Tom Tykwer Becomes Managing Director of ‘Babylon Berlin’ Production Company X Filme Alongside Uwe Schott as Stefan Arndt Steps Down

Welcome to Global Breakouts, Deadline’s regular strand that shines a light on breakout series and films that are shaking up the international market. In a globalized industry, a hit show can come from anywhere and local success stories can become international sensations.

Elsa Keslassy International Correspondent Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors. Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week.

Rarely in recent decades has the festival circuit been as disrupted as it has in the past 12 months. A confluence of local and global issues — from war to inflation, political unrest to societal shifts — have created a perfect storm for many of these vital cultural platforms, leading to funding shortfalls, staff losses, major PR headaches and in some cases cancellation. Amid shifts in consumer and industry behavior, there are also broader existential questions being asked about the role and potency of festivals.

Maryam Touzani, whose latest movie “The Blue Caftan” won a flurry of awards and was shortlisted in the Oscar’s international feature race, is set to make her Spanish-language debut with “Calle Malaga.” Jean-Christophe Simon‘s Films Boutique will handle International sales on the project. “Calle Malaga” reteams Touzani and Films Boutique for the third time, having previously collaborated on arthouse hits “Adam” and “The Blue Caftan.” A character-driven film written by Touzani, “Calle Malaga” revolves around Maria Angeles, a 74-year old woman who belongs to the Spanish community of Tangier and enjoys the quietness of her life in the colorful Moroccan costal town.

Leo Barraclough International Features Editor Swedish director Ruben Östlund, who won Cannes Film Festival‘s Palme d’Or for “The Square” and “Triangle of Sadness,” was among the guests at the German Films and Medienboard Reception on May 18 in the garden of the Mondrian Hotel in Cannes. Östlund, who is in the Riviera resort to promote his latest production, “The Entertainment System Is Down,” was accompanied by Philippe Bober of Coproduction Office, one of the film’s producers, and Erik Hemmendorf of Plattform Produktion, Östlund’s Swedish producer. (They are pictured above.) German Films, which is celebrating its 70th anniversary this year, was represented at the event by managing director Simone Baumann, and Medienboard, which is a film fund for the Berlin-Brandenburg region, was represented by its CEO Kirsten Niehuus.

Marta Balaga German Films celebrated its 70th anniversary at Cannes on Sunday, with its guests looking back but also looking forward. “It has gotten much better,” Managing Director Simone Baumann told Variety at the event. “We’ve had Oscar-winning ‘All Quiet on the Western Front,’ Oscar-nominated ‘The Teachers’ Lounge’ [for best international feature], films by Wim Wenders and with Sandra Hüller! Sure, Wim showed a Japanese movie and Sandra a French one [‘Perfect Days’ and ‘Anatomy of a Fall’], but it doesn’t matter: It’s more ‘mixed’ these days and I am proud of it, to be honest.” At Cannes, 11 German productions and co-productions have been selected this year, including Match Factory’s main competition offerings “Motel Destino” by Karim Aïnouz – who also attended the bash – and Miguel Gomes’ “Grand Tour.” Run Way Pictures is behind Mohammad Rasoulof’s anticipated “The Seed of the Sacred Fig.” As festivals get “more competitive,” underlines Baumann, international collabs are here to stay.

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.

Mediawan CEO Pierre-Antoine Capton into France’s Legion of Honor last October, calling the exec “the ultimate French success story.” In a country rarely known to promote social mobility, Capton-esque career trajectories are scarce. A self-made entrepreneur born into a middle-class Normandy family, Capton began his professional life as a teen with an entry-level internship, eschewing elite universities, making the exec a rare bird among France’s top media execs.

John Hopewell Chief International Correspondent Chile’s Quijote Films, behind Cannes 2023 Un Certain Regard Fipresci Prize winner “The Settlers,” has tied down a powerful alliance of international partners on “The Mysterious Gaze of the Flamingo,” the first feature of 2018 Cannes Cinéfondation top winner Diego Céspedes. An LGBTQ-themed drama, “The Mysterious Gaze” is set in a mining town where a strange illness is said to be transmitted between men who fall in love with each other.

John Hopewell Chief International Correspondent Principal photography has begun on “The Captive,” a historical epic from “The Others’” Alejandro Amenábar, starring Julio Peña (“Berlin”) as “Don Quixote” author Miguel de Cervantes, a prisoner of Ottoman corsairs, seen in a very first still from the film, alongside Alessandro Borghi (“Suburra”), playing his captor, which has been shared in exclusivity with Variety. Paris and London-based production, finance and sales house Film Constellation handles worldwide sales.

Leo Barraclough International Features Editor After four Oscar wins for “All Quiet on the Western Front” last year and the Oscar nomination for “The Teachers’ Lounge” this year, Germany’s film sector seemed to be on the up, but while a government plan to revamp the country’s film funding system is broadly welcomed, its painfully slow progress is also causing some anxiety. The fact that Cannes’ various sections contain not one feature by a German filmmaker may be seen as a cause for concern, but 13 German productions and co-productions have been selected.

Jamie Lang Spanish public broadcaster RTVE held its fifth annual RTVE Showcase late last week in Madrid. Eight of the network’s top shows were profiled for international buyers, and several panels debated the current state of affairs in Spain’s TV production industry. Professionals from around the world tuned into this year’s Showcase, which had the overriding theme of international co-production.

Jamie Lang Catalan films routinely punch above their weight at high-profile international festivals: Think 2022 Berlin Golden Bear winner “Alcarràs.” That trend looks primed to continue in 2024. Catalan auteur Albert Serra will debut “Afternoons of Solitude,” co-produced by Catalan companies Andergraun Films and LaCima, with Ideale Audience and Tardes de Soledad.

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed first sales and released the first-look image from Oscar-nominated Polish filmmaker Agnieszka Holland‘s biopic of the Czech novelist Franz Kafka, “Franz.” The project has sold to September Film in Benelux, Filmin in Spain, Vertigo in Hungary, MCF Megacom for the former Yugoslavia and Movies Inspired in Italy. The film was previously acquired for theatrical distribution by Bac Films Distribution in France, X Verleih in Germany and Austria, Bioscop in Czech Republic and TVP in Poland.

EXCLUSIVE: Ahead of the Cannes market, Lionsgate has taken North American rights off the table on one of the bigger-budget new packages that’ll be on sale next week: that’s action-thriller Mutiny, which will star action evergreen Jason Statham (Fast & Furious) and be directed by Jean-François Richet (Plane).

German-French international sales veteran Tanja Meissner has been appointed as the new director of the Berlinale Pro, the department overseeing all of the Berlin Film Festival’s professional activities, in a role that encompasses director of the European Film Market (EFM).

Patrick Frater Asia Bureau Chief The Jeonju International Film Festival, South Korea’s second most important generalist film festival, on Tuesday announced “The Major Tones” and “Time to Be Strong” as the Grand Prix winners of its two competition sections. The festival continues until Friday. Directed by Argentina’s Ingrid Pokropek, “The Major Tones” is a mystery film about a youngster with a metal plate in her arm which begins to receive peculiar messages in Morse Code. It premiered at the Mar del Plata festival and also played in Berlin’s Generation KPlus section.

Nick Vivarelli International Correspondent Isabelle Huppert will preside over the main jury of the upcoming Venice Film Festival. The revered French actor has a longstanding rapport with the Lido, having won Venice’s Coppa Volpi for best actress twice, first with “Story of Women” in 1988, and subsequently with “La Cérémonie” in 1995, both directed by Claude Chabrol.

German director Tom Tykwer has been named Managing Director of Babylon Berlin producer X Filme Creative Pool as part of a restructure that sees company co-founder Stefan Arndt step down.

EXCLUSIVE: A new series-focused festival is set to hit the calendar this fall.