Blumhouse Showbiz and Celebrity Breaking News

Thanks to her Oscar-winning performance in “West Side Story,” Ariana DeBose‘s star is on the rise. And the actress’s plate for upcoming movies is already full, with roles in “Kraven The Hunter,” “I.S.S.,” and Matthew Vaughn‘s “Argylle” up ahead.

Jason Blum and his Blumhouse production company are in the business of making money. Blum does this by greenlighting micro-budget films that aren’t going to lose a lot of money, and sometimes, as in the case of “Get Out,” will go on to become massive, award-winning hits.

With 2020’s “Host,” director Rob Savage was not only one of the first out of the gate to create a COVID-era horror, but he and his creative collective delivered results that far exceeded expectations. It set a new standard for a sub-genre entry, becoming a global pop-culture phenomenon in a way that had not been seen since “The Blair Witch Project.” It’s a masterclass in fear that hits every target it aims for.

Director Karyn Kusama (“Jennifer’s Body“) has recently been making quite the career comeback with films such as “The Invitation” and the Nicole Kidman cop thriller “Destroyer” along with being involved with the hit Showtime series “Yellowjackets.” However, after being hand-picked by Blumhouse to make a new Dracula film two years ago, the film is sadly not moving forward.

Are we even surprised nowadays when a trailer for a new Stephen King adaptation arrives? Since the massive success of the two “It” films, studios have been snatching up the rights to various King novels over the past several years. But what makes this new one a little more intriguing is that the new “Firestarter,” produced by the horror studio, Blumhouse, is the second try at a beloved King classic.

Horror is one of the most subjective genres in all of film. In horror, one person’s trash can be another’s treasure.

Horror fans know some basic rules for surviving a horrific encounter. First, if you stop at a gas station in the Deep South, don’t interact with the locals.

Michael Myers is back! And this time, he’s going to…well, kill a bunch of people.

Most moviegoers know Scott Derrickson nowadays as the director of the 2016 Marvel film “Doctor Strange.” However, horror fans remember Derrickson well before he made the jump to the MCU. The writer/director has made a lot of low-budget genre fare over the years with a supernatural bent: 2000’s “Hellraiser: Inferno,” 2005’s “The Exorcism of Emily Rose,” and 2012’s “Sinister,” starring Ethan Hawke, among them.

You can’t kill the boogeyman, and you can’t kill the “Halloween” franchise either. After a couple of story retcons in the original slasher series and Rob Zombie‘s take on the Michael Myers mythos, The Shape rose again in 2018 with David Gordon Green‘s “Halloween.” A redundant title to a tired narrative, to be sure, but there are plenty out there (including this writer) who still love to see Laurie Strode duke it out with Haddonfield’s least favorite son.

James DeMonaco (“The Purge“) has mostly lived in the horror genre throughout his career. He gained notoriety throughout his involvement in the topical ‘Purge’ films, directing the first three films and producing “The First Purge” and “The Forever Purge.” That franchises’ profitability under the Blumhouse banner has given the director the freedom to work on something new.

You should know the drill by now, but here’s a reminder if you don’t know the routine. In something that may turn into an annual tradition, if the deal extends, that is, Blumhouse Productions is back with its anthology horror series, “Welcome To The Blumhouse,” a collaboration with Amazon Studios.

After giving horror fans a solid “Halloween” installment, serving as a sequel to the original John Carpenter film with Jamie Lee Curtis playing a more seasoned and gritty incarnation of her iconic Laurie Strode role, director David Gordon Green is back with “Halloween Kills” which premiered at the Venice Film Festival yesterday.

Typically, when a studio revives a horror franchise and tries to reboot it for a new audience, fans roll their eyes. This has been seen time after time, and mostly, these reboots/revivals result in a subpar product.

Sure, not every Blumhouse film is a winner. That comes with the territory when you’re a studio that specializes in micro-budget horror films that typically don’t feature big stars.

Blumhouse horror franchises (mostly) seem to be keen on mixing things up with subsequent films, often changing casts, settings, and stories. This is probably best seen in “The Purge” franchise, which has morphed from a home invasion thriller in the original to a large-scale action film series with serious messages about politics and society as a whole.

Though it was only released a little more than a year ago, it feels like a lifetime has passed since “The Hunt” hit theaters last March. Most of that feeling is due to the pandemic upending the entire world for more than a year.

The “Halloween” films are a franchise of many canons. The series has now retconned itself three times, although it’s up for debate whether Rob Zombie‘s pair of films from the late 2000s count as retcons or remakes.

Bryan Fuller is probably best known for his TV work, but it appears the writer-producer is set to jump into the feature film world with the adaptation of Stephen King’s famous novel, “Christine.” READ MORE: ‘Lisey’s Story’: Pablo Larrain, Julianne Moore & Clive Owen Try To Sift Through The Fog Of Stephen King’s Surreal Nightmare [Review] According to Deadline, Bryan Fuller is set to write and direct “Christine,” the upcoming horror-thriller based on the classic Stephen King novel of the same

Thankfully, it seems that, for the second year in a row, the number of April Fools jokes has decreased. Obviously, with a year-plus pandemic still causing issues with people’s day-to-day lives, we really don’t need silly fake news to pop up everywhere.

Last night, during a TCA panel, the latest major streaming service to debut (or actually rebrand, as it used to be CBS All Access), Paramount+, laid everything out on the table, debuting news about a ton of high-profile original series, quick access to blockbuster films, and a slew of other goodies.

The “Paranormal Activity” movies were hugely successful small-budget horror movies that got a surprising amount of mileage out of their very simple premise. Even the worst one still had something to offer for fans of the genre, so it’s not surprising that a reboot would be in the works.

In 2019, Renée Zellweger had a busy year, with an acclaimed role in the film, “Judy.” She was also the lead in a Netflix drama series titled, “What/If,” marking her first real main role in a TV series. Well, it appears she enjoyed her time on the small screen, as she’s teaming up with Blumhouse and NBC for a new series.

John Carpenter is many things. He’s one of the best filmmakers to ever live (I’ll argue this to my dying day).

The “Sinister” gang is getting back together again! That’s right, director Scott Derrickson, writer C. Robert Cargill, and actor Ethan Hawke are teaming up one more time for another horror film titled “The Black Phone.” READ MORE: New Scientific Study Crowns Scott Derrickson’s ‘Sinister’ As The “Ultimate Horror Movie” According to Deadline, Hawke has been set to lead the cast of “The Black Phone,” the latest film from director Scott Derrickson and his co-writing partner, C.

In the ever-surprising game of Hollywood Lottery, if you have a ticket with Darren Aronofsky, Jared Leto, and Blumhouse, you’re the big winner! According to Deadline, Darren Aronofsky’s next film is set to be “Adrift,” and he’s reteaming with his “Requiem for a Dream” star Jared Leto and superstar horror producer, Jason Blum, to bring it to life.