Box Office: ‘Transformers: Rise of the Beasts’ Rolls Out With $25 Million Opening Day, ‘Spider-Verse’ Contends for No. 1

Elsa Keslassy International Correspondent Eye Eye Pictures, the banner recently launched by the producers of Joachim Trier’s Oscar-nominated “The Worst Person in the World,” has started filming “Armand,” a feature film starring Cannes prizewinning actor Renate Reinsve. Charades has come on board to handle international sales on the film. “Armand” marks the feature debut of Halfdan Ullmann Tøndel, whose short film “Fanny” was nominated for an Amanda Award, Norway’s equivalent to the Oscars, in 2017. The story follows a 6-year-old boy, Armand, who is accused of crossing boundaries against his best friend at elementary school. While no one knows what actually happened between the two boys, the incident triggers a series of events, forcing parents and school staff into a captivating battle of redemption where madness, desire and obsession arise.

Patrick Frater Asia Bureau Chief Pixar animation “Elemental” rose to the top of the South Korean box office over the latest weekend. It overtook “The Roundup: No Way Out” and kept new release “Spider-Man: Across the Spider-Verse” at bay, in third place. Released a week earlier, “Elemental” rose from second place to first and grew its revenue by 19% in its second frame. According to data from Kobis, the tracking service operated by the Korean Film Council, “Elemental” earned $3.86 million between Friday and Sunday for a 12-day cumulative of $9.47 million. “The Roundup: No Way Out,” which had dominated the sector for the previous three weekends, slipped to second position. It earned $3.34 million over the weekend, a 34% week-on-week decline. Since releasing on May 31, it has amassed $73.2 million, from 9.67 million ticket sales, by far the biggest haul of any film released this calendar year.

Molly-Mae Hague has shared an adorable picture with her five month old daughter, Bambi, from her idyllic Greek family holiday with boyfriend, Tommy Fury.The 24-year-old has been embracing motherhood since giving birth to her gorgeous little girl in January, with a few holidays abroad since she was born. Molly and Tommy, who met and fell in love on Love Island in 2019, are currently holidaying with their daughter in Athens, Greece.

according to IMDB’s Box Office Mojo.The Jennifer Lawrence-led flick centers around a 32-year-old bartender and Uber driver who accepts a job to date a 19-year-old from a Craigslist ad created by his parents.Rolling Stone said the A-List actress is “easily the best thing in this comedy about a woman hired to ‘date’ a shy high school senior — yet not even foul-mouthed, no-filter J-Law can save this mess.”“Spider-Man: Across the Spider-Verse” crawled up to second place after being in third last week, earning 5.7 million. There was buzz from fans that a sequel to the flick would be released in March, but that rumor was dispelled from an anonymous artist who worked on the movie.“There’s no way that movie’s coming out then,” the employee dished to Vulture.“Everyone’s been fully focused on Across the Spider-Verse and barely crossing the finish line.

J. Kim Murphy “No Hard Feelings” came out on top of the domestic box office on its opening day, bedding $6.25 million in Friday and Thursday preview screenings from 3,208 venues. Meanwhile, the top spot for the weekend is a battle between animated adventures; both “Elemental” and “Spider-Man: Across the Spider-Verse” are staying above “The Flash,” which looks to be collapsing in its second outing. Heading into the weekend, “No Hard Feelings” was projected to launch with a mild $12 million. The raunchy R-rated Jennifer Lawrence vehicle is already outrunning those estimates, now forecasting a debut of $15 million or so. “No Hard Feelings” may lose pace to holdovers as the weekend unfolds, but box-office-king-for-a-day is certainly a higher honor than most studio comedies have achieved of late. The once-prolific genre has fallen far from theatrical relevance in recent years, with the past few months containing an expansive slate of box office disappointments and failures, from “The Machine” to “Easter Sunday” to “Bros.”

Sam Smith is baring their body while enjoying time with friends.

Ben Croll The walls of Barcelona’s international convention center might soon rattle once the 4,000 European exhibitors, suppliers and service providers in town for the CineEurope trade show breathe out a collective sigh of relief. At the root of such succor are Europe’s more than encouraging box-office admissions, which saw a marked uptick in late 2022 and have continued to rise into the new year. “I think this edition will be very much about celebrating because 2022 was a much better year than 2021,” says Laura Houlgatte, CEO of the Intl. Union of Cinemas (UNIC), which tends to the needs of cinema trade associations and exhibitors across the old continent. “[What’s more] the numbers for the first quarter of 2023 have left everyone in a very good mood.”

J. Kim Murphy Nine years after it was first announced, “The Flash” has finally dashed into theaters, speeding toward a debut ahead of the box office competition. But the DC Studios film isn’t exactly matching the lightning pace of its superhero. The Warner Bros. release got started with $24.5 million on opening day, which includes $9.7 million in Thursday previews. That’s enough to set the Ezra Miller film on a surefire pathway to a No. 1 debut on domestic charts, but it’ll be tough for the film to match its projections heading into the weekend — some bullish ones predicting a four-day bow as high as $85 million through the Juneteenth holiday.

Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are appearing in pockets of the world all the time and it can be hard to keep track… So, we’re going to do the hard work for you.

The Flash showrunner Eric Wallace will be telling fellow American writers “we are not in this alone” when he returns home from London later.

Police in Korea on Tuesday raided three major multiplex chains and the offices of three film distributors on suspicion of box office manipulation, according to multiple local media reports. News agency Yonhap, citing officials from the Seoul Metropolitan Police, said the six entities are alleged to have obstructed the business of the Korean Film Council (KOFIC) by falsely counting audience numbers for some local films.

Naman Ramachandran Sony’s “Spider-Man: Across The Spider-Verse” led the U.K. and Ireland box office for the second consecutive weekend with £4 million ($5.1 million), according to numbers from Comscore. The web-slinging animation now has a total of £16.2 million. Paramount’s “Transformers: Rise Of The Beasts” debuted in second place with a healthy £2.9 million. In its third weekend, in second position, Disney’s “The Little Mermaid” collected £2.1 million for a total of £19.9 million. In fourth place, another Disney title, “Guardians Of The Galaxy Vol 3” earned £511,837 in its sixth weekend for a total of £35.5 million. Rounding off the top five in its fourth weekend was Universal’s “Fast X” with £475,640 and a total of £14.2 million.

Patrick Frater Asia Bureau Chief Korean-produced crime action film “The Roundup: No Way Out” dominated proceedings at the South Korean cinema box office for the second successive weekend. Its massive haul now totals $60 million. “Transformers: Rise of the Beasts” opened with a puny second place. The Friday to Sunday period saw the film bring in $10.4 million from 1.32 million ticket sales and account for a 72% market share, according to data from Kobis, the data tracking service operated by the Korean Film Council (Kofic). Including pre-release previews and strong midweek sales, the film has now rushed on to an aggregate of $59.6 million that has been earned from 7.78 million spectators.

Rebecca Rubin Film and Media Reporter “Transformers: Rise of the Beasts” kicked off at the international box office with $110 million from 68 markets, including a decent $40 million start in China. The seventh installment in Paramount’s action franchise also pulled in $60 million in its North American debut, bringing its worldwide tally to a solid $170 million. Overseas audiences will be key to the theatrical success of “Transformers,” which cost $200 million. Prior entries in the 16-year-old series have earned as much as 70% of overall box office returns outside of the U.S. and Canada. At the international box office, ticket sales for “Rise of the Beasts” are pacing 32% below “Bumblebee,” which is the most recent entry in the series. The newest chapter has managed to set franchise records in eight smaller markets, including Indonesia, Argentina and Peru. The Autobots will take the box office milestones where they can get them.

Rotten Tomatoes. “Rise of the Beasts” will need that audience buzz as it faces competition for the 18-34 demographic — which made up 54% of its opening day audience — from Warner Bros.’ “The Flash” next weekend.

Sir Rod Stewart has said he wants to “leave all the rock and roll stuff behind” and is looking forward to moving in a different direction with his music.

2018’s surprising “Bumblebee” gave us some hope that the series still had some gas in the tank. Running time: 127 minutes. Rated PG-13 (intense sequences of sci-fi action and violence, and language.) In theaters.Wrong! The fuel gauge is at “E” — for excruciating.

Summer’s tentpole rumble continues this weekend with Paramount’s seventh Transformers movie, Transformers: Rise of the Beasts, which is heat-seeking $155 million at the worldwide box office for its opening frame, $100M of that offshore.

The tension was high this morning on The View as Republican presidential candidate and South Carolina senator Tim Scott stopped by. Things between the conservative politician and the co-hosts got heated that Whoopi Goldberg had to ask production for help amid a chaotic debate.

Patrick Frater Asia Bureau Chief Crime action film “The Roundup: No Way Out” dominated the South Korean box office on its official opening weekend with a thumping $21.9 million performance. The film, the third in a franchise that pits a heavy-fisted cop, portrayed by Ma Dong-seok (aka Don Lee), against colorfully devious rogues, crushed all competing titles by taking an 88% market share. In terms of admissions, it attracted 2.82 million into cinemas between Friday and Sunday. The film’s official opening was on Wednesday (May 31). But it also enjoyed wide previews through much of the preceding week. Adding in the weekday takings and the preview activity, “The Roundup: No Way Out” has a current aggregate of $34.1 million and has sold a total of 4.51 million tickets, according to data from Kobis, the tracking service operated by the Korean Film Council.