Cannes Day 6: Martin Scorsese and Todd Haynes Battle for Auteur Supremacy

Chris Hemsworth is firing back at Martin Scorsese and Quentin Tarantino and defending the superhero realm against their scathing critiques.

None of the Royal Family publicly wished Prince Harry and Meghan Markle's daughter, Lilibet, a happy birthday as she turned two on Sunday. Unlike last year, when there were well wishes sent on Twitter, the Royals stayed silent on the youngster's big day. It is believed that Harry, along with Meghan, their eldest Archie, 4, celebrated Lilibet's birthday with a small gathering in California, where they were joined by Meghan's mum Doria Ragland.

The Cleveland Cavaliers are coming off one of their best seasons and years. What is next for this team? What would make this team even better? The Cavs and the Suns find themselves in pretty similar spots. They have their superstar and their supporting cast, They just can’t go from good to great just yet.

Kate Middleton, the Princess of Wales, looked stunning in a soft pink floor-length gown for the wedding of Jordan's Prince Hussein and his bride Raja Alseif. The 41 year old royal mum-of-three attended the ceremony with her husband Prince William, 40, as the couple cut incredibly elegant figures in their formal attire.The couple were surprise guests at the lavish nuptials, joining heads of state and world leaders, as well as the Prince of Wales' cousin Princess Beatrice, 34, and her husband Edoardo Mapelli Mozzi.

The Missouri native reunited with Raquel during a filming break where she reacted to the footage she saw so far.

Conflicting narratives. Tom Sandoval accuses ex-girlfriend Ariana Madix of insulting his intelligence throughout their relationship in a first look at Peacock’s extended version of part 2 of the Vanderpump Rules Reunion: Pumped Up Edition.

“Perfect Days” makes a perfect debut.PERFECT DAYS. Did Wim Wenders just make his best film since UNTIL THE END OF THE WORLD? Holy crap.Wim Wenders’ “Perfect Days” was the hero of the day, earning strong notices and the now-standard standing ovation.

If you thought Prince Harry and Meghan Markle had spilled everything there is to say about royal life, think again - the pair are said to be in talks for yet another tell-all feature, this time as a Netflix movie. They've already given a revealing look at their version of events of life inside the palace in their Netflix documentary series, Harry & Meghan, released in December, but they are now said to be keen for a repeat performance The new venture is likely to focus on their experience of living inside the palace and was reportedly inspired by Netflix's announcement that it's developing a film around Prince Andrew’s infamous car crash BBC interview with journalist Emily Maitlis.

Cannes Film Festival comes to a close on Saturday and you can feel it. Things are starting to slow down, standing ovations aren’t as long and those on the Croisette are starting to get tired. Beloved filmmaker Wes Anderson debuted his latest feature, “Asteroid City,” on Wednesday and the reaction was more muted than the reception to “Killers of the Flower Moon” or even the more mixed “Indiana Jones and the Dial of Destiny.” TheWrap’s Steve Pond emphasized the whole did not live up to the sum of its parts, despite pristine craft as always.

Irina Shayk has been putting her figure on display during the 2023 Cannes Film Festival season. Shayk's latest look was a Gucci lingerie set paired with a sheer slip dress.The model paired the risqué look with a black blazer, a neck full of jewels and knee-high stockings. Shayk was accompanied by Italian fashion designer Riccardo Tisci to British Vogue's party on Monday night celebrating the prestigious movie festival.

Recently, after his new film, “May December,” debuted at Cannes, filmmaker Todd Haynes teased what might be his next project. All that was said is the film will star Joaquin Phoenix and will be about two gay men in the 1930s.

EXCLUSIVE: After an old-style all night auction, Netflix is finalizing an $11M deal for North American rights to May December, the Todd Haynes-directed drama that stars Julianne Moore and Natalie Portman. It is far and away the big deal of Cannes so far, and a deal of this size ought to send a jolt of optimism that the North American marketplace for Cannes films is still alive and well, after a slow start here.

Coming into Cannes 2023, there was a lot of discussion about Todd Haynes’ new dramedy, “May December.” Haynes is one of the most acclaimed filmmakers working today and his latest stars none other than Julianne Moore and Natalie Portman, two of the most respected actors in the world. It appears, judging by early reviews, “May December” delivers the goods and is likely going to be in the mix come awards season.

Todd Haynes is having a great Cannes, isn’t he? His new film, “May December,” has earned rave reviews (including our own), with folks already predicting Oscars love. And now, it appears he has nothing but amazing projects to talk about coming in the future, including a new film with Joaquin Phoenix.

adapted from David Grann’s book of the same name — is set in Oklahoma during the 1920s and depicts the serial murders of members of the oil-wealthy Osage Nation, which was later dubbed the Reign of Terror and led to the formation of the FBI. The Post reached out to Scorsese for comment.“It’s taken its time to come around, but Apple did so great by us, shooting out there … there was lots of grass — I’m a New Yorker,” said the “Goodfellas” director in a post-film speech.

Clayton Davis Senior Awards Editor Todd Haynes is the latest auteur to use Cannes as a launching pad for a potential Oscar contender, debuting his delicious dramedy “May December” at the festival on Saturday. Premiering less than one hour after Martin Scorsese’s 202-minute “Killers of the Flower Moon” conquered Cannes, the torrential downpour on Saturday night couldn’t keep many patrons away from taking in the Haynes movie. And not just because the movie reunites the director with his muse Julianne Moore, who he worked wonders with on “Safe” (1995) and “Far from Heaven” (2002), the latter which earned an Oscar nomination for Moore’s performance and one for Haynes’ script.

There’s trouble in the paradise of Savannah, Georgia, where the skeins of Spanish moss-draped over corridors of trees wave in the gentle coastal zephyrs with each night’s picture-perfect sunset. Spouses Gracie (Julianne Moore) and Joe (Charles Melton) have opened their palatial home for a backyard BBQ; he’s manning the grill, and she’s darting about trying to make everything just right, each well aware of their role to play.

Todd Haynes has a way with female stars. I would even call him the new-age George Cukor in that regard. Whether in Carol with Cate Blanchett and Rooney Mara, or his HBOlimited series Mildred Pierce with Kate Winslet, or his homage to the director of so many so-called “women’s pictures” of the ’50s Douglas Sirk in Far From Heaven with Julianne Moore, he seems to be in his comfort zone with women. That has never been more apparent than his latest, May December, a deliciously entertaining showcase for Natalie Portman and Moore (her and Haynes’ fourth film together), which just had its world premiere Saturday in competition at the Cannes Film Festival.

I am still searching for my words; my thoughts first ran dry in the opening minutes of the shattering and evocative “Killers of the Flower Moon.” It begins with the Osage tribal elders mourning the loss of their language and customs as they bury a sacred pipe. The scene breaks, next revealing these Indigenous folks — forcibly moved from Missouri to present-day Oklahoma (thought to be terrible, barren land) — discovering oil as psychedelic music erupts with the splash of the black liquid.

Cannes took audiences back to their childhoods with the first screening of “Indiana Jones and the Dial of Destiny.” The film’s splashy premiere saw stars Harrison Ford, Phoebe Waller-Bridge and Mads Mikkelsen walk the red carpet, alongside Walt Disney CEO Bob Iger and director James Mangold. The first reactions were slow to drop but were filled with enthusiasm.