‘Transformers: Rise Of The Beasts’ cast reveal rules for filming on Machu Picchu

Twenty-five years into the “Sex and the City” franchise, Cynthia Nixon isn’t afraid to strip down on season 2 of the show’s Max spinoff, “And Just Like That”.

final installment of the long-running franchise to include Ford, 80, is titled “Indiana Jones and the Dial of Destiny” and is set to be released on June 30.The star explained to Digital Spy in a recent interview why there is a 15-year gap between the fourth and fifth films.He noted that the studio wasn’t clamoring to release another flick so soon after “Crystal Skull” debuted.“Well, it wasn’t as though we sat around for 10 years waiting to come up with an idea,” Ford said.  “When we finished the last film, I don’t think anybody thought about going and doing another film for some time,” he added.The length of time between the last two movies could also be attributed to “Crystal Skull’s” not-so-good reviews.While it was regarded as 2008’s second highest-grossing film and took in about $790 million, it holds a 53% audience score on Rotten Tomatoes.Critics’ reviews were mixed, with one person even calling it “the most lifeless of the series” and “simply [not] a very good motion picture.”Ford continued to tell the entertainment news outlet that “there were some interesting ideas that were floated” for a fifth movie over the last few years, however, producers weren’t too keen about them.“And then we found an idea, and a script, and a strong story that we wanted to tell,” he gushed about “Dial of Destiny.” “Dial of Destiny” takes place in the mid-1960s with Indiana joining his goddaughter Helena Shaw (played by Phoebe Waller-Bridge) as they go on a quest to find a dial that can change history.“The Wolverine” director James Mangold is helming the feature and it also stars the talents of Antonio Banderas, Toby Jones, Boyd Holbrook, Ethann Isidore and Mads Mikkelsen.Ford was also digitally de-aged for the flick, as the new story

franchise, Cynthia Nixon isn't afraid to strip down on season 2 of the show's Max spinoff, .The 57-year-old actress plays lawyer-turned-live-in-girlfriend Miranda Hobbes, who left behind her marriage to Steve Brady (David Eigenberg) and her busy professional life to travel to California with non-binary comedian Ché Diaz (Sara Ramirez) at the end of season 1.Ahead of the June 22 premiere of season 2, both Nixon and Ramirez opened up to ET about Miranda and Ché's journey, including Nixon's willingness to strip down for some of their steamy scenes.«I feel like I was always fairly game for it,» Nixon tells ET's Nischelle Turner of showing skin. «It's just one of the main subjects of the show is sex — people having sex and people having great sex and people having terrible sex and people having hilarious sex.»As for where her formerly high-strung character's mindset is at the start of season 2, Nixon says Miranda is trying to embrace a freer lifestyle.«Miranda is a total control freak, so she's tried to maybe kind of — for the first time really — let go,» Nixon says.

Katherine Ryan’s partner Bobby Kootstra has revealed their amazing garden transformation as he shared stunning before and after pictures of the project on Instagram. Posting a sweet video montage of the transformation, Bobby showed a sneak peek of their outdoor space as he explained how the makeover happened via a voiceover. He started by revealing what the garden looked like as they were “coming out of winter” and the work which led up to the final result.

The Inbetweeners star Joe Thomas has said he believes the US version of the series failed partly because they didn’t cast “weirdos”.The actor, who played Simon in the British sitcom, discussed the US remake with his former co-stars Simon Bird and Blake Harrison during a panel at Comic Con North East in Newcastle last month (May 27-28).When asked by a fan in the audience their views on the US version of the show, which was cancelled after its first season in 2012, Thomas said: “I think we can say it didn’t work. I think the reason it didn’t work is because… I think it’s a very British show.“It’s ironic because actually in a way we were bouncing off that American genre of teen comedy.

Apple Original Films and Matthew Vaughn’s MARV today set the release schedule for Vaughn’s spy thriller Argylle. The film will be released in theaters worldwide, in partnership with Universal Pictures, on February 2, 2024, before streaming globally on Apple TV+.

Love Island's Ruchee Gurung has spoken out after becoming the second person to be dumped from the villa. Ruchee left the show after finding herself in the bottom two will Ella, following a tense recoupling show. Following her exit, Ruchee has revealed her favourites of the couples that are currently in the villa.

A version of this story about H.E.R. and “Beauty and the Beast” first appeared in the Comedy Series issue of TheWrap’s awards magazine.Few multi-hyphenates working these days can claim the take-over of industries quite like H.E.R. In just the last four years, the California native with the signature spectacles has racked up five R&B Grammys, an Oscar (for her stirring “Fight for You” from “Judas and the Black Messiah”) and a Children’s and Family Emmy for a tune from Netflix’s “We the People.” And after her spirited turn as the beloved Belle from Disney’s “Beauty and the Beast” in ABC’s 30th anniversary special, the Primetime Emmy might be calling.

If you saw the end of “Transformers: Rise of the Beasts,” you know filmmaker Steven Caple, Jr. has some definite ideas about what’s to come in future films.

Hollywood stars – they're just like us. Work drama can't always be left at the office, and sometimes turns ugly when it comes home. Some long-running feuds between entertainment industry giants have ebbed and flowed and grown into larger than life tales.

EXCLUSIVE: After the Transformers was gearing down, filmmaker Steven Caple Jr. was able to put gas back into the tank of the storied Paramount Hasbro movie franchise with Rise of the Beasts this weekend which opened to $171M worldwide, stealing the crown from Sony Animation’s strong Spider-Man: Across the Spider-Verse. On today’s episode of Crew Call, Caple Jr. tells us he’s in talks for another Transformers sequel — and much of that involves that cliffhanger scene between Anthony Ramos and Michael Kelly.

“Transformers: Rise of the Beasts” stormed into theatres worldwide this weekend, amassing a staggering $110 million at the international box office. 

Rebecca Rubin Film and Media Reporter “Transformers: Rise of the Beasts” kicked off at the international box office with $110 million from 68 markets, including a decent $40 million start in China. The seventh installment in Paramount’s action franchise also pulled in $60 million in its North American debut, bringing its worldwide tally to a solid $170 million. Overseas audiences will be key to the theatrical success of “Transformers,” which cost $200 million. Prior entries in the 16-year-old series have earned as much as 70% of overall box office returns outside of the U.S. and Canada. At the international box office, ticket sales for “Rise of the Beasts” are pacing 32% below “Bumblebee,” which is the most recent entry in the series. The newest chapter has managed to set franchise records in eight smaller markets, including Indonesia, Argentina and Peru. The Autobots will take the box office milestones where they can get them.

according to IMDB’s Box Office Mojo.The flick, which The Post called “another annoying robo-flop,” is expected to see an over $100 million international debut, according to Deadline.It dethroned “Spider-Man: Across the Spider-Verse,” which brought in $16.6 million, after holding the No. 1 spot on its opener last weekend.Eagle-eared fans reported sound problems with the computer-animated movie, and Sony promptly sent a new version to theaters, according to Variety.“The Little Mermaid” swam down a notch to third place, raking in just over $6.8 million in sales.

J. Kim Murphy The summer season has its first genuine battle for top of the heap, as “Transformers: Rise of the Beasts” looks to fend off last week’s top release “Spider-Man: Across the Spider-Verse.” “Rise of the Beasts” put its foot on the gas with $25 million on its opening day, a figure that includes $8.8 million in Thursday previews. The film is projected to land near a $60 million opening through the three-day frame, which would land at the higher end of estimates heading into the weekend. Once a box office juggernaut, Paramount has attempted to reengineer the “Transformers” franchise for future longevity. The first three entries, directed by Michael Bay, each crossed $300 million in North American grosses, while threequel “Dark of the Moon” and its follow-up “Age of Extinction” both surpassed $1 billion worldwide. But Bay’s final production, 2017’s “Transformers: The Last Knight,” saw diminished returns, finishing with $130 million stateside and $605 million worldwide — almost half of the $1.1 billion in ticket sales earned by “Age of Extinction.” Paramount released the spinoff “Bumblebee” in 2018, produced on a comparatively smaller budget and met with $467 million worldwide.

Jordan Moreau SPOILER ALERT: This contains major spoilers about the ending of “Transformers: Rise of the Beasts,” now playing in theaters. Is this the beginning of the Hasbro Cinematic Universe? After rumors of a crossover between the “Transformers” and “G.I. Joe” franchises circulated online in recent months, it seems like the ultimate ’80s action-toy mash-up is officially happening. The ending of “Transformers: Rise of the Beasts” has a direct callout to the Joes, and director Steven Caple Jr. and producer Lorenzo di Bonaventura spoke to Variety at the film’s premiere about what to expect next from the series.

Jon Burlingame On the scoring stage at 20th Century-Fox studios in Burbank, composer Jongnic Bontemps is walking around in a “Transformers: The Movie” T-shirt – that’s the animated cartoon from 1986, not the $200-million summer blockbuster he’s just scored. “Violins, play a little softer,” he tells the musicians via intercom from the glass booth behind the stage. “It has to be emotional.” Later, after a rehearsal on a different cue, he tells the string players, “It needs to feel like a warm blanket.” Bontemps is making movie history. He has just spent two years writing the music for “Transformers: Rise of the Beasts,” the seventh in the big-screen franchise, and he’s supervising the recording of the final pieces of the score with a 74-piece orchestra. The film opens Friday.

Transformers: Rise of the Beasts, the latest installment in the Transformers film franchise, has officially been released in theaters.

The Pride Atlas by Maartje Hensen takes you on a written and visual journey through 500 of these queer spots, so you can add them to the bucket list of your next trip. Design The Pride Atlas is designed and organized beautifully.

Selome Hailu The Native American and Indigenous Writers committee is “one of the smallest committees in the Writers Guild, but [with] one of the loudest voices ever” according to its vice chair Aiko Little — which was evidenced by the turnout of some 100 picketers who joined the NAIWC for a strike event in front of Walt Disney Studios on Wednesday. The NAIWC’s Disney picket was the most recent of a string of of WGA strike events over the past several weeks that have gathered writers from specific marginalized backgrounds — Trans Takeover Thursday, for example — to highlight how current working conditions are affecting them while celebrating storytellers from their communities.