Todd Haynes On Natalie Portman’s ‘May December’ Scene Everyone Will Be Talking About [Interview]

Hailey Bieber to relaxed activewear championed by Olivia Wilde, there are plenty of sartorial themes to tap into this season. June is the hottest month for horseracing, Midsomer, and royal birthdays, so we can expect a blanket of stars to descend for each occasion. From Hailee Steinfeld to Emily Ratajkowski and Beyoncé, we’ve rounded up the best dressed celebrity for you to enjoy and hopefully gain a style trick or two from.

Elsa Keslassy International Correspondent The Cannes Film Festival has unveiled the dates of its 77th edition which will take place May 14-25, 2024. This year’s festival wrapped May 27 with Justine Triet’s “Anatomy of a Fall” winning the Palme d’Or, Jonathan Glazer’s “A Zone of Interest” take home the Grand Prize, and Aki Kaurismäki’s “Fallen Leaves” nabbing the Jury Prize. The jury of the 76th edition was presided over by Ruben Ostlund, the two-time Palme d’Or winning director of “The Square” and “Triangle of Sadness.” The first post-pandemic edition, 2023 was marked by an overall well-received Official Selection lineup and a strong presence of American talent and studios. Some of the anticipated films spotlighted at the festival included Martin Scorsese’s “Killers of the Flower Moon”, Todd Haynes’ “May December” and Wes Anderson‘s “Asteroid City,” as well as Disney’s “Indiana Jones and the Dial of Destiny,” Pedro Almodóvar’s short film “Strange Way of Life” and Pixar’s “Elemental.”

Natalie Portman and her husband Benjamin Millepied were snapped kissing not long before news of his alleged affair with Camille Étienne emerged online.

At least once, I can say the winners of the 2023 Cannes Film Festival competition are actually the right ones. Maybe not exactly in the order I would have put them, but still, out of the 21 movies competing, it is hard to argue about almost all of the choices made by the Ruben Ostlund-led jury that, among others, included Americans Brie Larson and Paul Dano. I said almost.

EXCLUSIVE: Four-time Emmy winner Will Ferrell (Spirited) is in early talks to star as the NFL’s John Madden in Madden, a new film to be directed for Amazon/MGM by five-time Oscar nominee David O. Russell (American Hustle), multiple sources tell Deadline.

Yesterday we told you that Netflix has picked up Todd Haynes’ latest Cannes Competition title, May December, and it looks like the filmmaker has already lined up his next project.

“Killers of the Flower Moon” is certainly the buzziest film to play Cannes so far, Todd Haynes’ return to narrative filmmaking in four years, “May December,” held its own when it debuted the same day — and now it has a home.The film, described as a campy yet compelling look at an actress (Natalie Portman) who visits the home of a woman (Julianne Moore) she’s set to portray on-screen, ended up being hailed by a few critics as the best feature of the evening. And with U.S.

Recently, after his new film, “May December,” debuted at Cannes, filmmaker Todd Haynes teased what might be his next project. All that was said is the film will star Joaquin Phoenix and will be about two gay men in the 1930s.

EXCLUSIVE: After an old-style all night auction, Netflix is finalizing an $11M deal for North American rights to May December, the Todd Haynes-directed drama that stars Julianne Moore and Natalie Portman. It is far and away the big deal of Cannes so far, and a deal of this size ought to send a jolt of optimism that the North American marketplace for Cannes films is still alive and well, after a slow start here.

Rebecca Rubin Film and Media Reporter Netflix landed North American rights for “May December,” a soapy romantic-drama directed by Todd Haynes and starring Natalie Portman and Julianne Moore, which debuted at Cannes Film Festival. It sold for $11 million, marking the first big sale of this year’s festival. Several bidders, including Neon, were in the mix before Netflix emerged victorious. The streamer hopes to position “May December” as an Oscar contender in the fall. A scandalous age-gap relationship plays out at the center of “May December,” which debuted on Saturday to raves and earned a six-minute standing ovation. Moore plays the “December” to Charles Melton’s much-younger “May,” who was just 13 when the two fell in love. Given their 20-year age gap, their marriage inspired a national tabloid scandal. Decades later, their relationship is put to the test as an actress (Portman) travels to Georgia to study the life of Moore’s character, whom she’s set to play in a film.

Sophia Scorziello editor Joaquin Phoenix is taking it up another notch after Ari Aster’s “Beau Is Afraid,” teaming up with Todd Haynes for an NC-17-rated gay romance film. Haynes spoke to IndieWire at the Cannes Film Festival following the Saturday premiere of his romantic drama “May December,” starring Natalie Portman and Julianne Moore. In the interview, Haynes teased an upcoming project he co-developed with Phoenix. “The next film is a feature that’s an original script that I developed with Joaquin Phoenix based on some thoughts and ideas he brought to me,” Haynes told IndieWire. “We basically wrote with him as a story writer. Me and Jon Raymond and Joaquin share the story credit. And we hope to be shooting it beginning early next year. It’s a gay love story set in 1930s L.A.”

EXCLUSIVE: Arlene Nelson, the director known for her work on such unscripted series as Angel City and Secrets of Playboy, has signed with UTA for representation in all areas.

Coming into Cannes 2023, there was a lot of discussion about Todd Haynes’ new dramedy, “May December.” Haynes is one of the most acclaimed filmmakers working today and his latest stars none other than Julianne Moore and Natalie Portman, two of the most respected actors in the world. It appears, judging by early reviews, “May December” delivers the goods and is likely going to be in the mix come awards season.

Cannes Film Festival came to a close on Sunday, and it’s been a time of exhilarating highs coupled with very quiet low days. Where Martin Scorsese and Todd Haynes can have their latest films debut back-to-back and a Sunday that feels incredibly silent by comparison.

Todd Haynes is having a great Cannes, isn’t he? His new film, “May December,” has earned rave reviews (including our own), with folks already predicting Oscars love. And now, it appears he has nothing but amazing projects to talk about coming in the future, including a new film with Joaquin Phoenix.

Clayton Davis Senior Awards Editor Todd Haynes is the latest auteur to use Cannes as a launching pad for a potential Oscar contender, debuting his delicious dramedy “May December” at the festival on Saturday. Premiering less than one hour after Martin Scorsese’s 202-minute “Killers of the Flower Moon” conquered Cannes, the torrential downpour on Saturday night couldn’t keep many patrons away from taking in the Haynes movie. And not just because the movie reunites the director with his muse Julianne Moore, who he worked wonders with on “Safe” (1995) and “Far from Heaven” (2002), the latter which earned an Oscar nomination for Moore’s performance and one for Haynes’ script.

There’s trouble in the paradise of Savannah, Georgia, where the skeins of Spanish moss-draped over corridors of trees wave in the gentle coastal zephyrs with each night’s picture-perfect sunset. Spouses Gracie (Julianne Moore) and Joe (Charles Melton) have opened their palatial home for a backyard BBQ; he’s manning the grill, and she’s darting about trying to make everything just right, each well aware of their role to play.

CANNES – Perhaps it was the fact we’ve reached the halfway point of the 2023 Cannes Film Festival and the media have reached an inevitable breaking point with lack of sleep. Or maybe it was the often (but not talways) demure personalities of “May December’s” Oscar-winning stars, Julianne Moore and Natalie Portman.

May December, Todd Haynes’ film that received an eight-minute standing ovation at Cannes late on Saturday evening, is a film all about transgression, Julianne Moore told the press on Sunday. 

Rebecca Rubin Film and Media Reporter A scandalous age-gap relationship plays out at the center of “May December,” which debuted on Saturday to raves at the Cannes Film Festival. In the starry romantic drama directed by Todd Haynes, Julianne Moore plays the “December” to Charles Melton’s much-younger “May,” whose character was just 13 when the two fell in love. It’s a complicated dynamic, Moore admits, because of the time in their lives when they first met. “An age gap is one thing, but a relationship between an adult and a child is a different thing entirely,” Moore said at Sunday’s press conference for “May December,” which was embraced in the Grand Palais the day prior with an enthusiastic six-minute standing ovation.