Cannes 2024: What’s In The Mix? (Part 2)

Annika Pham Norwegian broadcaster NRK has excelled in recent years at bringing bold and thought-provoking shows to the world. After their latest Canneseries winners “Power Play” (2023), “Afterglow” (2022), “Countrymen” (2021) and “State of Happiness” (2018), their latest bet “Dumbsday” (“Dummedag”) has its international premiere April 8 in the French TV festival’s main competition. It first aired on the Norwegian pubcaster Nov.

John Hopewell Chief International Correspondent CANNES — For years, reports of MipTV’s terminal decline were somewhat exaggerated. Now, however, they’re real. On March 26, RX France, organizers of MipTV, announced the launch of Mip London, over Feb.

John Hopewell Chief International Correspondent In an acquisition which underscores the often shared sensibility between Canal+, France’s biggest pay TV operator, and Movistar Plus+, the largest Spanish pay TV player, Canal+ has acquired Canneseries winner “The Left-Handed Son” (“El hijo zurdo”), a Movistar Plus+ original series. The series will bow on Canal+ on April 5 in a deal brokered by Movistar Plus+ International. A psychological thriller with a lyrical undertow which surfaces to moving effect in key scenes, “The Left-Handed Son” marks the auspicious directorial debut of Rafael Cobos, the career-long co-scribe of Alberto Rodríguez, from 2005’s “7 Virgins” through international hit “Marshland” to 2017’s “The Plague,” still one of the biggest series which Movistar Plus+ has ever made.

Elsa Keslassy International Correspondent With one week to go before the press conference unveiling the 77th Cannes Film Festival Official Selection, director Thierry Fremaux is pledging to remain zen — despite wrestling with submission delays, reverberations of Hollywood’s double strikes and high expectations after last year’s edition unveiled Oscar winners “The Zone of Interest” and “Anatomy of a Fall.” This year’s edition is already heating up, with George Miller’s “Furiosa: A Mad Max Saga” confirmed to premiere at the festival and Quentin Dupieux’s “A Second Act,” starring Léa Seydoux, set as the opening night film. In his first and only interview ahead of the lineup reveal, Fremaux tells Variety all about this year’s edition, including his hopes to welcome back Francis Ford Coppola with “Megalopolis” and Yorgos Lanthimos with “Kinds of Kindness,” his appeal to Ted Sarandos to lure Netflix back on the Croisette, his stance on France’s new #MeToo reckoning, the presence of female directors at the festival and how geopolitical turmoil may shape the Official Selection. Last year was a milestone year for the Cannes Film Festival. How did you approach this year’s lineup, and how many films have been selected so far? The unanimous feedback we got is that 2023 was a really great year.

The 77th Cannes Film Festival (May 14-25) will open with Quentin Dupieux‘s French-language comedy road movie Le Deuxième Acte (The Second Act).

Elsa Keslassy International Correspondent The 77th edition of the Cannes Film Festival will kick off with Quentin Dupieux‘s “The Second Act,” a star-studded surreal French comedy headlined by Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard, Variety has learned. The anticipated movie is produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and is represented in international markets by Kinology.

Anna Marie de la Fuente While a number of films have been made about Panama’s Indigenous communities, few are by native filmmakers themselves. To date, perhaps only three Indigenous Panamanian filmmakers have ventured into filmmaking. Duiren Wagua, whose documentary feature debut “Bila Burba” plays at this year’s 12th Panama International Film Festival (IFF Panama), running April 4-7, is hoping to change the status quo.

Leo Barraclough International Features Editor Mario Van Peebles has been tapped to direct “That’ll Be the Day,” the story of how Buddy Holly and other musicians of the late 1950s helped give birth to rock ‘n’ roll and influence the wider societal and cultural landscape, including the civil rights movement. Music has been central to much of Van Peebles’ work, from his 1991 gangster movie “New Jack City” to his work on “Wu-Tang: An American Saga,” which he co-executive produced for Hulu.

The Cannes Film Festival’s Marché du Film is launching a new initiative, bannered Cannes Remakes, aimed at fostering remake opportunities for European feature films that have proven successful in their home territories.

EXCLUSIVE: It’s confirmed – or will be later today – the organizers of MIPTV are setting up a new event in London, Deadline can reveal. MIP London will be based in The Savoy hotel and an adjoining space, the IET London, in a seismic change to the international TV calendar. Historic programming market MIPTV has been situated in Cannes since the 1960s.

George Miller’s anticipated sequel Furiosa: A Mad Max Saga has been confirmed for the 77th Cannes Film Festival.

Sony Pictures Television‘s President of International Production, Wayne Garvie, has said the scripted TV landscape in the post-peak TV era is like “going back to the future” — especially with his Netflix hits The Crown and Sex Education coming to an end.

EXCLUSIVE: AGC Television is dropping a hot TV project into this week’s Series Mania market in Lille.

Elsa Keslassy International Correspondent While at Series Mania Festival, Larry Tanz, Netflix‘s VP of EMEA Content, unveiled ambitious new shows commissioned from France and the Netherlands, including an untitled thriller series starring Isabelle Adjani, and “Amsterdam Empire,” a Dutch crime series starring and executive produced by Famke Janssen. The untitled French thriller series revolves around a young mother on the run finds an unexpected opportunity to bounce back by becoming a picker in a prestigious flower farm in Provence. But the mysterious death of the family patriarch of the company casts her under the spotlight as the prime suspect.

Series Mania will kick off its 15th edition on March 15 in Lille, Eastern France, reconfirming it status as the biggest dedicated TV festival in Europe. It does so with a bang, with the European premiere of one of the biggest series of the year, Netflix’s “3 Body Problem,” which “cements ‘Game of Thrones’ creators as masters of adapting the unadaptable,” Variety announced. Delegate accreditation at Series Mania’s Forum, its three-day industry event running March 19-21, is on track to pass 4,000 participants, an all time record, and a huge step-up, say, from 2016, when attendance was limited to around 300 executives.

Michael Douglas, Kyle MacLachlan, Ella Purnell and Daniel Brühl are among the high-caliber stars who will take part in the 7th edition of Canneseries. The robust lineup, unveiled today by Canneseries’ artistic director Albin Lewi at a press conference in Paris, boasts the world premiere of Apple TV+’s “Franklin,” starring Michael Douglas as one of the Founding Fathers, and Disney +’s “Becoming Karl Lagerfeld” with Daniel Brühl as the acid-tongued designer.

ZDF Latest To ‘Race Across The World‘

It was a good night for the UK at the 96th Oscars. Brits won in seven separate categories at the Dolby Theatre, with Christopher Nolan and Jonathan Glazer‘s wins the highest profile.

Paramount+ may have culled a raft of international originals last month but UK commissioning appears to be continuing apace.

Naman Ramachandran India premieres of France’s “The Taste of Things” and Korea’s “Exhuma” will open and close respectively the first edition of India’s Cinevesture International Film Festival. Tran Anh Hung won best director at Cannes 2023 for “The Taste of Things,” which was subsequently submitted as France’s official entry to the Oscars’ international feature category.