‘The Siren’ Director Sepideh Farsi on Iran, Politics and Why She Wants Her Berlin Festival Film Pirated

Bindi Irwin has revealed she’s struggled with endometriosis for ten years and recently underwent surgery to treat the condition. "Dear Friends, I battled for a long time wondering if I should share this journey with you in such a public space.

Bill Murray and star Jeannie Berlin set foot on the red carpet of the 2023 SAG Awards holding hands.Murray and Berlin appeared quite close when they arrived together for Sunday's soiree at the Fairmont Century Plaza in Los Angeles. The star wore a black tuxedo with a colorful bow tie, while Berlin sported an all-black suit and shades.Berlin, who portrayed Hadassah Fabelman in the Steven Spielberg film, was there for the film's nomination in the Best Ensemble Cast in a Motion Picture category.

It’s not often we get new David Cronenberg material. And while the upcoming series, “Dead Ringers,” isn’t directed by the legendary filmmaker, his DNA is still all over it, as it is a remake of the 1988 film of the same name.

Christina Aguilera resurrected one of her most iconic looks when she hit the stage to perform during the Vina Del Mar Festival on Thursday evening (February 23) in Chile.

Nick Vivarelli International Correspondent Italian actor-turned-director Andrea Di Stefano, whose gritty police drama “The Last Night of Amore” is launching from the Berlin Film Festival’s Berlinale Special Gala section, reps an Italian anomaly. “Amore,” which refers to a police lieutenant named Franco Amore, oddly marks Di Stefano debut directing an Italian-language film after helming well-received U.S. indie thrillers “Escobar: Paradise Lost,” with Benicio del Toro, and “The Informer.”  Sumptuosly shot in 35mm film and set in present-day Milan, “Last Night of Amore” harks back to Italian genre films of the 70s and 80s but has a fresh contemporary feel. The plot sees the good lieutenant, played by Italian A-lister Pierfrancesco Favino (“The Traitor,” “Nostalgia”) being called on the night before retirement to investigate a crime scene where his best friend and long-time partner Dino has been killed during a diamond heist. Complications ensue, things get very frantic, and we learn how his love for his wife Viviana, played by Linda Caridi (“The Ties”) will help Amore survive the longest and most challenging night of his existence.

Nick Vivarelli International Correspondent In the first few months of 2020, huge swathes of Northern Italy were hit by the COVID-19 virus. Soon the death toll in the city of Bergamo reached such heights that an army convoy had to transport coffins out because its cemeteries and crematoriums were full. In his powerful doc “The Walls of Bergamo,” which world premieres on Friday in Berlin’s Encounters section, prominent Italian documentary director Stefano Savona – whose “Samouni Road” won the Golden Eye prize in 2018 at Cannes – and a team of student filmmakers take the pulse of the city when it is on the brink of collapse and, subsequently, as Bergamo begins its healing and recovery process.

Naman Ramachandran Berlin’s just concluded European Film Market (EFM), which had a physical edition this year after two online editions in 2021 and 2022 due to the pandemic, has reported “record results” according to the organizers. There were 230 stands and 612 companies from 78 countries and more than 11,500 market participants from 132 countries. Some 773 films were shown in 1,533 screenings, including 647 online screenings and 599 market premieres. The total number of buyers also rose to 1,302. 629 film projects were presented on the new Producers & Project Pages. “After the past two irregular years, we’re pleased to return to the physical in full force, and with a vibrant, bustling and strong market. The exhibition areas at Gropius Bau and the Marriott Hotel were sold out, and the exhibitors reported strong sales and good business. The decision to group all the market happenings together with the Berlinale Series Market and the market screenings at Potsdamer Platz, and to provide the industry with an efficient infrastructure, was extremely well-received by our market participants,” said EFM director Dennis Ruh.

Nick Vivarelli International Correspondent Italian animation auteur Enzo D’Alò – whose globally known works include “The Blue Arrow,” “Lucky and Zorba,” “Momo” and “Opopomoz” – is back with Roddy Doyle adaptation “A Greyhound Of a Girl” launching from the Berlin Film Festival’s Generation Kplus section. “Greyhound of a Girl,” which is D’Alò’s first English-language film, is about four generations of Irish women who embark on a car journey. One of them is dead, one of them is dying, one is driving, and the fourth is twelve-year old Dublin school girl Mary O’Hara. Mary shares her grandmother’s rebel spirit and love of cooking and is bravely dealing with the fact that her granny’s days are drawing to a close.

Nick Vivarelli International Correspondent Veteran auteur Mario Martone, whose Naples-set drama “Nostalgia” launched last year from Cannes, has quite a lot in common with Massimo Troisi, Italy’s beloved late comic actor-director who is best known internationally as the star of Oscar-winning film “Il Postino.” Which is why Martone was well-suited to direct the multi-layered doc about Troisi’s legacy “Somebody Down There Likes Me” that is screening in the Berlinale Special sidebar. For starters, they are both Neapolitan, and were born only a few years a part. Troisi – who in “Il Postino” played the simple postman who rides his bicycle on a sandy Italian island to deliver mail to his sole client, the Nobel Prize-winning poet Pablo Neruda – died tragically of congenital heart failure at age 41 in June 1994, the day after “Il Postino” finished shooting at Rome’s Cinecittà studios.

With her feature debut, “The Chambermaid,” Mexican writer-director Lila Avilés materialized a graceful character study of a hardworking mother. Though enriched via the meaningful interjections of its supporting players, the narrative had a singular focus.

As the 73rd Berlin Film Festival rolls into its first weekend, one of the buzziest titles on the ground is the taut political thriller Reality, starring Euphoria and White Lotus breakout Sydney Sweeney.

Naman Ramachandran Acclaimed “Phantom Thread” actor Vicky Krieps’ latest film, “Ingeborg Bachmann – Journey into the Desert,” directed by German cinema legend Margarethe von Trotta, has its world premiere in competition at the Berlin Film Festival. Krieps plays the titular Austrian Bachmann, one of the most renowned German-language poetry and prose writers of the 20th century. The film follows her life and career and her relationships with Swiss playwright (Ronald Zehrfeld), Austrian author Adolf Opel (Tobias Samuel Resch) and German composer Hans Werner Henze (Basil Eidenbenz) during a six-year period in her life from 1958. The actor was familiar with the writer from her formative years. “I knew about Bachmann because in Germany she’s very famous. I grew up with her in school,” Krieps told Variety. “I was very into poetry when I was younger, so I knew her poetry.” Krieps familiarized herself further with Bachmann’s work once she was cast.

Nick Vivarelli International Correspondent Paris-based Italian director Giacomo Abbruzzese says making the Berlin Film Festival competition cut with his first feature, “Disco Boy,” which toplines German star Franz Rogowski (“Passages,” ”Undine”), is “certainly a dream come true.” But he also points out that his remarkable debut was a long time coming.  A graduate of several film schools, including France’s prestigious Le Fresnoy, Abbruzzese started developing “Disco Boy” in 2013 following an encounter in a French disco with a classical dancer who had been a soldier.  

Nick Vivarelli International Correspondent The life of Turkey’s most famous photographer, Ara Guler, known globally for his portraits of scores of 20th century icons ranging from Pablo Picasso to Winston Churchill, is set to become a biopic directed by writer-director duo Aren Perdeci and Ela Almayanac (“Lost Birds”). Guler worked for many years for the photo agency Magnum, after its co-founder, celebrated photographer Henri Cartier-Bresson, personally signed him up. Besides documenting top 20th century personalities, Guler, who died in 2018, gained fame for his images of a bygone Istanbul, which earned him the moniker “Istanbul’s Eye.” He established a long collaboration with Nobel Prize-winning Turkish author Orhan Pamuk. Guler’s photographs were included in the 2003 Pamuk book “Istanbul: Memories and the City.” He also directed the 1975 doc “End of the Hero,” about a World War I battle cruiser.

Colm Bairéad’s appearance at Deadline’s Contenders: The Nominees event marks a year since his film The Quiet Girl first debuted at the Berlin Film Festival. A dual release in the UK and Ireland followed in May, and a slow international rollout has kept the director busy ever since. Indeed, as the film’s Oscar campaign enters the final stretch, The Quiet Girl is only now going wide across America: not bad going for a film with no stars that’s shot almost entirely in Irish, a language spoken by fewer than 2 million people worldwide.

Nick Vivarelli International Correspondent The Berlinale red carpet on Saturday became a protest platform against Iran’s repressive regime when a group of Iranian filmmakers and talents, joined by jury president Kristen Stewart, chanted “Women, Life, Freedom!” and demanded the release of imprisoned journalists and an Iranian rapper. Actress Golshifteh Farahani, who is also on the jury; “Holy Spider” actress Zar Amir Ebrahimi; and “The Siren” director Sepideh Farsi were among dozens of Iranian film professionals participating in the protests hosted by Berlinale co-directors Mariette Rissenbeek and Carlo Chatrian. Protesters with signs demanded freedom for female Iranian journalists Niloofar Hamedi and Elaheh Mohammadi who are behind bars, accused of “conspiring against national security” for being the first to report on Mahsa Amini’s death, and for the release of dissident Iranian hip hop artist Toomaj Salehi who has been accused of spreading propaganda and could face the death penalty.

Nick Vivarelli International Correspondent The wave of protests sparked across Iran by the death of Mahsa Amini by Iranian morality police in September came amid a banner year for Iranian cinema.  But as 2023 kicks off, more than 500 people who have protested her death and called for justice have been killed while prominent members of the Iranian film industry were either arrested, put on trial or banned from making movies. The result being that the country’s cinematic community has largely ground to a halt.  Which raises the question: unless something changes, how many films actually shot in Iran will be surfacing on the international festival circuit going forward?  

Nick Vivarelli International Correspondent Italy’s Kino Produzioni, the indie shingle that co-produced 2022 Berlin Golden Bear winner “Alcarràs,” is ramping up production with new films by emerging Italian filmmakers Carlo Sironi, Laura Luchetti and Irene Dionisio, as well as also Dutch director Michiel Van Erp and Argentine filmmakers María Alché and Benjamín Naishtat.  “We reached a turning point last year that started out well with the ‘Alcarràs’ victory,” said Kino chief Giovanni Pompili, speaking at the EFM. He noted that in 2022, the Rome-based outfit shot four films, “which for us was pretty challenging, but worked out well.” Meanwhile, the Kino team has grown. Producer Lara Costa-Calzado, who has been working for a decade between the U.S. and Europe on films such as Eliza Hittman’s Silver Bear winner “Never Rarely Sometimes Always,” Sally Potter’s “The Roads Not Taken” and Halina Rejin’s “Bodies Bodies Bodies,” has joined Kino as head of production.

Nick Vivarelli International Correspondent In “Joan Baez: I Am a Noise,” which is premiering on Feb. 17 at the Berlin Film Festival, the folk icon with a supple soprano voice and a long history of activism, takes a disarmingly candid look on her life as she faces the end of her 60-year musical career. The immersive doc is co-directed by Karen O’Connor, Miri Navasky, and Maeve O’Boyle. They interweave Baez’s 2018 Fare Thee Well final concert tour with her early years, her rise to fame, struggles with drugs that ensued, and a darker psychological thread involving a form of child abuse on the part of Baez’s father. A surprising level of intimacy is reached thanks to a wealth of material obtained from Baez’s meticulously preserved personal archives comprising home movies, diaries, artwork, therapy tapes, and audio recordings of voice letters to her family. Some, while Baez was on tour in England in 1965 with Bob Dylan whom, she confesses in the doc, “broke my heart.”

Patrick Frater Asia Bureau Chief Anne Hathaway and Kristen Stewart delivered a dose of major glamour on the red carpet on Thursday as the Berlin Film Festival returned to full-scale, in-person operation for the first time since 2020. Ukrainian president Volodymyr Zelensky revived Berlin’s role as a political platform.   The Hollywood stars were greeted by packed crowds outside the Berlinale Palast and by festival co-heads Mariette Rissenbeek and Carlo Chatrian.