The verdict seems clear: Mel Brooks continues to thrive as the auteur of disorder. Further, his blasphemies on Hulu this week serve as a welcome distraction from the numbing debates that usually dominate Oscar Week.
18.02.2023 - 23:57 / deadline.com
Colm Bairéad’s appearance at Deadline’s Contenders: The Nominees event marks a year since his film The Quiet Girl first debuted at the Berlin Film Festival. A dual release in the UK and Ireland followed in May, and a slow international rollout has kept the director busy ever since. Indeed, as the film’s Oscar campaign enters the final stretch, The Quiet Girl is only now going wide across America: not bad going for a film with no stars that’s shot almost entirely in Irish, a language spoken by fewer than 2 million people worldwide.
The story of a shy and sensitive pre-teen girl who is sent to live with relatives after she becomes too much of a burden to her parents, who are expecting another child, The Quiet Girl is adapted from Claire Keegan’s novella Foster, which Bairéad discovered, quite by chance, in 2018.
RELATED: Contenders Film: The Nominees – Deadline’s Full Coverage
“It was listed in an article in The Irish Times as one of the greatest works of Irish literature written by a woman this century,” he recalls. “For whatever reason, I went out that day and bought it, and I just fell head over heels in love with it. It’s a stand-alone publication, but really it’s a short story — a long short story, as Claire likes to call it. In fact, it’s only about 85 pages. But just everything about it appealed to my sensibility. I loved the fact that it was a first-person narrative that you were experiencing this entire story through — you were seeing it through the sort of prism of this young consciousness, this young girl who’s at the center of the story.”
The title role is played by newcomer Catherine Clinch, who Bairéad found after an epic search lasting seven months. “One day we got a self-tape from Catherine’s mother, who
The verdict seems clear: Mel Brooks continues to thrive as the auteur of disorder. Further, his blasphemies on Hulu this week serve as a welcome distraction from the numbing debates that usually dominate Oscar Week.
HuffPost. (Even Florida’s only goes up to third grade, while requiring that such topics be “age or developmentally appropriate” in older grades.)According to Newsweek, Kelley, a former teacher, said, in remarks introducing the bill, that school-age children are “very naive and easily influenced,” arguing that “exposure to such topics is inappropriate for children, creating confusion which may then cause doubt in their identities.”“It is not the place of the school to indoctrinate our children by exposing them to gender and sexual identity curriculums and courses,” she said. “Therefore, we must keep our educational instruction pure, without the political nuances.”But Christofanelli challenged the wording of Kelley’s bill and the logic behind it, wondering if the prohibitions on “sexual orientation” might prohibit teaching about heterosexuality as well as homosexuality.“I’m just going to read you the language in your bill,” Christofanelli said, referring to the prohibition on instruction regarding sexual orientation.
Former 'Love Island' star Amy Hart has given birth. The 30-year-old star and her boyfriend Sam Rason have welcomed a baby boy into the world, and the couple are "so in love" with their little one. In a joint statement, the pair wrote on Instagram: "Well….
Brad Pitt heads out into nature during a camping trip in the newly released TrueBrew commercial.
Naman Ramachandran Smriti Mundhra, director of hit Netflix documentary series “The Romantics,” has said that the success of her show and of Shah Rukh Khan’s “Pathaan” proves that audiences continue loving Bollywood. The star-studded, four-part series features 35 leading voices of the Hindi-language film industry and dives into the history of Bollywood through the lens of the studio Yash Raj Films’ impact over the past 50 years in making the industry globally known. It bowed on Netflix on Feb. 14 and quickly entered the top 10 charts in nine countries. A few days earlier, Yash Raj Films’ “Pathaan,” Khan’s comeback film, had a roaring debut and has grossed $125 million so far. The film and series reversed a two-year trend on social media where the Hindi film industry was trolled with the BoycottBollywood hashtag.
After bringing home an Oscar in 2019 for her animated short Bao, Domee Shi returned to her well of childhood experiences for Turning Red. Due to a family blessing/curse, 13-year-old Chinese Canadian Meilin (Rosalie Chang) transforms into a red panda whenever she experiences strong emotions, which is less than ideal for a teenager. Using Mei as a surrogate character, Shi replicates her childhood experience of struggling to please her mother as she entered adolescence. The film’s portrayal of the mother-daughter relationship sparked dialogues between teens and parents going through the same experience and gave Shi a chance to become closer with her own mother.
Former Victoria's Secret Angel Jasmine Tookes has given birth. The 32-year-old model and her husband, Snapchat director Juan David Borrero, welcomed their first child together into the world, daughter Mia, last week. She shared a picture of herself clutching onto her little one's hand, and added the caption: "Mia Victoria [heart emoji] 2-23-23" Several former Victoria's Secret Angels were quick to congratulate their pal, including Sara Sampaio.
Still friendly! Gwyneth Paltrow shared an adorable tribute to ex-husband Chris Martin in honor of his birthday.
Elsa Keslassy International Correspondent Ruben Östlund, the Oscar-nominated director whose latest film “Triangle of Sadness” won last year’s Palme d’Or at Cannes, will be back at the French festival to preside over the jury of its 76th edition. Östlund is a Cannes regular, having won the festival’s top prize twice, for “Triangle of Sadness” in 2022 and for “The Square” in 2017. Before that, he presented two films at Un Certain Regard, including “Force Majeure,” which won the Jury Prize. “I am happy, proud and humbled to be trusted with the honor of jury president for this year’s competition at the Festival de Cannes,” said Östlund, who will be the first Swede to head the jury in 50 years, following the footsteps of Ingrid Bergman. “Nowhere in the film world is the anticipation as strong as when the curtain rises on the films in competition at the festival.”
The Banshees of Inisherin already capturing a fair share of the major awards and with possibly a decent shot at some Oscar love, the focus on Irish cinema is hotter than ever.Of course, Solas Nua, Washington, D.C.’s hub for contemporary Irish culture and performing arts, has been training its eye on films emerging from the Emerald Isle for quite some time now.This is the 17th year they’ve curated the Capital Irish Film Festival (CIFF), and this year’s four-day festival, held March 2 to 5 at the AFI Silver Theatre in Silver Spring, Maryland, is arguably the largest in the group’s history.The festival opens with a massive get — The Quiet Girl (An Cailín Ciúin), which is up for an Oscar in the Best International Film category.Director Colm Bairéad’s coming-of-age drama, is set in rural Ireland in the early ’80s, as a young girl struggles with a dysfunctional, impoverished homelife and finds new life when sent to live with relatives for the summer. Bairéad will participate in a Q&A following the screening.
The Quiet Girl, an Oscar contender for Best International Feature, opened to a robust $60k on six screens this weekend for a per-theater average of $10k. The film by Colm Bairead presented by SUPER LTD is based on the short story by Claire Keegan of a shy nine-year-old girl in rural Ireland. It led debuts in a specialty market that’s showing consistent signs of recovery amid a wider slate of films. Emily from Bleecker Street expanded to solid numbers and this year’s program of Oscar Nominated Short Films blew past last year with a $1.6 million cume in week two.
She was loving life. It was 1987 and she had been dazzled by the early 80s New Romantics movement and still embraced it by wearing "frilly white shirts" and clubbing hard in Manchester, sometimes until dawn.
Super LTD presents Best International Feature Oscar nominee The Quiet Girl and, as the Academy Awards approach, RRR ramps up again and Navaly returns to theaters for one-week run.
The annual Oscar melee always reminds us of this mandate: Never believe the “buzz.” Every important movie arrives with an aura – and it’s usually wrong or misleading.
Todd Gilchrist editor After writing five “Paranormal Activity” movies, directing one (2014’s “The Marked Ones”), and creating inventive new mythologies with “Happy Death Day” and “Freaky,” “We Have a Ghost” is a decidedly different kind of horror project from filmmaker Christopher Landon: you know, for kids. To be more accurate, it’s for families — the kind of story that’s not just scary, but funny, and heartfelt as well, like “E.T the Extra-Terrestrial” and other Amblin movies of the 1980s. “They showed kids in peril and that the world is a dark place, but that you come out on the other side of it,” Landon tells Variety. “We Have a Ghost,” which premieres Feb. 24 on Netflix, was also made for Landon’s own family — not simply his two boys, who are slowly advancing to the age where they can start watching his more terrifying creations, but his late father, actor Michael Landon, who passed away in 1991 at age 54. Now 47, Landon talks about his latest project in the context of his relationship both as a son and as a father himself, and as his pedigree as a horror storyteller deepens, reflects on the kinds of projects he hopes to put out into the world.
Prime Video has secured the return of Dave Bautista (Knock at the Cabin), Chloe Coleman (Avatar: The Way of Water), Kristen Schaal (What We Do in the Shadows), Ken Jeong (The Afterparty) and others for their My Spy sequel, My Spy: The Eternal City. Among the new additions to the ensemble in the second installment are Anna Faris (Mom), Craig Robinson (The Office) and Flula Borg (Pitch Perfect: Bumper in Berlin).
Thania Garcia Chuck Jackson, a vocalist of the doo-wop group Del-Vikings and the singer in Burt Bacharach and Bob Hilliard’s “Any Day Now,” died on Feb. 16 in Atlanta. He was 85. News of his passing was confirmed in a Facebook post by Ady Croasdell of Ace Records’ Kent Records division, a UK label that had been reissuing his recordings. No cause of death was given. “There are confirmed reports that one of the very greatest soul singers of all time, Chuck Jackson, died on February 16th,” Croasdell wrote. “His 60s and 70s recordings are hugely important works, revered as much now as on release…His passing will be deeply felt around the world.”
Israeli director Guy Nattiv has defended his casting of non-Jewish actress Helen Mirren as iconic Israeli Prime minister Golda Meir in his biopic Golda, which world premieres at the Berlin Film Festival on Monday.
*WINNER.BEST FILM“All Quiet on the Western Front,” Malte Grunert“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin, Martin McDonagh“Elvis,” Gail Berman, Baz Luhrmann, Catherine Martin, Patrick McCormick, Schuyler Weiss“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert, Jonathan Wang“Tár,” Todd Field, Scott Lambert, Alexandra MilchanOUTSTANDING BRITISH FILM“Aftersun,” Charlotte Wells, Producer(s) TBC“The Banshees of Inisherin” Martin McDonagh, Graham Broadbent, Pete Czernin“Brian and Charles,” Jim Archer, Rupert Majendie, David Earl, Chris Hayward“Empire of Light,” Sam Mendes, Pippa Harris“Good Luck to You, Leo Grande,” Sophie Hyde, Debbie Gray, Adrian Politowski, Katy Brand“Living,” Oliver Hermanus, Elizabeth Karlsen, Stephen Woolley, Kazuo Ishiguro“Roald Dalh’s Matilda the Musical,” Matthew Warchus, Tim Bevan, Eric Fellner, Jon Finn, Luke Kelly, Dennis Kelly“See How They Run,” Tom George, Gina Carter, Damian Jones, Mark Chappell“The Swimmers,” Sally El Hosaini, Producer(s) TBC, Jack Thorne“The Wonder,” Sebastián Lelio, Ed Guiney, Juliette Howell, Andrew Lowe, Tessa Ross, Alice Birch, Emma DonoghueOUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER“Aftersun,” Charlotte Wells (Writer/Director)“Blue Jean,” Georgia Oakley (Writer/Director), Hélène Sifre (Producer)“Electric Malady,” Marie Lidén (Director)“Good Luck to You, Leo Grande” Katy Brand (Writer)“Rebellion,” Maia Kenworthy (Director)FILM NOT IN THE ENGLISH LANGUAGE“All Quiet on the Western Front” Edward Berger, Malte Grunert *WINNER“Argentina, 1985,” Santiago Mitre, Producer(s) TBC“Corsage,” Marie Kreutzer“Decision to Leave,” Park Chan-wook, Ko Dae-seok“The Quiet Girl,” Colm Bairéad, Cleona Ní ChrualaoíDOCUMENTARY“All That Breathes,”