Todd Haynes Says Upcoming Joaquin Phoenix “Gay Love Story” Will Be NC-17

 reunion finale, particularly where Tom Sandoval is concerned.During Wednesday's episode of host Andy Cohen's SiriusXM radio show, , the Bravo EP teased an upsetting update from the Tom Tom co-owner.«There is something that Tom Sandoval says tonight on the reunion that is going to upset every woman in America,» Cohen shared.While Cohen wouldn't go into too much detail, he said the comment is going to «cut to the core» for a lot of women, and called it something «straight guys should never say about women.»He did assure, however, that Sandoval does get flack for it after saying it, adding, «People react.»Even still, it's not the «bombshell» the show has been teasing ahead of Wednesday's close to season 10's three-part reunion.Speaking to ,  boss Alex Baskin went into further detail about this new piece of information that is so big, that the cast is being told they should wait to see it before determining if they even want to return for the already renewed 11th season of the long-running reality series.Baskin also said the revelations even had the EPs' heads spinning.«There are revelations and developments that left even our heads spinning,» Baskin teased. «We wind down the day of [filming the reunion] and then a few days later, there's yet another development.

EXCLUSIVE: RLJE Films and Shudder have picked up worldwide rights to the erotic horror thriller Suitable Flesh, starring Heather Graham (Boogie Nights), ahead of the film’s world premiere at the Tribeca Festival. Pic will hit theaters, VOD and digital later this year, with its streaming debut on Shudder to follow.

description, Bomer plays Hawkins Fuller, a handsome, charismatic man who “maintains a financially rewarding, behind-the scenes career in politics.” Bailey plays Tim Laughlin, “a young man brimming with idealism and religious faith.” The characters’ lives intertwine in 1950s Washington D.C., during Joseph McCarthy and Roy Cohn’s war on “subversives and sexual deviants.”The upcoming drama also stars Jelani Alladin as Marcus, Allison Williams as Lucy and Noah J. Ricketts as Frankie.

Theo James has been asked ad nauseam about his prosthetic penis in “The White Lotus,” and Meghann Fahy is starting to feel left out. “Nobody ever asks me about my prosthetic,” she says with a laugh. When the two reunite over Zoom to discuss their roles, they’re perfectly in sync and often answer questions in unison, evoking their characters’ deliciously duplicitous cat-and- mouse relationship. In the second season of Mike White’s hit HBO drama, they star as cunning finance businessman Cameron and chipper stay-at-home-mom Daphne, who are vacationing with strait-laced couple Ethan and Harper (Will Sharpe and Aubrey Plaza, respectively). After engaging in the world’s most elaborate “Wife Swap” plot, they depart Sicily as loved-up as ever — and perhaps rubbing off on their friends.

Simu Liu is all loved-up.

CANNES – It was a warm afternoon on la Croisette when Todd Haynes sat down to chat about his celebrated new drama, “May December.” The Killer Films produced project still hadn’t been acquired yet (Netflix picked up North American rights for a reported $11 million), but the “Carol” auteur was in good spirits. Maybe he’d read the reviews.

Yesterday we told you that Netflix has picked up Todd Haynes’ latest Cannes Competition title, May December, and it looks like the filmmaker has already lined up his next project.

Even though “May December” has only just premiered at Cannes and has yet to officially get a release date around the world, film fans are curious about what filmmaker Todd Haynes has lined up next. Well, we’re not completely sure what’s actually next.

EXCLUSIVE: In a seismic development for the indie film sector, bond companies are refusing to insure movies ahead of a potential SAG-AFTRA strike from July 1.

Sometimes in Cannes it’s fun just to hover at the fringes of a party to observe the interactions, the body language, the eye-rolling, who’s drinking what and who isn’t.

“Killers of the Flower Moon” is certainly the buzziest film to play Cannes so far, Todd Haynes’ return to narrative filmmaking in four years, “May December,” held its own when it debuted the same day — and now it has a home.The film, described as a campy yet compelling look at an actress (Natalie Portman) who visits the home of a woman (Julianne Moore) she’s set to portray on-screen, ended up being hailed by a few critics as the best feature of the evening. And with U.S.

EXCLUSIVE: After an old-style all night auction, Netflix is finalizing an $11M deal for North American rights to May December, the Todd Haynes-directed drama that stars Julianne Moore and Natalie Portman. It is far and away the big deal of Cannes so far, and a deal of this size ought to send a jolt of optimism that the North American marketplace for Cannes films is still alive and well, after a slow start here.

Joaquin Phoenix‘s next role is going to be an explicit one.

Sophia Scorziello editor Joaquin Phoenix is taking it up another notch after Ari Aster’s “Beau Is Afraid,” teaming up with Todd Haynes for an NC-17-rated gay romance film. Haynes spoke to IndieWire at the Cannes Film Festival following the Saturday premiere of his romantic drama “May December,” starring Natalie Portman and Julianne Moore. In the interview, Haynes teased an upcoming project he co-developed with Phoenix. “The next film is a feature that’s an original script that I developed with Joaquin Phoenix based on some thoughts and ideas he brought to me,” Haynes told IndieWire. “We basically wrote with him as a story writer. Me and Jon Raymond and Joaquin share the story credit. And we hope to be shooting it beginning early next year. It’s a gay love story set in 1930s L.A.”

Coming into Cannes 2023, there was a lot of discussion about Todd Haynes’ new dramedy, “May December.” Haynes is one of the most acclaimed filmmakers working today and his latest stars none other than Julianne Moore and Natalie Portman, two of the most respected actors in the world. It appears, judging by early reviews, “May December” delivers the goods and is likely going to be in the mix come awards season.

Todd Haynes is having a great Cannes, isn’t he? His new film, “May December,” has earned rave reviews (including our own), with folks already predicting Oscars love. And now, it appears he has nothing but amazing projects to talk about coming in the future, including a new film with Joaquin Phoenix.

Godard speaks! Again. Quite rightly there’s a lot of hoopla about the world premiere of a 20-minute trailer the late cinema legend Jean-Luc Godard made for a feature film that will never exist: Phoney Wars. 

Cannes on Saturday, practically back-to-back, and critics were whipped to a frenzy with praise for them. Martin Scorsese’s “Killers of the Flower Moon” is easily one of the most anticipated movies of 2023, and with the first trailer having dropped on Thursday, it’s no surprise that the line to get into the theater for the Cannes screening was immense, according to social media.

Clayton Davis Senior Awards Editor Todd Haynes is the latest auteur to use Cannes as a launching pad for a potential Oscar contender, debuting his delicious dramedy “May December” at the festival on Saturday. Premiering less than one hour after Martin Scorsese’s 202-minute “Killers of the Flower Moon” conquered Cannes, the torrential downpour on Saturday night couldn’t keep many patrons away from taking in the Haynes movie. And not just because the movie reunites the director with his muse Julianne Moore, who he worked wonders with on “Safe” (1995) and “Far from Heaven” (2002), the latter which earned an Oscar nomination for Moore’s performance and one for Haynes’ script.

There’s trouble in the paradise of Savannah, Georgia, where the skeins of Spanish moss-draped over corridors of trees wave in the gentle coastal zephyrs with each night’s picture-perfect sunset. Spouses Gracie (Julianne Moore) and Joe (Charles Melton) have opened their palatial home for a backyard BBQ; he’s manning the grill, and she’s darting about trying to make everything just right, each well aware of their role to play.