival reputed for championing new talent and emerging voices across all sections of its programming.  

Spanish cinema has undoubtedly been making a strong imprint on the international film festival circuit throughout the last few years and, crucially, there’s a new wave of female filmmakers that are driving this charge. 

Belgium has selected Omen, the debut feature from rapper-turned-filmmaker Baloji, as its entry for the Best International Feature Film category at the 2024 Oscars.

Naman Ramachandran The 19th Zurich Film Festival promises to be a star-studded affair with plenty of Hollywood A-list talent attending. Todd Haynes will be honored with the festival’s A Tribute to… Award and will present his film “May December.” Previous recipients include Paolo Sorrentino, Wim Wenders, Olivier Assayas, Claire Denis, Michael Haneke, Oliver Stone, Maïwenn and Luca Guadagnino. “It’s a real honor to celebrate this master of American cinema.

Naman Ramachandran The 31st edition of London’s Raindance Film Festival will open with the U.K. premiere of British actor Jack Huston’s directorial debut “Day of the Fight.” The film comes to Raindance fresh off its Venice debut, where Huston was honored by Variety as a breakthrough director. The story of a once-renowned boxer who takes a redemptive journey through his past and present on the day of his first fight since he left prison stars Michael Pitt alongside a cast including Ron Perlman, Joe Pesci, and a cameo from Steve Buscemi.

Elysian Film Group, Anonymous Content, and Bleecker Street have jointly acquired UK rights to The Boy and the Heron, the latest feature from celebrated Japanese filmmaker Hayao Miyazaki.

The Venice Film Festival’s Golden Lion has been given to a winner!

It’s interesting how the Venice Film Festival has gone from one of the festivals of the fall festival season to arguably the best film festival in the world now, even overshadowing Cannes in recent years thanks to the fact that Netflix now avoids the Croisette for the most part because of France’s theatrical laws and save their Oscar contenders for the Lido. Venice has had an amazing run, arguably since 2017 when Guillermo del Toro’s “The Shape Of Water” won the top prize and then went on to win the Oscar for Best Picture, which has happened one more time since with “Nomadland” and several key Oscar contenders since).

Ben Croll Remarking on the sterling success of Yorgos Lanthimos’ “Poor Things” in Venice and of Jonathan Glazer’s “The Zone of Interest” in Cannes, “All Quiet on the Western Front” director Edward Berger has noticed a trend – and he hopes to apply that recognition back to the German industry. “Film4 came and took [filmmakers like Jonathan Glazer,] Yorgos Lanthimos and Steve McQueen and gave them the opportunity, fostering them and sheltering them and [helping] them make their movies — and look where they are now,” said Berger at a Venice Film Festival panel.

It is only appropriate that Sony’s terrific new comedy, Dumb Money starts with the Columbia Pictures logo. That was the studio that Frank Capra famously helped build with his movies where the little guy triumphs over the corporate bad guys. Dumb Money is positively Capraesque in the way it tells its David vs Golitath improbable story about how an internet geek started a movement that blew up the heretofore loser stock of shopping mall game store GameStop and became the toast of Wall Street while bankrupting a couple of billionaire hedge funds in the process. It had its World Premiere tonight at the Toronto International Film Festival before its theatrical release later this month.

his last flick, “The Wind Rises,” and it’s assumed he won’t churn out another after this.However, should this be the end of the road for him, take heart that the Japanese director’s visual majesty and uncontrollable imagination are as fully present as ever. And so is his unparalleled understanding of what makes children tick. A filmmaker rarely goes out with his head held so high.“Heron” is not as perfect as some of Miyazaki’s past movies.