MipTV’s Last Stand, Its Stars, Big and Buzz Titles, Growth Prospects, AI’s Real Threat and Other Takes on 2024’s Edition and Canneseries

Manchester United and Chelsea are reportedly battling it out to sign RB Leipzig centre-back Castello Lukeba.

Jamie Lang Leading French production-distribution outfit Le Pacte has boarded the upcoming 2D animated feature project “Conference of the Birds,” which will be spotlighted at the Marché du Film’s Animation Day during this year’s Cannes Festival. In addition to co-producing, Le Pacte will handle French distribution and serve as international sales agent on the film, part of the five-title Annecy Showcase at the Animation Day.

Holly Jones Standout Paris-based sales outfit Luxbox (“1976”) has acquired international sales rights to the debut solo feature effort from Chilean multi-hyphenate Vinko Tomičić Salinas(“Durmiente”),“The Dog Thief” (“El Ladrón de Perros”), which bows in the international narrative competition at this year’s Tribeca Film Festival, running June 5-16. The film follows an adolescent shoe shining orphan, Martín (Franklin Aro Huasco), in his quest to get closer to Mr.

Lise Pedersen Two new cash prizes introduced this year in Swiss film festival Visions du Reel’s industry section, VdR-Industry, were among a flurry of awards handed out as the program wrapped in Nyon, Switzerland, on Wednesday. The Eurimages Co-production Development Award, created to promote the fund’s role in encouraging international co-production from the initial stages of a project, and which comes with a cash prize of €20,000 ($22,000), went to “The Last Days of the Hospital” by Mehran Tamadon (“My Worst Enemy,” “Bassidji”).

Elsa Keslassy International Correspondent While MipTV is relocating to London with a revamped format, Canneseries Festival is sticking to its guns and will remain as a standalone event in the spring on the Croisette. Benoit Louvet, the managing director of Canneseries, told Variety in an exclusive interview that the festival will return in 2025 on April 22-27 with its major partners, the city of Cannes, the region PACA and the Vivendi-owned pay TV group Canal+.

Leo Barraclough International Features Editor Leading European distributor Global Screen, part of Telepool, has secured further international sales of high-end drama “Davos 1917” at MipTV. New acquisitions of the six-part thriller include SBS Australia, TVP in Poland and Big Tree Entertainment in India and the subcontinent. “Davos 1917,” which launched at the end of last year on SRF in Switzerland and ARD in Germany, has already been bought by a strong lineup of premium international broadcasters and streamers across North America, Europe and Asia.

Nick Vivarelli International Correspondent Qatar-based powerhouse BeIN Media Group, a co-owner of U.S. indie studio Miramax, has taken distribution rights across the Middle East and North Africa (MENA) region to live-action pre-school series “Saïd & Anna,” which has been nominated for this year’s Banff World Media Festival‘s Rockie Awards.

Leo Barraclough International Features Editor French broadcaster M6 has greenlit a French-language adaptation of Turkish crime drama “Persona,” to be titled “Mémoire Vive.” Instead of a male protagonist, as in the Turkish version, it will have a female main character, Esther Lefevre, to be played by Clementine Celarie, whose credits include “Six Women,” “Betty Blue” and “Two Is a Family.” “Mémoire Vive,” which will comprise four hour-long episodes, is being produced by Calt Studio. It is written by Laurent Burtin (“Astrid: Murder in Paris”), Anne-Gaëlle Daval (“Ladies”) and Hélène Lombard (“Call My Agent!”).

Refresh for latest…: A busy holdover weekend for wide studio releases was led by the trio of Godzilla x Kong: The New Empire, Kung Fu Panda 4 and Dune: Part Two. And, in a soaring performance, Hayao Miyazaki’s Oscar winner The Boy and the Heron swooped into China helping the market set a new Qingming holiday record. 

Selome Hailu Netflix is at or near the top of both Nielsen and Luminate‘s streaming rankings every week, but achieved that with some titles that differ from its usual fare during the March 29-April 3 viewing window. As expected, “3 Body Problem” remained the most-watched streaming original series of the week per Luminate with 964.1 million minutes watched (an estimated 3.6 million views) — unsurprising, as the title is the follow-up from “Game of Thrones” helmers David Benioff and D.B. Weiss, who created the show alongside Alexander Woo.

Elsa Keslassy International Correspondent Mediawan Rights has boarded “Kabul,” a highly anticipated thriller series produced by France’s 24 25 Films and Cinétévé. Shervin Alenabi (“Tehran”) and “Euphoria’s” Eric Dane (in a small role) have joined the international cast of the show, which already comprises Jonathan Zaccaï (“Le bureau des legendes”), Thibault Evrard (“The Night of the 12th”), Vassilis Kukalawi (“Kandahar”), Jeanne Goursaud (“Pax Massilia”), Gianmarco Saurino (“L’estate piu Calda”) and Valentina Cervi (“Medici: Masters of Florence”). The series, set against the backdrop of U.S.

John Hopewell Chief International Correspondent In an acquisition which underscores the often shared sensibility between Canal+, France’s biggest pay TV operator, and Movistar Plus+, the largest Spanish pay TV player, Canal+ has acquired Canneseries winner “The Left-Handed Son” (“El hijo zurdo”), a Movistar Plus+ original series. The series will bow on Canal+ on April 5 in a deal brokered by Movistar Plus+ International. A psychological thriller with a lyrical undertow which surfaces to moving effect in key scenes, “The Left-Handed Son” marks the auspicious directorial debut of Rafael Cobos, the career-long co-scribe of Alberto Rodríguez, from 2005’s “7 Virgins” through international hit “Marshland” to 2017’s “The Plague,” still one of the biggest series which Movistar Plus+ has ever made.

Elsa Keslassy International Correspondent With one week to go before the press conference unveiling the 77th Cannes Film Festival Official Selection, director Thierry Fremaux is pledging to remain zen — despite wrestling with submission delays, reverberations of Hollywood’s double strikes and high expectations after last year’s edition unveiled Oscar winners “The Zone of Interest” and “Anatomy of a Fall.” This year’s edition is already heating up, with George Miller’s “Furiosa: A Mad Max Saga” confirmed to premiere at the festival and Quentin Dupieux’s “A Second Act,” starring Léa Seydoux, set as the opening night film. In his first and only interview ahead of the lineup reveal, Fremaux tells Variety all about this year’s edition, including his hopes to welcome back Francis Ford Coppola with “Megalopolis” and Yorgos Lanthimos with “Kinds of Kindness,” his appeal to Ted Sarandos to lure Netflix back on the Croisette, his stance on France’s new #MeToo reckoning, the presence of female directors at the festival and how geopolitical turmoil may shape the Official Selection. Last year was a milestone year for the Cannes Film Festival. How did you approach this year’s lineup, and how many films have been selected so far? The unanimous feedback we got is that 2023 was a really great year.

Elsa Keslassy International Correspondent The 77th edition of the Cannes Film Festival will kick off with Quentin Dupieux‘s “The Second Act,” a star-studded surreal French comedy headlined by Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard, Variety has learned. The anticipated movie is produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and is represented in international markets by Kinology.

Leo Barraclough International Features Editor Mario Van Peebles has been tapped to direct “That’ll Be the Day,” the story of how Buddy Holly and other musicians of the late 1950s helped give birth to rock ‘n’ roll and influence the wider societal and cultural landscape, including the civil rights movement. Music has been central to much of Van Peebles’ work, from his 1991 gangster movie “New Jack City” to his work on “Wu-Tang: An American Saga,” which he co-executive produced for Hulu.

Annika Pham On the eve of the global content market MipTV in Cannes, Viaplay Group’s Vanda Rapti, EVP Viaplay Select and Content Distribution, has offered a confident outlook on the Scandi streamer’s international activities and content sales. The sales executive, who joined the group in 2003, was able to announce exclusively to Variety a string of new deals on Viaplay’s premium Nordic scripted content.

When drugs kingpin Jonathan Cassidy filmed himself driving around Dubai in his Lamborghini he was following a well-trodden path. The Middle Eastern city has become a destination for criminal fugitives.

The Goat Life (previously titled Goat Days) will release in theaters across the UK, India, Australia and France today.

Elsa Keslassy International Correspondent Bettina Blümner’s “Vamos a la playa” won ArteKino Festival’s European Audience Award at a ceremony co-organized by the iconic French fashion house Chanel in Paris. Held at La Femis, Paris’ prestigious film school, the event also included a conversation with French filmmaker Rebecca Zlotowski (“Other People’s Children”), followed by a ceremony honoring Blümner and a screening of “Vamos a la playa,” as well as a posh cocktail which brought together film talent, executives and students.

Universal/DreamWorks Animation’s Kung Fu Panda 4 had a rock ‘em sock ‘em weekend at the international box office, adding $55.3M from 69 markets for a $135M overseas running cume, and $268.2M global (there are several key markets still to release, including France, Australia, the UK and Korea).