Fifth Annual RTVE Showcase Puts Emphasis on International Co-Production

Is this the year that England finally bring it home? Will Scotland get out of the group stage at an international tournament? Will Italy defend their title?

Elsa Keslassy International Correspondent Ahead of its broadcast premiere on France’s TF1, “Cat’s Eyes,” the anticipated live-action show set in Paris and based on the cult manga series, has been sold by Newen Connect to a flurry of European broadcasters. The eight-part action-packed show was picked up by Germany’s ZDF and Italy’s Rai, among others. The show was previously sold to Belgium (RTL) and Switzerland (RTS).

Leo Barraclough International Features Editor U.S. actor and producer David Boreanaz, star of hit series “Bones,” “Buffy the Vampire Slayer,” “Angel” and “SEAL Team,” will serve as president of the fiction jury for the Golden Nymph Awards at the 63rd Monte-Carlo Television Festival, which takes place June 14-18.

EXCLUSIVE: Growing specialty distributor 3388 Films has acquired rights to Vietnamese smash Face Off 7: One Wish, and has set the weekend of June 14 to launch in numerous markets, including the U.S., Canada and the UK.

It’s not all doom and gloom at the global box office as a handful of films reached milestones this week. 20th Century Studios/Disney’s Kingdom of the Planet of the Apes has topped $300M worldwide, while Paramount’s IF and Sony/Alcon’s The Garfield Movie crossed the $100M mark.

Elsa Keslassy International Correspondent Rolling off the Cannes Film Festival where it won several awards, Mohammad Rasoulof‘s “The Seed of The Sacred Fig” has been acquired by a flurry of high profile distributors in major international territories. Films Boutique, which represents the critically acclaimed political drama globally, has sold it to Lionsgate for the U.K.

Leo Barraclough International Features Editor The Match Factory has finalized global sales for the Cannes competition title “The Substance,” directed by Coralie Fargeat and starring Demi Moore, Margaret Qualley and Dennis Quaid. The Match Factory has sold to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), CIS (VLG.FILM LTD.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), the former Yugoslavia (MCF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97).

The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.

Welcome to Global Breakouts, Deadline’s regular strand that shines a light on breakout series and films that are shaking up the international market. In a globalized industry, a hit show can come from anywhere and local success stories can become international sensations.

Refresh for latest…:  After starting early offshore release on John Krasinski’s IF last weekend, Paramount expanded the imaginary friends film to another 56 international box office markets this session. The overseas frame was worth $20M, bringing the international running cume to $24M. With domestic’s $35M debut, the worldwide total is now $59M.

EXCLUSIVE: Whitney Peak (Hocus Pocus 2, Molly’s Game, Gossip Girl) has been cast in Aisling Walsh’s Ethel, alongside the previously announced cast of Shira Haas and Sarah Paulson. Bankside Films first launched the title, which is currently in pre-production, earlier this year and has completed a number of international pre-sales in Cannes. 

Jamie Lang Spanish sales, distribution, and production company Filmax has picked up international rights to the upcoming kids and family animated feature “The Light of Aisha” and is sharing the project with buyers at this year’s Marché du Film. The CG-animated film tells the story of Aisha, a young girl living in XI-century Al-Andalus in the south of modern-day Spain.

Mediawan CEO Pierre-Antoine Capton into France’s Legion of Honor last October, calling the exec “the ultimate French success story.” In a country rarely known to promote social mobility, Capton-esque career trajectories are scarce. A self-made entrepreneur born into a middle-class Normandy family, Capton began his professional life as a teen with an entry-level internship, eschewing elite universities, making the exec a rare bird among France’s top media execs.

Gerhard Zeiler, president of Warner Bros. Discovery international, said an HBO output deal with Sky overseas will likely not look the same if it’s renewed. Sky has licensed content through the end of 2025 but it comes as no surprise that WBD will look to tweak that as Max expands globally. The streaming service wants a beachhead in the UK, Germany, Italy (and other markets) and needs HBO and Warner Bros. programming.

EXCLUSIVE: Veteran producers Frida Torresblanco (Pan’s Labyrinth) and Frank Murray (First Reformed) have teamed up to launch Hangtime International Pictures, a new transatlantic production company headquartered in London and New York.

Annika Pham Tagged as the new co-production showcase “like all those European markets but hotter,” ECAM Forum, launched by Madrid Film School ECAM, has unveiled the first 10 projects in development and eight in post-production, to be pitched to international decision-makers between June 10-13, in the Spanish capital. Famed for its standout talent development program ECAM Incubator, the Madrid Film School has set a high bar for its inaugural Forum, which aims to broaden the reach of Spanish productions and co-productions (shorts, features, series) and build bridges between Spain and the global industry.First case in point: the heavyweight industry names in the selection committees, which reflect the ambitions of coordinator Alberto Valverde and his team, to frame ECAM Forum as a must-attend industry event.

EXCLUSIVE: Francis Ford Coppola‘s Megalopolis has sold to key independent buyers in Europe’s top five territories, we can reveal.

Rebecca Rubin Senior Film and Media Reporter Disney and 20th Century’s “Kingdom of the Planet of the Apes” climbed to $72.5 million at the international box office in its first weekend of release. The newest film in the long-running “Apes” series also notched No. 1 in North America with $56.5 million, bringing its initial global tally to a promising $129 million.

EXCLUSIVE: 20th Century Studios/Disney’s Kingdom of the Planet of the Apes is beating its chest towards a $125M global bow this weekend. At the international box office, we understand the Wes Ball-directed installment is at around $31M through Friday. As Anthony has reported, domestic is looking at a $52M-$55M start for the full frame.

Anna Marie de la Fuente Expanding its lineup for Cannes this year, top Spanish indie studio Filmax has snagged international rights to feature “The Virgin of the Quarry Lake” by Laura Casabé, a notable figure in genre filmmaking who won the best director prize at Sitges in 2019 for “Los que vuelven” (aka “The Returned”). The film has just been announced as one of highest-profile of five titles at a Ventana Sur Goes to Cannes showcase at this year’s Marché du Film.