Catalan Films Ready to Impress at Cannes 2024

Clayton Davis Senior Awards Editor The Cannes Film Festival is nearing its conclusion, with plenty of films making a splash on the starry Croisette on the French Riviera. However, one studio executive tells Variety, “There aren’t many Oscar-buzzy titles to be excited about, not even in the international feature space.” This year’s main competition jury, led by president Greta Gerwig and including J.A. Bayona, Ebru Ceylan, Pierfrancesco Favino, Lily Gladstone, Eva Green, Hirokazu Kore-eda, Nadine Labaki and Omar Sy, will name its winners on Saturday.

Elsa Keslassy International Correspondent Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors. Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week.

Leo Barraclough International Features Editor Swedish director Ruben Östlund, who won Cannes Film Festival‘s Palme d’Or for “The Square” and “Triangle of Sadness,” was among the guests at the German Films and Medienboard Reception on May 18 in the garden of the Mondrian Hotel in Cannes. Östlund, who is in the Riviera resort to promote his latest production, “The Entertainment System Is Down,” was accompanied by Philippe Bober of Coproduction Office, one of the film’s producers, and Erik Hemmendorf of Plattform Produktion, Östlund’s Swedish producer. (They are pictured above.) German Films, which is celebrating its 70th anniversary this year, was represented at the event by managing director Simone Baumann, and Medienboard, which is a film fund for the Berlin-Brandenburg region, was represented by its CEO Kirsten Niehuus.

Jack Dunn In 2023, Saudi Arabian film agency Film AlUla formed AlUla Creates, a local initiative that provides funding, mentorship and networking opportunities for Saudi filmmakers and fashion designers. And in just one year, AlUla Creates has exploded into a global brand, already hosting 123 international productions in the scenic valleys of AlUla, Saudi Arabia. “We call it a living museum,” said marketing director at Film AlUla Mahsa Motamedi.

Elsa Keslassy International Correspondent Sideshow and Janus films (“Drive My Car”) have acquired all North American rights to Payal Kapadia‘s “All We Imagine as Light,” the first Indian film to screen in official competition at the Cannes Film Festival in 30 years. The movie will world premiere on Thursday, May 23. It’s also one of only four films in the Competition directed by a woman.

Marta Balaga German Films celebrated its 70th anniversary at Cannes on Sunday, with its guests looking back but also looking forward. “It has gotten much better,” Managing Director Simone Baumann told Variety at the event. “We’ve had Oscar-winning ‘All Quiet on the Western Front,’ Oscar-nominated ‘The Teachers’ Lounge’ [for best international feature], films by Wim Wenders and with Sandra Hüller! Sure, Wim showed a Japanese movie and Sandra a French one [‘Perfect Days’ and ‘Anatomy of a Fall’], but it doesn’t matter: It’s more ‘mixed’ these days and I am proud of it, to be honest.” At Cannes, 11 German productions and co-productions have been selected this year, including Match Factory’s main competition offerings “Motel Destino” by Karim Aïnouz – who also attended the bash – and Miguel Gomes’ “Grand Tour.” Run Way Pictures is behind Mohammad Rasoulof’s anticipated “The Seed of the Sacred Fig.” As festivals get “more competitive,” underlines Baumann, international collabs are here to stay.

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.

Brazilian production powerhouse Gullane, which is behind Netflix’s “Senna” and Cannes competition title “Motel Destino,” has closed international co-production pacts on new projects from Cao Hamburger (”The Year My Parents Went on Vacation”) and Sandra Kogut (“Three Summers”). France’s Playtime and Portugal’s Ukbar Filmes will co-produce Hamburger’s “School Without Walls.” Playtime will also handle international sales on the true and inspiring story of Braz Nogueira, principal of a public school in Heliopolis, one of Brazil’s biggest slums.

Leo Barraclough International Features Editor Manila-based production outfit Parallax Studio and entertainment company Saga Film Studios have formed a joint venture that will distribute the two-part Western epic “Horizon: An American Saga” in the Philippines. The deal is the first of a number of acquisitions planned by the joint venture. The “Horizon: An American Saga” films are directed by and star Academy Award winner Kevin Costner.

Anna Marie de la Fuente With Maite Alberdi, twice Oscar nominated for her last two docus, “The Eternal Memory” and “The Mole Agent,” and Tana Gilbert whose feature debut “Malqueridas” won the Grand Prize at Venice’s Critics’ Week, Chilean documentaries are having a banner year. Five documentaries participate in the May 20 Chilean Docs-in-Progress Showcase at the Marché du Film’s docu section, Cannes Docs.

Fundamental Films chairman Mark Gao and his CEO Ivy Hua are in Cannes to reconnect with the international industry as part of the Shanghai-based company’s return to international acquisitions and production. 

EXCLUSIVE: Whitney Peak (Hocus Pocus 2, Molly’s Game, Gossip Girl) has been cast in Aisling Walsh’s Ethel, alongside the previously announced cast of Shira Haas and Sarah Paulson. Bankside Films first launched the title, which is currently in pre-production, earlier this year and has completed a number of international pre-sales in Cannes. 

Nick Vivarelli International Correspondent The persistent vibrancy of Italian cinema, despite increasing financing difficulties, is undisputable if you look at the range of the country’s current output and what’s percolating in the pipeline. It spans from highly sophisticated new works by maestros such as Paolo Sorrentino and Luca Guadagnino to crassly commercial global megahits like Netflix Italy original “The Tearsmith” and promising fresh fare from Cinema Italiano’s next generation.

John Hopewell Chief International Correspondent Chile’s Quijote Films, behind Cannes 2023 Un Certain Regard Fipresci Prize winner “The Settlers,” has tied down a powerful alliance of international partners on “The Mysterious Gaze of the Flamingo,” the first feature of 2018 Cannes Cinéfondation top winner Diego Céspedes. An LGBTQ-themed drama, “The Mysterious Gaze” is set in a mining town where a strange illness is said to be transmitted between men who fall in love with each other.

Elsa Keslassy International Correspondent France’s Les Films du Losange, the iconic distribution company owned by producer Charles Gillibert (“Annette”), has acquired Palmeraie et Desert,” the production company founded by celebrated filmmaker Raymond Depardon. Les Films du Losange, which was bought by Gillibert from longtime manager Margaret Menegoz in 2021, has been dedicated to preserving and promoting cinematic heritage since its inception.

Rebecca Rubin Senior Film and Media Reporter “IF,” a fantasy-comedy from director John Krasinski and star Ryan Reynolds, looks to collect a promising $40 million in its box office debut. Based on projections, “IF” — short for imaginary friends — is tracking to land at least $35 million and as much as $45 million from 4,000 North American theaters. At the higher end of estimates, those ticket sales would mark a solid start for a live-action PG family film that’s not based on an existing property.

Naman Ramachandran The film adaptation of popular comic strip “Natacha (Almost) Air Hostess” boasts an all-star cast. The cast includes Camille Lou (“Anthracite”), Vincent Dedienne (“We Can Be Heroes”), Fabrice Luchini (“The Empire”), Didier Bourdon (“Cocorico), Elsa Zylberstein (“Coup de Chance”), Isabelle Adjani (“Wingwomen”) and Baptiste Lecaplain (“Meet the Leroys”). The film is loosely based on the comic strip of the same name created by screenwriter François Walthéry, which was published by Editions Dupuy, and which comprises 23 albums and has sold more than five million copies.

Leo Barraclough International Features Editor As Cannes Film Festival kicks off, the Paris-based international sales company MK2 Films has revealed it has acquired three films and made substantial investments in new restorations, set against the backdrop of a strong presence at Cannes Classics. MK2 Films has entered into a collaboration with the Niki Charitable Art Foundation on the global rights (excluding the U.S.) for two films directed by artist Niki de Saint Phalle: “Un Rêve plus long que la nuit” (1976) and “Daddy” (1973).

Meryl Streep has made her big arrival for her 2024 Cannes Film Festival photo call!

Naman Ramachandran Animation studio Toonz Media Group has unveiled an eclectic slate for the Cannes Film Market. Drawing stories from popular Indian ancient fables and retelling them with a contemporary flavor, “Return of the Jungle” is set in present-day India and revolves around a group of classmates from junior school who must outwit the biggest, meanest bully in the school. A cool and loveable grandpa by their side peps the fourth graders with inspiring stories from the jungle.