Korea Box Office: ‘The Roundup: No Way Out’ Dominates With $22 Million Opening Weekend

EXCLUSIVE: Korean multi-hyphenate powerhouse Don Lee (aka Ma Dong-seok) is set to star in and produce an English-language feature adaptation of New York Times bestselling author Nicholas Sansbury Smith’s dystopian sci-fi novel series Hell Divers. The film will draw from the first three books in the series whose first installment was published by Blackstone in 2016; there are 10 books in total. 

Patrick Frater Asia Bureau Chief KC Global Media, a leading multi-territory operator of linear TV channels in Asia, has sold Animax Korea to Aniplus, an Asian multinational television channel and anime distributor based in Singapore and South Korea. The deal “aims to elevate Animax Korea’s offerings while focusing on horizontally integrating its content across Aniplus’ platform and reach,” the companies said. The deal was agreed in April, but was subject to regulatory approvals. These have now been obtained. Deal terms were not disclosed. But sources close to the transaction suggest that it was valued at some KRW46 billion ($35.5 million).

Patrick Frater Asia Bureau Chief The Busan International Film Festival has apologized for its mishandling of the resignation of its executive director Huh Moon-young and related sexual harassment allegations. “We sincerely apologize over the sexual harassment case that occurred in the workplace,” BIFF said in a Korean-language statement on Thursday. (A festival spokesperson said that an English-language statement, along with an update, will be issued in the coming days.) Huh has publicly denied the allegations, though he has not replied to email and telephone requests for comment by Variety.

Patrick Frater Asia Bureau Chief NBCUniversal is to expand its One Platform advertising, technology, data and measurement system further into global markets through an alliance with international broadcast and tech partners. The move was announced on Tuesday at the Cannes Lions advertising convention in Cannes, France.International partners include Atresmedia from Spain, Bell Media from Canada, Channel 4 from the U.K., Mediaset from Italy, Seven West Media from Australia, Sky Media from the U.K., Italy and Germany, and Talpa from the Netherlands, TF1 Pub of France, Japan’s Tokyo Broadcasting Systems and Omnicom Media Group. “By bringing together leading local broadcasters and publishers across the world, NBCUniversal seeks to enhance the premium video ecosystem and build the foundation for greater industry advancement and collaboration at an international level, across data and identity, activation and automation, ad innovation, and measurement,” NBCUniversal explained in a statement.

Patrick Frater Asia Bureau Chief C CGV, a company that is one of the world’s top ten cinema exhibitors and is also a major cinema technology developer, is to raise close to $800 million in order to shore up its finances after a devastating COVID era. The company operates the largest cinema chain in its native South Korea and has significant numbers of screens in Vietnam, Indonesia, Turkey and mainland China, with smaller operations in Myanmar and the U.S. It also owns CJ 4DPlex, which developed the technology for films to be augmented with practical effects, including motion-seats, wind, strobe-lights, simulated-snow, and scents. In addition, its ScreenX system provides screenings that use the side walls of an auditorium to create a 270-degree sensory experience.

Patrick Frater Asia Bureau Chief Korean blockbuster “The Roundup: No Way Out” suffered a 50% week-on-week decline, but it was still strong enough to see a pair of Hollywood newcomers. The third part of the Don Lee-starring Roundup franchise, “No Way Out” earned $5.16 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council. It accounted for a 42% share of the market and attracted 650,000 additional spectators.

J. Kim Murphy Nine years after it was first announced, “The Flash” has finally dashed into theaters, speeding toward a debut ahead of the box office competition. But the DC Studios film isn’t exactly matching the lightning pace of its superhero. The Warner Bros. release got started with $24.5 million on opening day, which includes $9.7 million in Thursday previews. That’s enough to set the Ezra Miller film on a surefire pathway to a No. 1 debut on domestic charts, but it’ll be tough for the film to match its projections heading into the weekend — some bullish ones predicting a four-day bow as high as $85 million through the Juneteenth holiday.

Patrick Frater Asia Bureau Chief “Killing Romance,” one of the most creative Korean films of the past year, has been set as the opening night title for the upcoming New York Asian Film Festival. The deliberately multi-genre picture tells the tale of a beautiful movie star with dubious acting skills (portrayed by Le Ha-nee) who suddenly quits the industry and retires to newly-married life that turns out to be anything but bliss. When she decides to return to acting she teams up with a fan and an absurd plot to kill her absurdly rich husband. The film is directed by Lee Won-suk who previously attended the NYAFF with his first film, “How to Use Guys With Secret Tips,” in 2013 and returned with his second feature, the big-budget period drama The Royal Tailor, which earned the audience award at NYAFF in 2015.

Patrick Frater Asia Bureau Chief Disney is to close its six remaining linear TV channels in Southeast Asia, Hong Kong, Taiwan and Korea as the conglomerate puts a greater emphasis on direct-to-consumer streaming. The channels concerned are National Geographic, National Geographic Wild, Star Chinese Movies, Star Chinese Channel, Star Movies and Star World. Linear services will end from September in Southeast Asia, Hong Kong and Korea, and by December in Taiwan. The group expects to retain a streamlined television portfolio with channels in Japan, China, Australia and New Zealand for the time being.

Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are appearing in pockets of the world all the time and it can be hard to keep track… So, we’re going to do the hard work for you.

Patrick Frater Asia Bureau Chief Hong Kong icon Johnnie To will head the jury of the sixth edition of the Malaysia International Film Festival (MIFFest) next month. Other jurors include: Truong Ngoc Anh from Vietnam, Ryuichi Hiroki from Japan, Zizan Razak from Malaysia, and Eric Khoo from Singapore. The event will open with the world premiere of “Eraser,” directed by Mark Lee See Teck. The Malaysian film features the final on-screen appearance of the late Adibah Noor, a beloved Malaysian gem known for her timeless charisma. MIFFest will play “See You at the Rally,” directed by Taiwanese filmmaker Kanny Chang as its closing title. The festival is set to take place at LaLaport BBCC from July 23-29 and will play a total of 42 films from 15 countries.

Patrick Frater Asia Bureau Chief “Physical 100,” the first unscripted Korean show to top Netflix’s non-English global charts, is being given a second season. The show falls between a talent contest and a survival competition with 100 contestants, including Olympians, professional fighters, bodybuilders and former soldiers, through a series of quests to challenge their strength, endurance, agility, balance and willpower, and to develop the perfect physique. Controversially it mixed men and women and amateurs and professionals. The show incorporated a plaster cast of each contestant’s torso. This was destroyed with a sledgehammer when they were eliminated.

Patrick Frater Asia Bureau Chief Seoul Metropolitan Police on Tuesday raided the offices of Korea’s three leading multiplex cinema operators and three film distributors. “The six entities are accused of obstructing the business of the Korean Film Council (KOFIC) by falsely counting the audience numbers for Korean films,” a spokesman for the police is reported to have told Korean media, according to the semi-official Yonhap news agency. The raids were conducted by the force’s anti-corruption and public crime investigation team. Local media named the companies visited by the police on Tuesday as cinema chains CJ CGV, Megabox and Lotte Cinema, and distributors Showbox, Lotte Entertainment and Kidari.

Patrick Frater Asia Bureau Chief “Transformers: Rise of the Beasts” enjoyed a $38.9 million (RMB276 million) opening weekend in mainland China. The score was comfortably the biggest by any film between Friday and Sunday and the second biggest opening by a Hollywood film this year in the territory. Data from consultancy firm Artisan Gateway suggests that the film accounted for some 63% of China’s nationwide gross box office over the weekend. Giant screen systems provider, Imax reported that the film earned $5.9 million of the total from its screen network in China, or some 15% of the China total.

Patrick Frater Asia Bureau Chief Korean-produced crime action film “The Roundup: No Way Out” dominated proceedings at the South Korean cinema box office for the second successive weekend. Its massive haul now totals $60 million. “Transformers: Rise of the Beasts” opened with a puny second place. The Friday to Sunday period saw the film bring in $10.4 million from 1.32 million ticket sales and account for a 72% market share, according to data from Kobis, the data tracking service operated by the Korean Film Council (Kofic). Including pre-release previews and strong midweek sales, the film has now rushed on to an aggregate of $59.6 million that has been earned from 7.78 million spectators.

Patrick Frater Asia Bureau Chief U.S. film and television content captures 30% of viewing time in key Asia-Pacific territories, according to a new research report by consultancy Media Partners Asia. Korean product takes 40%. The study “U.S. Content in the Asia Pacific” tracked the video consumption behavior between January and March this year of some 40,000 consumers in ten Asia-Pacific markets: Australia, Indonesia, Japan, Korea, Malaysia, Philippines, Singapore, Taiwan, Thailand and Vietnam. Australia, a $2.2 billion SVOD market, exhibits the highest reliance on US entertainment with 72% of measured SVOD viewership, followed by Singapore, Malaysia, and the Philippines where U.S. content accounts for 40-50% of viewership on average, with Indonesia close behind at 35%.

Patrick Frater Asia Bureau Chief After a few pandemic-addled years, the global box office is finally ready to feel the warmth of the studios’ tentpole releases. Though the swing-back to pre-pandemic release schedules is happening at different speeds in each market, the quartet of “Guardians of the Galaxy Vol. 3,” “Fast X,” “The Little Mermaid” and “Spider-Man: Across the Spider-Verse” — not to mention “The Super Mario Bros Movie” before them — have announced the arrival of Hollywood’s version of summer across much of the planet. France saw admissions climb by 33% in the first five months of 2023, compared with the equivalent period last year, according to data from the CNC (National Film Board). Compared with an average figure for 2017 to 2019, the performance of the 2023 box office is (only) 12% behind. France’s recovery has been powered by a string of successful local films including “Asterix and Obelix: The Middle Kingdom,” “Alibi.com 2,” “The Three Musketeers: D’Artagnan,” “The Crime Is Mine” and Cannes opener “Jeanne du Barry.”

Patrick Frater Asia Bureau Chief Park Chan-wook, the Korean filmmaker behind “Oldboy” and last year’s “Decision to Leave,” has joined as producer and co-writer of historical drama film “War and Revolt.” The film is Park’s first collaboration with Netflix, the global streaming platform that is market leader in Korea and which has been instrumental in the global success of Korean contemporary culture. “War and Revolt” tells the story of two childhood friends, portrayed by Gang Dong-won and Park Jeong-min, who become adversaries. It is directed by Kim Sang-man (“Midnight F.M.”) from a script by Shin Chul and Park Chan-wook.

Patrick Frater Asia Bureau Chief “Spider-Man: Across the Spider-Verse” grabbed top place at the mainland China box office over the weekend with an opening $17.2 million (RMB122 million) score. Giant screen company, Imax reports that $2.7 million, or more than 16% of the film’s China total, came from its Middle Kingdom venues. Chinese online ticketing agency Maoyan forecasts that “Spider-Man: Across the Spider-Verse” will earn a total of RMB241 million or $34 million at current exchange rates. “Fast X,” which had driven off with the spoils for the past two weekends, was overtaken on its third lap and achieved $7.7 million in second place, according to data from consultancy firm Artisan Gateway. After 17 days in Chinese cinemas, “Fast X” has accumulated $124 million, making it the highest-grossing imported titled released this year in China ahead of Japanese animation “Suzume.”

Patrick Frater Asia Bureau Chief Netflix is to launch a new Japanese reality show “Is She the Wolf?” which was developed with broadcaster Abema and adapted from the original show “Who Is the Wolf” which previously ran for 13 seasons. The show follows five men and five women on a quest for love through dates and a group project. However, some female participants are “lying wolves” who cannot fall in love. They must navigate the entire season without being discovered or accepting any declarations of love. It includes a diverse group of participants aged 22 to 32, including actors, artists, models, and athletes. “Is She the Wolf?” streams exclusively on Netflix in Japan beginning June 11, with new episodes streaming each Sunday. Outside Japan, all episodes will be released on Netflix in September 2023.