Four Democratic lawmakers want the Justice Department to investigate Warner Bros. Discovery, claiming that the merged company has harmed workers and reduced consumer choice.
20.03.2023 - 17:03 / variety.com
Brian Steinberg Senior TV Editor Warner Bros. Discovery is giving a league of would-be providers of TV-audience measurement its own appraisal. After tapping Comscore, iSpot.TV and VideoAmp last year to help build a new suite of technologies that will help count viewers across linear, digital and connected television, the big entertainment company is paring down its provider list. Comscore and VideoAmp will serve as partners during Warner Bros. Discovery’s efforts during the industry’s next “upfront” sales session. “Our methodology was quite rigorous,” says Andrea Zapata, the company’s executive vice president and head of ad sales research, measurement and insights, in an interview.
With more advertisers and media agencies demanding a tabulation of audiences with narrower characteristics than age or gender, many of the nation’s biggest media companies have been trying to devise new measurement systems using providers other than Nielsen, which has long served as the industry’s standard audience measure.
Zapata says the company examined the measurement providers for their ability to measure audiences across media venues; for their ability to gauge so-called “advanced” audiences, or groups of consumers not aligned by broader factors such as gender or age; and their ability to be what the executive called “transaction capable.” The absence of iSpot from the current set of providers is notable, since iSpot has struck a major alliance with NBCUniversal to measure video audiences. Its absence from the Warner Bros. Discovery roster means advertisers will likely have to grapple with different permutations of measurement technology across media companies, creating a more complex landscape overall. Zapata says the company’s
Four Democratic lawmakers want the Justice Department to investigate Warner Bros. Discovery, claiming that the merged company has harmed workers and reduced consumer choice.
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.
Michael Schneider Variety Editor at Large In the 1950s, the motion picture industry wanted nothing to do with the young medium of television — but Jack Warner soon realized that was a losing battle. Warner Bros. was among the first to dive into TV production, when ABC approached the studio about acquiring a theatrical film package. But instead of just running films on TV, the result was “Warner Bros. Presents,” an umbrella series that debuted in 1955 and comprised programs based on existing intellectual property including “Casablanca” and “Cheyenne.” The success of “Cheyenne” ush- ered the era of the Western to televi- sion, as Warner Bros. (initially under Warner’s son-in-law, William T. Orr) brought a movie studio approach to the small screen. “There’s a spirit of independence and innovation that’s so much a part of the legacy of the studio,” says Warner Bros. TV chairman Channing Dungey. Other early Warner Bros. TV hits included “Maverick” and crime dramas such as “Hawaiian Eye” and “77 Sunset Strip.” That legacy continued with “The F.B.I.” and in the 1970s, sitcoms like “Alice” and “Wel- come Back, Kotter,” the Lynda Car- ter-led genre hit “Wonder Woman,” actioner “The Dukes of Hazzard” and the landmark miniseries “Roots.”
AQUAMAN & THE LOST KINGDOM moves from 12/25/23 to 12/20/23
Elsa Keslassy International Correspondent Don’t expect Warner Bros. Discovery’s French original programming team to follow Netflix and Amazon Prime Video’s trail and chase teen audiences. Vera Peltekian, VP and head of streaming original production for the banner, says the standalone service’s bow in France “is on the roadmap” with a raft of “bold and director-driven Max originals targeting adult audiences in line with what the HBO brand is known for.” Peltekian, who previously worked 15 years at Canal + and played a major role in the pay TV group’s critically acclaimed series such as “The Returned,” “Spiral” and “Savages,” revealed that Warner Bros. Discovery’s first French original will be “The Mythomaniac of the Bataclan,” a four-part series inspired by the true story of a woman who conned her way into a victims’ association and quickly became one of its pillars.
Brian Steinberg Senior TV Editor Dominion Voting Systems’ whopping $1.6 billion defamation suit against Fox Corporation and Fox News is cleared to go to trial, despite the media company’s efforts. Barring a settlement or other unforeseen circumstances, the voting technology company will get to have its attorneys grill Fox News anchors and Fox Corp. executives, Judge Eric M. Davis of Superior Court in State of Delaware ruled in a filing on Friday. “The Court will allow this civil action to go to trial,” Davis said Friday. At issue in the case are damages Dominion alleges it is owed after Fox News aired false claims about its actions and influence on the 2020 election. It is the second legal proceeding made against Fox News for its coverage of the aftermath of the 2020 race for the White House. Smartmatic, a separate voting technology company, has filed a massive $2.7 billion suit against Fox News. Both suits allege that Fox News falsely claimed the companies had rigged the election, repeated items about the matter and then refused to engage in efforts to set the record straight. The 2020 election was not fixed and its results were certified by multiple legal processes.
Nick Vivarelli International Correspondent Andrea Scrosati, who is group COO and continental Europe CEO of Fremantle, isn’t too worried about various types of turbulence that are currently creating anxiety in the U.S. media market such as draconian cost cuts being made by juggernaut groups and the impending prospect of a Writers Guild of America strike. Speaking in Italy at a panel titled “Less is More – What to Do When the Streaming Boom is Over” Scrosati noted that the effect of market consolidation in the U.S. and fear due to plunging stock market results that is prompting cost cuts at Disney and Warner Bros. Discovery certainly means that “some of the big buyers are in a conflict.”
Warner Bros. Discovery CEO David Zaslav received $39.3 million as compensation for his work overseeing the newly merged Discovery-Warner Media empire last year. That’s the pay package disclosed in a regulatory filing, which also disclosed 2022 salaries for other top executives.Then-Discovery CEO Zaslav was given a package worth $246 million in 2021, a massive upswing from $37.7 million in 2020 and $45.8 million in 2019.
Jennifer Maas TV Business Writer Warner Bros. Discovery chief David Zaslav’s pay package topped $39 million in 2022, down considerably from the staggering figure he hit in the year prior, thanks to a massive $203 million stock option. In a Wednesday Securities and Exchange Commission filing, WBD stated that president and CEO Zaslav’s exec comp package totaled $39.3 million last year. $3.1 million of that sum was his salary, with the rest being stock awards ($12 million), stock option awards ($1.4 million), non-equity incentive plan comp ($21.8 million) and “all other” compensation ($925,489). While Zaslav’s pay is down considerably from 2021, it’s important to note the reason behind this major dip is an unprecedented $203 million stock option grant that inflated his total 2021 compensation package to a staggering $246.6 million. (To give you a more reasonable idea of what Zaslav’s pay has been in recent years, his 2020 haul was a mere $37.7 million.)
Brian Steinberg Senior TV Editor Fox News is about to have one of its biggest events in years, and everyone from CEO Suzanne Scott to prominent anchors like Tucker Carlson and Maria Bartiromo to primetime chief Meade Cooper is likely to attend some part of it. If Fox’s parent company has its way, however, Rupert Murdoch, the guiding force behind much of Fox Corporation, will not. Starting as soon as April 17, Fox Corp. could square off in the Superior Court of the State of Delaware and face allegations of defamation from Dominion Voting Systems in a whopping $1.6 billion-dollar suit that is sure to generate headlines. Before any of that can start, however, the two sides appear to locked in a battle over whether the Fox Corp. executive chairman, and his son, CEO Lachlan Murdoch, should be present in court to give testimony.
EXCLUSIVE: In one of the wildest book rights auctions the town has seen in some time, Warner Bros. production co-heads Michael De Luca and Pam Abdy tonight landed screen rights to the upcoming T.J. Newman novel Drowning: The Rescue Of Flight 1421. Studio paid $1.5 million against $3 million, and there were five seven-figure bids on the table, sources said.
Brian Steinberg Senior TV Editor Fox News cut ties with Abby Grossberg Friday, Variety has learned, after the booker and producer for such hosts as Tucker Carlson and Maria Bartiromo alleged in court filings earlier this week that she was coerced by executives into providing misleading testimony in the $1.6 billion defamation suit that Dominion Voting Systems has levied against the Fox Corp.-backed outlet. Grossberg, who had worked as a senior booking producer for Bartiromo and head of booking for Carlson, alleged in filings in Delaware Superior Court and the U.S. District Court for the Southern District of New York that Fox attorneys worked to “coach, manipulate, and coerce Ms. Grossberg to deliver shaded and/or incomplete answers during her sworn deposition testimony, which answers were clearly to her reputational detriment but greatly benefitted Fox News,” according to her Delaware lawsuit.
Brian Steinberg Senior TV Editor A producer for Fox News who has worked for Maria Batirormo and Tucker Carlson alleged in court filings Monday that she was coerced by executives into providing misleading testimony in the $1.6 billion defamation suit that Dominion Voting Systems has levied against the Fox Corp.-backed outlet. In filings made Monday Delaware Superior Court and the U.S. District Court for the Southern District of New York, Abby Grossberg, who had worked as a senior booking producer for Bartiromo and head of booking for Tucker Carlson, alleged that Fox attorneys worked to “coach, manipulate, and coerce Ms. Grossberg to deliver shaded and/or incomplete answers during her sworn deposition testimony, which answers were clearly to her reputational detriment but greatly benefitted Fox News,” according to the Delaware lawsuit.
Jennifer Maas TV Business Writer Warner Bros. Discovery received stock upgrades from two media analyst firms Friday for, among other things, making the decision to tie bonuses for CEO David Zaslav and his team to free cash flow performance. “We threw everything and the kitchen sink at a Downside Case scenario for WBD, and it still delevers to 3x by ’25E,” Wells Fargo analysts wrote in a research note published Friday, in which they upgraded WBD’s stock to “overweight” with a price target increase from $13 to $20 per share. “We now have conviction in FCF to limit downside, while the stock has asymmetric upside.” Meanwhile, Wolfe Research moved WBD from its “peer perform” rating to “outperform” and also upped the price target to $20. (At time of publication Friday, WBD stock was trading at $14.51 per share.)
Elsa Keslassy International Correspondent Warner Bros. Discovery and Amazon Prime Video have set the launch date and pricing for their ‘Warner Pass’ offer in France to March 16. Priced at €9.99 per month, the offer will be available exclusively on Amazon Prime Video Channels in France, and will boast all of HBO programs, along with 12 channels, including Warner TV, Eurosport, Discovery Channel, Cartoon Network and CNN, as well as their associated on-demand services. Subscribers will benefit from a 30-day free trial until April 3. “The launch of Warner Pass exclusively as a Prime Video channel in France is the next step in our journey to become the destination for customers in France to find the best in storytelling, premium entertainment and sports,” said Brigitte Ricou-Bellan, Prime Video French Country Director.
Bloomberg reported on Thursday and TheWrap independently confirmed.The name change is meant to signal that the service will not just be HBO Max with Discovery content, nor will HBO Max be ported over to Discovery+. “Max” is the leading contender, though Warner Bros.
Warner Bros. Discovery is continuing its directors program after all.
Charna Flam After the recent decision to reshape its directors’ training program, Warner Bros. Discovery (WBD) announced its new Access Directors Program. WBD has rebranded and expanded the directors’ program to assist and nurture television directors through workshops and shadowing, led by WBD’s Diversity, Equity, and Inclusion (DEI) team. Participants will receive the opportunity to direct a full WBD television episode. In addition to workshops, directors will have the chance to work on WBD shows and participate in a virtual curriculum focused on best practices and equity mindset sessions, with the ability to shadow directors on up to two television episodes (during which participants may receive a small childcare stipend).
Brian Steinberg Senior TV Editor Everything seems like it’s going great at Fox Corporation, except for the fact that everything seems like it isn’t. While speaking at an investor conference Thursday, Fox Corp. CEO Lachlan Murdoch praised his family’s decision to sell off a large swath of cable and studio assets to Walt Disney Co. in 2019, a move that left Fox significantly smaller and focused largely on live TV, mainly news and sports. He even brought up a reference to the 1979 comedy “Monty Python’s Life of Brian,” in which a small combatant unencumbered with armor or muscle is able to survive a colosseum fight after his larger opponent suffers a heart attack. “We are the little guy,” said Murdoch. “We are going to be the one that survives.”
Jennifer Maas TV Business Writer Never fear, genre fans: Warner Bros. Discovery is intent on mining as much of its tentpole Warner Bros. IP as possible in the near future, whether that be through its upcoming revamped DC Universe, the newly announced “The Lord of the Rings” movies, or more projects based on J.K. Rowling’s “Harry Potter” franchise amid the success of video game “Hogwarts Legacy.” “DC is an enormous opportunity and two important building blocks are in place now with the leadership team, Peter [Safran] and James [Gunn], and James has been breathing comics for as long as he’s been alive, essentially,” Warner Bros. Discovery CFO Gunnar Wiedenfels said during a panel at Morgan Stanley’s investor conference Wednesday. “A great creative leader here. And the second building block that is in place is the one-company approach, because I think you can only manage a franchise if everything is coordinated and the team is working together extremely well. There’s an enormous level of collaboration and joint decision making around what should work hand in hand across the franchise.”