‘Zone of Interest’ Director Jonathan Glazer on Portraying Nazis as People: ‘Human Beings Did This to Other Human Beings’

sharing an anti-Nazi quote, with fans accusing him of fascism and intolerance.Morello, who has played guitar with the rock band for more than three decades, posted the quote to his Twitter page Wednesday. “German saying: If 9 people sit down at a table with 1 Nazi without protest, there are 10 Nazis at the table,” the post read. While the quote was unattributed, it clearly claims those who politely engage with people who demonstrate hateful behavior are complicit in their bad acts.

Well, this is ironic timing!

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Matty Healy is addressing backlash he faced after seemingly mocking rapper Ice Spice’s ethnicity earlier this year. 

Images of Manchester United's home kit for the 2023/24 season have yet again been 'leaked' after the shirt was spotted in a New York-based Adidas store.

Manori Ravindran Executive Editor of International Jonathan Glazer’s Nazi drama “The Zone of Interest” has sold into major international territories following its buzzy Cannes world premiere. The film centers on the family of a high-ranking SS official that lives next door to Auschwitz concentration camp. The pic has sold into: Austria and Germany (Leonine), Benelux (Cineart), France (BAC), Greece (Spentzos), Italy (I Wonder), Japan (Happinet Phantom Studios), Scandinavia (SF Studios), Spain (Elastica) and Switzerland (Filmcoopi). In Poland — a significant sales market for the film given it is set there — Gutek has come on board as distributor. (A24 was selling worldwide rights for the film, but did not handle the Polish sale.)

Clayton Davis Senior Awards Editor A24’s “The Zone of Interest” is spoken in German, but was filmed in Poland and is written and directed by a British auteur. So what does that mean for its prospects for best international feature at the Oscars? Written and directed by Jonathan Glazer, “The Zone of Interest” premiered last week at the Cannes Film Festival where it emerged as an early favorite for the coveted Palme d’Or after receiving widespread acclaim. The film tells the story of a commandant of Auschwitz, Rudolf Höss (Christian Friedel), and his wife Hedwig (Sandra Hüller) who strive to build a dream life for their family in a house and garden next to the camp that was one of the sites where six million Jews were murdered.

“It felt like this bloody world needed some love stories now,” Fallen Leaves director Aki Kaurismäki said of his Palme d’Or contender this afternoon.

Clayton Davis Senior Awards Editor The Cannes Film Festival has had its fair share of impressive movie premieres this year, with audiences embracing new films from the likes of Jonathan Glazer, Todd Haynes and and Hirokazu Kore-eda. But even the most sustained standing ovation doesn’t guarantee that a movie will walk away with the Palme d’Or, Cannes’ highest honor. It all depends on the vagaries of the jury’s taste, and this one is headed up by Ruben Östlund, a two time Palme d’Or winner for “Triangle of Sadness” and “The Square.” And it’s not just Östlund’s decision to make. The ultimate victor will come down to the personal opinions of jury members Maryam Touzani, Denis Ménochet, Rungano Nyoni, Brie Larson, Paul Dano, Atiq Rahimi, Damián Szifrón and Julia Ducournau.

Adidas has formally announced its plans for some of the remaining stock of Kanye West's Yeezy footwear brand. The fate of the shoes, which are valued at $1.3 billion, was kept in limbo after West's antisemitic comments and the subsequent end of their business relationship in October 2022.

Tallulah Serns has been through a lot lately.

Adidas announced on Friday that it plans to sell off the Yeezy products it has been sitting on ever since its partnership with Kanye West collapsed last year, with “a significant amount” of the money generated going to organisations that combat discrimination and hate.The sportswear company announced in October that it was terminating its long-running and very profitable alliance with West after his increasingly controversial racist and antisemitic statements made the partnership untenable. The sudden axing of the deal around West’s Yeezy brand left Adidas sitting on a lot of unsold stock and the company has been figuring out what to do with it ever since.Friday’s announcement said that some of that stock will now be put on sale via the Adidas website and app before the end of this month.

Kanye West Yeezy shoes will benefit organisations fighting antisemitism.Last year, Adidas cut ties with West and his Yeezy brand after the rapper shared a string of hate-fuelled rants aimed at the Jewish community.“Ye’s recent comments and actions have been unacceptable, hateful and dangerous, and they violate the company’s values of diversity and inclusion, mutual respect and fairness,” said Adidas at the time.Earlier this month, Adidas’ CEO Bjørn Gulden said that the decision was “hurting” the business and revealed they would be selling the remaining stock [worth an estimated £960million], with proceeds set to be donated to the organisations “that help us and were harmed by what Ye said”.It’s now been confirmed that proceeds will go to “leading anti-hate organisation” The Anti-Defamation League which is the “global leader in combating antisemitism, countering extremism and battling bigotry wherever and whenever it happens”.The Philonise & Keeta Floyd Institute for Social Change, which was founded by George Floyd’s brother Philonise, will also receive money from the sale of Yeezys.

reported by Screen International, how it’s impossible to watch the film today and not look at the present. “As white Europeans or Americans through the accident of our birth, we were born into aspects of wealth that were gained through hundreds of years of enslavement of people who didn’t look like us – hundreds of years ago, so we’re conveniently distanced from that.”Cannes Gets a Jump on Blockbuster SeasonCannes may be all about prestige features and future Oscar contenders but that’s no reason it can’t also act as a launchpad for a rather full summer movie season.

“The Zone of Interest,” which premiered on Friday, the British director Jonathan Glazer said he’s been thinking about making a film about the Holocaust for many years, but only figured out the story he wanted to tell after he visited Auschwitz a few years ago. “When we started the film I wasn’t sure what film we were going to make, what perspective it would be from,” he said. But then he visited the camp where 1 million European Jews were gassed and incinerated, and 150,000 others murdered as well. “It began to evolve from my own journey, that visit,” Glazer said. “The house and garden the commandant lived in … Its proximity to the camp was jaw-dropping.

Jonathan Glazer’s first directed title in 10 years, The Zone of Interest, shows an aspect of the Holocaust never seen, that from the POV of the Nazis who lived outside the Auschwitz camp, building dream lives of their own.

Clayton Davis Senior Awards Editor With Jonathan Glazer’s previous films “Under the Skin” and “Birth,” the man was playing checkers. Now he’s playing chess with “The Zone of Interest.” For 105 minutes, the auteur filmmaker who’s helmed just three feature films, including the 2000 crime thriller “Sexy Beast” with Oscar nominee Ben Kingsley, puts the audience through the wringer with his bleak Nazi drama told from the perpetrator’s perspective. The result is the first major Oscar player to emerge from the Cannes Film Festival, and a serious contender for the coveted Palme d’Or. “Interest” is not for the faint of hearts. It’s a grueling endeavor that doesn’t use imagery to depict the horrors that resulted in the murdering of six million Jews. Instead, the soundscape provided by his frequent collaborator Johnnie Burn, the sound designer who’s snubbed work includes “The Favourite” and “Waves,” lays down his most audacious work yet.

Zack Sharf Digital News Director Jonathan Glazer just delivered the first instant sensation of the 2023 Cannes Film Festival. “The Zone of Interest,” only the director’s fourth feature film after “Sexy Beast,” “Birth” and “Under the Skin,” earned a six-minute standing ovation following its world premiere. Glazer’s film is austere and challenging as it tells the story of the commandant of Auschwitz and his wife, who have created their dream home directly next to the concentration camp. The constant screams of prisoners, gun shots and smoke from the gas chambers haunt their paradise, but their indifference to such horrors creates a terrifying and sinister juxtaposition.

CANNES – If anyone tells you the world doesn’t need any more films about the holocaust or the atrocities perpetrated by the Nazis in 2023, we’d suggest you politely correct them. Despite over eighty years of cinema on the subject, there continue to be new stories waiting to be told (and some re-told).

Cannes Film Festival on Friday, Glazer’s disquieting essay-film takes place almost entirely in and around the comfortable, middle-class home of Auschwitz commandant Rudolf Höss, tackling both the banality and quiet domesticity of evil with eerie formal rigor.Viewed from afar, Rodolf (Christian Friedel) and Hedwig (Sandra Hüller) live an idyllic and unexceptional life. They’re happily married, upwardly mobile strivers, with faith in their government and hope for the future.