‘Transformers: Rise of the Beasts’ couldn’t be tamed at the box office

As tensions rise in Hollywood over an imminent update on SAG-AFTRA’s negotiations with the studios, thousands of miles east, the Czech spa town of Karlovy Vary is gearing up for its annual influx of industry insiders, curious film fans, and stars.

Apple TV+ has unveiled a sneak peek of the highly anticipated third season of “The Morning Show,” featuring Reese Witherspoon and Jennifer Aniston.

Nick Vivarelli International Correspondent Egyptian comedy “Beit El Ruby,” about social media’s disruptive impact on the life of a quirky family, has scored a strong opening weekend in Saudi Arabia, ousting “The Flash,” in its second frame, from the top spot. The local farce led by Egyptian superstars Karim Abel Aziz and Kareem Mahmoud Abdel Aziz was released on June 22. It has scored roughly 73,000 admissions across Saudi Arabia, grossing more than $1.1 million in its first frame. “The Flash,” by contrast, garnered a combined total of 91,000 admissions in Saudi cinemas in its first two frames. According to the film’s co-distributor Front Row Arabia, the “Beit El Ruby” bow marks the fifth highest opening for an Arabic film in Saudi, which is the Middle East’s top theatrical movie market.

our box office analysis last week of the struggles of “The Flash” and Disney/Pixar’s “Elemental,” the DC film suffered from multiple problems, including tepid word-of-mouth upon release, the deep disinterest among casual audiences in DC given its impending reboot, and lead star Ezra Miller’s public scandals, which left Warner Bros. unable to build a marketing campaign around the actor playing the film’s title star like most superhero films.

according to IMDB’s Box Office Mojo.The Jennifer Lawrence-led flick centers around a 32-year-old bartender and Uber driver who accepts a job to date a 19-year-old from a Craigslist ad created by his parents.Rolling Stone said the A-List actress is “easily the best thing in this comedy about a woman hired to ‘date’ a shy high school senior — yet not even foul-mouthed, no-filter J-Law can save this mess.”“Spider-Man: Across the Spider-Verse” crawled up to second place after being in third last week, earning 5.7 million. There was buzz from fans that a sequel to the flick would be released in March, but that rumor was dispelled from an anonymous artist who worked on the movie.“There’s no way that movie’s coming out then,” the employee dished to Vulture.“Everyone’s been fully focused on Across the Spider-Verse and barely crossing the finish line.

Zack Sharf Digital News Director Before Pedro Pascal landed the male lead in HBO’s adaptation of the hugely popular “The Last of Us” video game, rumors swirled that co-creators Craig Mazin and Neil Druckmann were trying to lure former “True Detective” stars Mahershala Ali and Matthew McConaughey back to the network to headline the series. Mazin finally sounded off on the casting rumors during a recent interview on the “Happy Sad Confused” podcast. “I actually never talked to Mahershala,” Mazin said before confirming that talks with McConaughey did in fact take place. However, it sounds like McConaughey’s casting never made it past early discussions about the project.

The Duke and Duchess of Sussex (Prince Harry and Meghan Markle) have had some major headlines written about them over the past few months.

Naman Ramachandran Warner Bros.’ superhero film “The Flash” debuted atop the U.K. and Ireland box office with £4.2 million ($5.4 million), according to numbers released by Comscore. In second place, in its third weekend, Sony’s “Spider-Man: Across The Spider-Verse” swung to £2.6 million for a total of £20.3 million. In third position in its fourth weekend, Disney’s “The Little Mermaid” earned £1.3 million and now has a splashy £22 million total. Paramount’s “Transformers: Rise Of The Beasts” collected £1.1 million in fourth place in its second weekend for a total of £4.99 million. Elysian’s “Greatest Days” debuted in fifth position with £536,955.

Ben Croll The walls of Barcelona’s international convention center might soon rattle once the 4,000 European exhibitors, suppliers and service providers in town for the CineEurope trade show breathe out a collective sigh of relief. At the root of such succor are Europe’s more than encouraging box-office admissions, which saw a marked uptick in late 2022 and have continued to rise into the new year. “I think this edition will be very much about celebrating because 2022 was a much better year than 2021,” says Laura Houlgatte, CEO of the Intl. Union of Cinemas (UNIC), which tends to the needs of cinema trade associations and exhibitors across the old continent. “[What’s more] the numbers for the first quarter of 2023 have left everyone in a very good mood.”

The Flash” got off to a slow start in its domestic box office sprint, earning $9.7 million in Thursday previews. That’s barely more than the $8.9 million earned by “Transformers: Rise of the Beasts” last weekend and only a bit more than the $7.5 million and $7.6 million earned by “Black Adam” and “Fast X” respectively in their Thursday preview runs.

“Southern Charm” star Taylor Ann Green, has died at the age of 36.In a statement from Green, 28, and her family to The Post, they said that “heartbroken is an understatement.”“Worth left this world on top of the world — he had a beautiful passion for life and cared deeply for those around him,” the statement read. “We are going to miss his jovial personality and all of the love and laughter that he brought his family, girlfriend and countless friends.“Heartbroken is an understatement, but we are finding so much peace knowing he is in the arms of our Heavenly Father.

It’s been a huge week for Matt Rife!

A version of this story about H.E.R. and “Beauty and the Beast” first appeared in the Comedy Series issue of TheWrap’s awards magazine.Few multi-hyphenates working these days can claim the take-over of industries quite like H.E.R. In just the last four years, the California native with the signature spectacles has racked up five R&B Grammys, an Oscar (for her stirring “Fight for You” from “Judas and the Black Messiah”) and a Children’s and Family Emmy for a tune from Netflix’s “We the People.” And after her spirited turn as the beloved Belle from Disney’s “Beauty and the Beast” in ABC’s 30th anniversary special, the Primetime Emmy might be calling.

The positive response to the Dutch reality series De Verraders has brought different versions of The Traitors to many countries, but executive producer Toni Ireland says the biggest challenge for her was to ensure that the U.S. production stood out in the crowd. Peacock’s The Traitors brings together a group of everyday people and reality TV stars in an elaborate murder-mystery competition hosted by Alan Cumming. Perhaps the biggest change in the U.S. series was in how the game ended, which led to a shocking finale where the group needed to unanimously decide to either trust their fellow finalists and split the money or call for another elimination vote if they believe a traitor is still among them.

**Spoiler Alert – This discusses the end of “Transformers: Rise of the Beats.” You’ve been warned.** For folks who saw “Transformers: Rise of the Beasts” over the weekend, they were likely surprised by the very end of the film, which saw a MCU-style crossover moment between two massive franchises. And according to the filmmakers involved with ‘Rise of the Beasts,’ this isn’t just a throwaway moment.

Red, White & Royal Blue told Glamour in 2019 about their debut novel. “I’m a queer person.

Rebecca Rubin Film and Media Reporter After less than two weeks of release, “Spider-Man: Across the Spider-Verse” has surpassed the entire box office run of its predecessor, 2018’s Oscar-winning “Spider-Man: Into the Spider-Verse.” Over the weekend, the comic book sequel hit $226 million in North America and $390 million globally. It now stands as Sony’s highest-grossing animated release in history. The original film, also a box office winner, tapped out with $190 in North America and $384 million globally. Despite competition from Paramount’s “Transformers: Rise of the Beasts,” which opened to $60 million and targets a similar audience of younger males, “Spider-Verse” added $55 million in its second weekend of release, a decline of $55% from its huge $120 million debut.

Rebecca Rubin Film and Media Reporter “Transformers: Rise of the Beasts” kicked off at the international box office with $110 million from 68 markets, including a decent $40 million start in China. The seventh installment in Paramount’s action franchise also pulled in $60 million in its North American debut, bringing its worldwide tally to a solid $170 million. Overseas audiences will be key to the theatrical success of “Transformers,” which cost $200 million. Prior entries in the 16-year-old series have earned as much as 70% of overall box office returns outside of the U.S. and Canada. At the international box office, ticket sales for “Rise of the Beasts” are pacing 32% below “Bumblebee,” which is the most recent entry in the series. The newest chapter has managed to set franchise records in eight smaller markets, including Indonesia, Argentina and Peru. The Autobots will take the box office milestones where they can get them.

Paramount/Skydance’s “Transformers: Rise of the Beasts” is in a tight race with Sony’s “Spider-Man: Across the Spider-Verse” for No. 1 at the box office, with both films expected to earn over $55 million domestically this weekend. “Transformers: Rise of the Beasts” currently has a slight edge, topping”Spider-Verse” on Friday with a $25.4 million opening day from 3,678 theaters.

Indiana Jones And The Dial Of Destiny is predicted to earn a disappointing $60million at the US box office in its opening weekend.As reported by Deadline, box office analysts are predicting the fifth and final film in the franchise will take between $60 million to $70 million over a five-day holiday opening. While those sort of numbers would be reason to celebrate for most movies, Harrison Ford’s last outing as the archaeologist action hero was expected to be a big hitter for Disney and Lucasfilm.The Dial Of Destiny‘s 3-day opening is down from the $100.1million opening for Indiana Jones And The Kingdom Of The Crystal Skull, which is widely considering to be the worst film in the franchise.It’s unclear why The Dial Of Destiny is projected to underperform at the box office, but it could be related to the mediocre reviews that followed the film’s premiere at Cannes last month.