Warner Bros. Wins Fevered Weekend Auction For T.J. Newman Novel ‘Drowning: The Rescue Of Flight 1421;’ Deal Reaches $1.5M Against $3M

Clint Eastwood is getting back in the director’s chair.

Angelique Jackson Legendary actor and filmmaker Clint Eastwood is closing in on his next project, with plans to direct “Juror No. 2.” The legal drama is set up at Warner Bros., with Nicholas Hoult and Toni Collette circling the lead roles. Eastwood will direct and produce the project alongside Adam Goodman, Tim Moore and Jessica Meier. Jonathan Abrams penned the script. “Juror No. 2” will take place during a murder trial and follows a juror (Hoult), who realizes that he may have caused the victim’s death. He must decide whether to manipulate the jury to save himself, or reveal the truth and turn himself in. Collette would play the prosecutor. Warner Bros. is nearing a green light on the project, with a production start eyed for June, following Eastwood’s 93rd birthday on May 31.

EXCLUSIVE: Even at 92 years old, Clint Eastwood isn’t ready to slow down as he has set the thriller Juror #2 as his next film with Nicholas Hoult and Toni Collette in negotiations to star. While it isn’t official sources also add that with schedules and budget figured Warner Bros., Eastwood’s long-time home, is coming close to officially green-lighting the film. Jonathan Abrams penned the script.

EXCLUSIVE: Filmmaker Ashley Avis (Black Beauty) has been tapped to write and direct the romance City of Angels, based on Wim Wenders’ 1987 classic City of Angels, for Warner Bros, Perez Pictures and Atlas Entertainment.

“The Big Bang Theory” is approved for additional funding.

offering a differentiated and high-performing experience for every user across the whole service.At launch, Max will introduce a default kids profile for new subscribers along with accompanying parental controls. Parents can choose to customize settings and select to limit content for the kids profile byratings: little kids (TV-Y), big kids (TV-Y7, TV-Y7-FV), big kids plus (TV-G, G), preteens (TV-PG/PG), or teens (TV-14, PG-13).

Michael Schneider Variety Editor at Large In the 1950s, the motion picture industry wanted nothing to do with the young medium of television — but Jack Warner soon realized that was a losing battle. Warner Bros. was among the first to dive into TV production, when ABC approached the studio about acquiring a theatrical film package. But instead of just running films on TV, the result was “Warner Bros. Presents,” an umbrella series that debuted in 1955 and comprised programs based on existing intellectual property including “Casablanca” and “Cheyenne.” The success of “Cheyenne” ush- ered the era of the Western to televi- sion, as Warner Bros. (initially under Warner’s son-in-law, William T. Orr) brought a movie studio approach to the small screen. “There’s a spirit of independence and innovation that’s so much a part of the legacy of the studio,” says Warner Bros. TV chairman Channing Dungey. Other early Warner Bros. TV hits included “Maverick” and crime dramas such as “Hawaiian Eye” and “77 Sunset Strip.” That legacy continued with “The F.B.I.” and in the 1970s, sitcoms like “Alice” and “Wel- come Back, Kotter,” the Lynda Car- ter-led genre hit “Wonder Woman,” actioner “The Dukes of Hazzard” and the landmark miniseries “Roots.”

tweeted about the extreme measures she would take to terminate her record deal. “After eleven years of successful partnership, we’ve agreed to go our separate ways,” a joint statement posted to Anitta’s social media read.

reported that insiders at Warner said the studio hadn’t ruled out more theatrical films and HBO Max projects for the “Harry Potter” universe, even as the “Fantastic Beasts” films came to a close.“‘Fantastic Beasts’ was always meant to be one piece of a larger plan to build the Wizarding World,” Warner Bros. domestic distribution head Jeff Goldstein told TheWrap at the time.

J. Kim Murphy Warner Bros. Discovery is looking to close a deal to produce a “Harry Potter” television series. According to Bloomberg, which was first to report news of recent talks surrounding the project, the project would be directly based on J.K. Rowling’s best-selling book series, rather than an in-universe spinoff such as the “Fantastic Beasts” film series. Each season would reportedly draw from one of the books, suggesting an ongoing franchise that would stretch for years for the studio. Sources close to the situation suggest that talks between Warner Bros. Discovery and Rowling’s camp remain in a preliminary state. The studio is looking to house the series under its streaming banner HBO Max, soon to be combined with Discovery+ and rebranded under a new name.

EXCLUSIVE: It’s been nearly three decades since Michael Mann’s crime classic hit theaters and it now feels like Mann and Warner Bros. are finally feeling more heat around the corner for a sequel to Heat. While rumors have been swirling for weeks, Deadline is hearing Warner Bros. is now in negotiations to come on to develop Heat 2, the sequel to the 1995 classic that Mann recently turned into a novel that became a New York Time #1 best-seller when it was published last August. On top of Warner Bros. in talks to return, insiders add that Adam Driver, who recently starred in Mann’s Ferrari pic, is in discussions with Mann to play young Neil McCauley in the movie.

Harry, Albert, Jack and Sam would be proud.

Nick Vivarelli International Correspondent Andrea Scrosati, who is group COO and continental Europe CEO of Fremantle, isn’t too worried about various types of turbulence that are currently creating anxiety in the U.S. media market such as draconian cost cuts being made by juggernaut groups and the impending prospect of a Writers Guild of America strike. Speaking in Italy at a panel titled “Less is More – What to Do When the Streaming Boom is Over” Scrosati noted that the effect of market consolidation in the U.S. and fear due to plunging stock market results that is prompting cost cuts at Disney and Warner Bros. Discovery certainly means that “some of the big buyers are in a conflict.”

Warner Bros. Discovery CEO David Zaslav received $39.3 million as compensation for his work overseeing the newly merged Discovery-Warner Media empire last year. That’s the pay package disclosed in a regulatory filing, which also disclosed 2022 salaries for other top executives.Then-Discovery CEO Zaslav was given a package worth $246 million in 2021, a massive upswing from $37.7 million in 2020 and $45.8 million in 2019.

Jennifer Maas TV Business Writer Warner Bros. Discovery chief David Zaslav’s pay package topped $39 million in 2022, down considerably from the staggering figure he hit in the year prior, thanks to a massive $203 million stock option. In a Wednesday Securities and Exchange Commission filing, WBD stated that president and CEO Zaslav’s exec comp package totaled $39.3 million last year. $3.1 million of that sum was his salary, with the rest being stock awards ($12 million), stock option awards ($1.4 million), non-equity incentive plan comp ($21.8 million) and “all other” compensation ($925,489). While Zaslav’s pay is down considerably from 2021, it’s important to note the reason behind this major dip is an unprecedented $203 million stock option grant that inflated his total 2021 compensation package to a staggering $246.6 million. (To give you a more reasonable idea of what Zaslav’s pay has been in recent years, his 2020 haul was a mere $37.7 million.)

EXCLUSIVE: Smokehouse Pictures partner George Clooney and Grant Heslov have signed an overall film deal with the Warner Bros. Pictures Group and its Co-Chairs and CEOs Mike De Luca and Pam Abdy. It amounts to a homecoming for the filmmakers, who named their company for the Smoke House steak joint right off the Warner Bros lot, where they used to eat all the time. Clooney’s history with the studio goes back to his breakthrough starring role in the Warner Bros Television drama ER. They made their first deal at Warner Bros when they formed Smokehouse in 2006.

Todd Gilchrist editor Warner Bros. will commemorate its 100th anniversary with a block of programming on Turner Classic Movies starting April 1. TCM will broadcast remastered and newly restored versions of 10 classic Warner Bros. films, each featuring an introduction from a filmmaker or film expert culled from the network’s ongoing partnership with the Film Foundation, a non-profit preservation and exhibition organization. The program coincides with the April 13-16 run of the TCM Classic Film Festival in Hollywood. On April 13, a new 4K restoration of 1959’s “Rio Bravo,” Howard Hawks’ classic western starring John Wayne, Dean Martin, Ricky Nelson and Angie Dickinson, will premiere on TCM and serve as the opening night film of the festival. Dickinson will attend the in-person event, while Martin Scorsese will introduce the film on TCM’s small-screen presentation. Similarly, Warner Bros. will premiere a new 4K restoration of Elia Kazan’s “East of Eden,” starring James Dean, on both the big screen and the network, the latter featuring an introduction by filmmakers Wes Anderson and Joanna Hogg.

Turner Classic Movies is devoting the entire month of April to celebrating the 100th anniversary of its landlord, Warner Bros. with hundreds of films from every decade of the studio, plus a variety of interstitials, documentaries, shorts, and Looney Tunes cartoons, as well as interviews with stars and directors focusing on the cinematic achievements of the storied movie factory.

Shazam!: Fury of the Gods” was released by Warner Bros. and New Line and sunk to a $30.5 million box office opening, a big drop from the $53.5 million launch that the first “Shazam!” made four years ago. Levi, who is very interactive with his fans on Twitter, responded to some tweets sent his way about the struggles his sequel is facing and felt that the marketing campaign that Warner Bros.

What’s David Robert Mitchell been up to lately? Well, since “Under The Silver Lake,” not much, but that’s about to change. Deadline reports that Mitchell has his next project lined up at Warner Bros., and the director is teaming up with Anne Hathaway and the Bad Robot crew for a new mystery project.