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27.03.2024 - 13:17 / deadline.com
The Cannes Film Festival’s Marché du Film is launching a new initiative, bannered Cannes Remakes, aimed at fostering remake opportunities for European feature films that have proven successful in their home territories.
The inaugural program will include a pitching session of a curated selection of IP titles with potential, sourced from France, Spain and Italy. This will be followed by one-to-one meetings and a networking cocktail event for invited guests.
The new showcase is being organized in partnership with France’s National Cinema Centre (CNC), which will host the half-day event on it’s CNC beach at Cannes on May 20. The selection will be unveiled closer to the event.
The program aims to tap into the thriving IP remake market, which has blossomed in recent years, in large part thanks to increased investment from global streaming services.
European feature film properties that have done well on the remake market in recent years include the 2014 French-language drama La Famille Bélier, which was remade into the English-language, Oscar-winning movie Coda, and 2016 Italian couples comedy-drama Perfetti Sconosciuti (Perfect Strangers), which has sparked more than 20 remakes worldwide.
Further partners on the Cannes Remakes initiative include Spain’s Institute of Cinematography & Audiovisual Arts (ICAA) and Italy’s Directorate General for Cinema and Audiovisual (DGCA), Ministry of Culture (MiC) and Cinecittà.
“Remakes are injecting a fresh dynamism into the film industry, hinting at a notable shift. We are excited to support this evolution through Cannes Remakes,” said Marché du Film Executive Director Guillaume Esmiol.
He emphasized that the initiative was not focused purely on English-language remakes.
“There’s a
Good afternoon Insiders, thanks for always sticking with us. Max Goldbart here talking you through a packed week in the global entertainment world. Read on, and sign up here.
Patrick Frater Asia Bureau Chief Korea’s second largest generalist film event the Jeonju International Film Festival has set eight fiction films by first or second-time feature directors, for its main competition. They are “Cu Li Never Cries,” by Pham Ngoc Lan; “Junkyard Dog,” by Jean-Baptiste Durand, “La Palisiada,” by Philip Sotnychenko; “My Endless Numbered Days,” by Shaun Neo; “Oxygen Station,” by Ivan Tymchenko; “Practice,” by Laurens Perol; “The Major Tones,” by Ingrid Pokropek; and “The Permanent Picture,” by Laura Ferres. Additionally, two documentary features also compete: “After the Snowmelt,” directed by Lo Yi-Shan and “Kix,” by Balint Revesz and David Mikulan. The COVID-pandemic continues to affect filmmaking and festival selection, organizers said. “Even films planned to be made beforehand had to extend their production period due to the pandemic, and many works highlighted the limitations of the production environments, such as smaller cast numbers and minimal locations,” said chief programmer Chun Jinsu. The festival runs May 1-10 in Jeonju, a major town on South Korea’s west coast.
Former Venice Film Festival head Marco Müller has been named Artistic Director of Italy’s Taormina Film Fest.
Nick Vivarelli International Correspondent Marco Mueller has been appointed artistic director of Italy’s Taormina Film Festival, which will have a top notch selection committee comprising British film curator and former London fest chief Sandra Hebron and former Cannes Directors’ Fortnight boss Edouard Waintrop. As anticipated by Variety, Mueller, who over the past decades has headed both the Venice and Rome fests — among several other events — is taking the reins of the storied Sicilian event that has had its ups and downs over the years. Held since the mid-1950s in the Sicilian resort known to U.S.
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Rafa Sales Ross Guest Contributor Germany’s Beta Film is bringing the love story between a Dutch prince and a beautiful Argentinian financier to the Croisette. The world premiere of “Máxima” screens out-of-competition at Canneseries on April 9 after being teased at the London TV Screenings in late February.
Nick Vivarelli International Correspondent Qatar-based powerhouse BeIN Media Group, a co-owner of U.S. indie studio Miramax, has taken distribution rights across the Middle East and North Africa (MENA) region to live-action pre-school series “Saïd & Anna,” which has been nominated for this year’s Banff World Media Festival‘s Rockie Awards.
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Selome Hailu Netflix is at or near the top of both Nielsen and Luminate‘s streaming rankings every week, but achieved that with some titles that differ from its usual fare during the March 29-April 3 viewing window. As expected, “3 Body Problem” remained the most-watched streaming original series of the week per Luminate with 964.1 million minutes watched (an estimated 3.6 million views) — unsurprising, as the title is the follow-up from “Game of Thrones” helmers David Benioff and D.B. Weiss, who created the show alongside Alexander Woo.
Nick Vivarelli International Correspondent Euro Gang Entertainment, the company launched last year by Hollywood veterans Gianni Nunnari (“300,” “Immortals”) and Simon Horsman (“Legacy: The True Story of the L.A. Lakers”) is ramping up operations in Italy through a partnership with Rome-based Alfred Film, the young shingle co-founded by experienced producers Roberto Amoroso and Maria Theresia Braun.
Elsa Keslassy International Correspondent The 77th edition of the Cannes Film Festival will kick off with Quentin Dupieux‘s “The Second Act,” a star-studded surreal French comedy headlined by Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard, Variety has learned. The anticipated movie is produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and is represented in international markets by Kinology.
Leo Barraclough International Features Editor “Long Live the Tyrant: Life and Times of Giancarlo DiTrapano,” a feature documentary about the independent book publisher, is being developed as an Italy-U.S. coproduction. DiTrapano is described by Ian Thornton, one of the film’s producers, as the “Basquiat of the New York literary scene.” The film is written by Guia Cortassa and directed by Cortassa and Vittorio Antonacci.
Italian film and TV orgs will hold an emergency press conference in Rome next week to discuss the damage being done to their sectors by uncertainty over the future of direct funding and tax credits.
Nick Vivarelli International Correspondent Switzerland’s Locarno Film Festival is set to celebrate the centennial of Columbia Pictures with a retrospective featuring classic titles spawned by the Hollywood studio between the dawn of sound and the late 1950s. The Locarno retro, titled “The Lady With the Torch –– The Centenary of Columbia Pictures,” is being curated by Ehsan Khoshbakht, co-director of Italy’s Il Cinema Ritrovato festival, which is dedicated to cinematic treasures of the past and organized in partnership with Switzerland’s Cinémathèque Suisse.
Nick Vivarelli International Correspondent Last May, after “Killers of the Flower Moon” premiered at Cannes Film Festival, Martin Scorsese traveled to Rome with his wife, Helen Morris, to attend a conference titled “The Global Aesthetics of the Catholic Imagination.” There, the director announced that he had responded to an appeal by Pope Francis to artists “in the only way I know how: by imagining and writing a screenplay for a film about Jesus.” The conference was organized by Jesuit publication “La Civiltà Cattolica.” It took place after the journal’s editor, Father Antonio Spadaro, held a series of one-on-one conversations with Scorsese that have just been published in Italy in book titled “Dialoghi sulla fede” (“Dialogues on Faith”). The final chapter of this book is titled, as translated from Italian, “Screenplay for a Possible Film on Jesus” by Scorsese.
Elsa Keslassy International Correspondent “Dahomey,” the Berlinale Golden Bear-winning film helmed by French-Senegalese director Mati Diop, has been sold to a raft of international territories by Les Films du Losange. Along with being acquired by Mubi in key markets, “Dahomey” has been acquired in Australia & New Zealand (Rialto), China (Hugoeast), Spain (Filmin), Portugal (Nitrato Filmes), Greece (One From the Heart), Scandinavia (NonStop Entertainement), Benelux (Cinéart), Bulgaria (Beta Films), Ex-Yugoslavia (Discovery), Hungary (Mozinet), Czech Republic (Film Europe), Romania (Voodoo), Baltic Countries (Taip Toliau), Poland (New Horizons), Ukraine (Kyivmusicfilm), Taiwan (Joint Entertainment), Indonesia (PT Falcon) and Sudu Connexion in Africa.
Nick Vivarelli International Correspondent Josh O’Connor is in talks to star in Luca Guadagnino’s new drama “Separate Rooms,” an adaptation of the eponymous novel by the late Italian writer Pier Vittorio Tondelli. The story follows an Italian writer named Leo who is mourning the loss of his boyfriend. O’Connor, who stars in Guadagnino’s upcoming tennis love triangle film “Challengers” alongside Zendaya and Mike Faist, is in advanced talks to play Leo in “Separate Rooms,” whose passionate romance with a shy German musician named Thomas is marked by different forms of separation.
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