From Bachelorette to bride! Andi Dorfman and Blaine Hart are ready to exchange vows nearly a decade after she handed out roses.
18.02.2023 - 09:15 / variety.com
Nick Vivarelli International Correspondent Italy’s Kino Produzioni, the indie shingle that co-produced 2022 Berlin Golden Bear winner “Alcarràs,” is ramping up production with new films by emerging Italian filmmakers Carlo Sironi, Laura Luchetti and Irene Dionisio, as well as also Dutch director Michiel Van Erp and Argentine filmmakers María Alché and Benjamín Naishtat. “We reached a turning point last year that started out well with the ‘Alcarràs’ victory,” said Kino chief Giovanni Pompili, speaking at the EFM. He noted that in 2022, the Rome-based outfit shot four films, “which for us was pretty challenging, but worked out well.” Meanwhile, the Kino team has grown. Producer Lara Costa-Calzado, who has been working for a decade between the U.S. and Europe on films such as Eliza Hittman’s Silver Bear winner “Never Rarely Sometimes Always,” Sally Potter’s “The Roads Not Taken” and Halina Rejin’s “Bodies Bodies Bodies,” has joined Kino as head of production.
The main titles on Kino Produzioni’s slate include a yet to be titled drama from Sironi (“Sole”) starring rising French indie star Noée Abita (“Slalom”) and Maria Camilla Barandenburg (“Slam Italia”). Film follows two 17-year-olds named Clara and Irène who both have health issues. Shortly after meeting, they run away together to an island where they experience an unforgettable summer. See first look image above. Sironi’s “Sole,” a love story intertwined with baby trafficking, made an international splash after launching in 2019 from Venice and Toronto. Sironi was among Variety’s 10 European Directors to watch in 2020. Kino has co-produced his followup with France’s June Films and support from RAI Cinema. Another title is Van Erp’s English-language period drama “A
From Bachelorette to bride! Andi Dorfman and Blaine Hart are ready to exchange vows nearly a decade after she handed out roses.
Nick Vivarelli International Correspondent Italian producer Andrea Iervolino is planning to bring to the big screen “Maserati: a Racing Life,” an English-language biopic about the family behind the high-performance automobiles that, along with Ferrari and Lamborghini, Italy is known for. Iervolino’s AMBI Group – in which he is partnered with Monika Bacardi – previously produced the Bobby Moresco-directed biopic “Lamborghini: The Man Behind the Legend” and is also among producers of Micheal Mann’s upcoming “Ferrari” with Adam Driver, Penélope Cruz and Shailene Woodley. He told Variety he sees “Maserati” as a natural segue to those films about Italy’s iconic automakers.
Keanu Reeves returns as the titular hitman in, once again embodying his latest iconic character -- who came out of retirement in the franchise's first film to avenge his dead puppy, and has been on the run ever since. finds John Wick fighting his way around the world as he searches for a way to defeat the High Table. Despite the harrowing action scenes, Reeves says he had a blast returning to the role.«I love playing the character. I love the world of ,» he raved. " is so ambitious.
Nick Vivarelli International Correspondent Italian star author Robert Saviano, whose mob exposé “Gomorrah” spawned both Matteo Garrone’s eponymous prizewinning movie and the groundbreaking crime series that plays stateside on HBO, is making his directorial debut. Saviano will direct “I’m Still Alive,” an animation adaptation of his graphic novel illustrated by Israeli artist Asaf Hanuka (“Waltz With Bashir”). “Still Alive” examines the anti-mob activist’s life under armed guard since being forced to live with police protection shortly after 2006 when Saviano’s account of the inner workings of the Neapolitan Camorra crime syndicate was published. Just like Saviano’s graphic novel, “I’m Still Alive” will feature illustration’s by Hanuka, an Eisner-winning cartoonist who is known, besides “Bashir,” for his autobiographical strips “The Realist” and for graphic novel “The Divine.”
A brand new revival of the classic musical The Secret Garden is currently playing at the Ahmanson Theatre in Los Angeles and we caught up with the show’s young star Emily Jewel Hoder!
Nick Vivarelli International Correspondent Warning: This story contains a graphic image. David Cronenberg has made a short film featuring female wax corpses made during the 18th century in Italy. The wax figures were intended for medical studies, in order to train surgeons prior to operating on real bodies. The Canadian director, known as the father of body horror thanks to films such as “The Fly,” “eXistenZ,” and his latest pic “A History of Violence,” has been recruited by Italian fashion house Prada to shoot the short film. It features anatomical wax works from the La Specola museum in Florence, one of the oldest scientific museums in Europe. The museum is currently being renovated and is closed to the public.
Nick Vivarelli International Correspondent Tom Cruise and director Christopher McQuarrie are shooting flight scenes for “Mission: Impossible – Dead Reckoning Part Two” on a U.S. aircraft carrier in the Adriatic Sea, which Cruise reached by helicopter from the Italian port city of Bari, where he jetted into on Saturday. Confirming Italian press reports, the head of the Apulia Film Commission Antonio Parente told Variety on Thursday that Cruise flew into Bari, which is the Apulia region’s capital city, on Saturday Feb. 25. After spending the night in Bari’s 5-star Hotel Delle Nazioni, Cruise on Sunday hopped on a private helicopter from the Bari airport to go shoot scenes for the eighth “Mission Impossible” installment on an U.S. aircraft carrier “which is probably the U.S.S. George H.W. Bush, but we are not sure,” Parente said.
Nick Vivarelli International Correspondent Prior to becoming an actor, Giancarlo Giannini, who on March 6 will be getting a star on the Hollywood Walk of Fame, studied electronic engineering, a skill he’s been known to put to good use even on movie sets. “I was meant to start working on the first artificial satellites, or on the first computers at IBM,” the Italian film and theater thesp recalls. But then Giannini enrolled in acting school and soon was given major roles, first by Franco Zeffirelli and then by Lina Wertmüller, with whom he went on to make nine movies that brought them both international fame. “I owe it to Lina that I will be getting the star. The only other Italian actor who has one is Rudolph Valentino,” he notes.
Nick Vivarelli International Correspondent Italy’s 2,500 dubbing industry workers are on a protracted strike demanding higher wages, less frenzied work conditions, and protection against digital dubbing devices, which they claim threaten their jobs. The country’s unions representing Italian voice actors and dubbing directors have been on the war path since Feb. 21. On Tuesday they announced the strike will continue for at least another week. The unions are demanding that standard contract wages that have remained unvaried for the past 15 years be raised. But they are also clamoring for the right to be able to work at a slower pace, claiming that “current production rhythms are not conducive to [good] quality of work and of life,” according to a statement issued by Italian dubbers’ union ANAD.
Nick Vivarelli International Correspondent Khaby Lame, the Senegalese-born Italian social media personality who is the world’s most followed content creator on TikTok, has joined “Italia’s Got Talent” as a juror. Lame is a former factory worker in Italy who after being laid off from his job in March 2020 launched a TikTok channel in which he performed absurdly comic skits that went wildly viral. The TikTok star whose comedy bits started with ironic takes on “life hacks” relies on iconic facial expressions and body language in videos delivered without speaking so that the humor is understood universally. The short-form comedy video virtuoso, who has more than 154 million followers on TikTok, will now be making his debut as an Italian TV personality on the hit talent show.
Nick Vivarelli International Correspondent Italian actor-turned-director Andrea Di Stefano, whose gritty police drama “The Last Night of Amore” is launching from the Berlin Film Festival’s Berlinale Special Gala section, reps an Italian anomaly. “Amore,” which refers to a police lieutenant named Franco Amore, oddly marks Di Stefano debut directing an Italian-language film after helming well-received U.S. indie thrillers “Escobar: Paradise Lost,” with Benicio del Toro, and “The Informer.” Sumptuosly shot in 35mm film and set in present-day Milan, “Last Night of Amore” harks back to Italian genre films of the 70s and 80s but has a fresh contemporary feel. The plot sees the good lieutenant, played by Italian A-lister Pierfrancesco Favino (“The Traitor,” “Nostalgia”) being called on the night before retirement to investigate a crime scene where his best friend and long-time partner Dino has been killed during a diamond heist. Complications ensue, things get very frantic, and we learn how his love for his wife Viviana, played by Linda Caridi (“The Ties”) will help Amore survive the longest and most challenging night of his existence.
Nick Vivarelli International Correspondent In the first few months of 2020, huge swathes of Northern Italy were hit by the COVID-19 virus. Soon the death toll in the city of Bergamo reached such heights that an army convoy had to transport coffins out because its cemeteries and crematoriums were full. In his powerful doc “The Walls of Bergamo,” which world premieres on Friday in Berlin’s Encounters section, prominent Italian documentary director Stefano Savona – whose “Samouni Road” won the Golden Eye prize in 2018 at Cannes – and a team of student filmmakers take the pulse of the city when it is on the brink of collapse and, subsequently, as Bergamo begins its healing and recovery process.
Nick Vivarelli International Correspondent Italian animation auteur Enzo D’Alò – whose globally known works include “The Blue Arrow,” “Lucky and Zorba,” “Momo” and “Opopomoz” – is back with Roddy Doyle adaptation “A Greyhound Of a Girl” launching from the Berlin Film Festival’s Generation Kplus section. “Greyhound of a Girl,” which is D’Alò’s first English-language film, is about four generations of Irish women who embark on a car journey. One of them is dead, one of them is dying, one is driving, and the fourth is twelve-year old Dublin school girl Mary O’Hara. Mary shares her grandmother’s rebel spirit and love of cooking and is bravely dealing with the fact that her granny’s days are drawing to a close.
Nick Vivarelli International Correspondent The story of Italy’s most-wanted Mafia boss, Matteo Messina Denaro, whose recent arrest by police in Palermo after 30 years on the run made global headlines, is set to become a big-budget film. Rome-based producer Marco Belardi (“Perfect Strangers”) has acquired rights to ace anti-Mafia journalist Lirio Abbate’s book about the Cosa Nostra boss. The book is titled “U Siccu,” which is Sicilian dialect that translates as “The Skinny One.” Messina Denaro was arrested in mid-January by dozens of police officers outside an upscale medical facility in Palermo where he had been undergoing cancer treatment for a year under false identity.
Nick Vivarelli International Correspondent Veteran auteur Mario Martone, whose Naples-set drama “Nostalgia” launched last year from Cannes, has quite a lot in common with Massimo Troisi, Italy’s beloved late comic actor-director who is best known internationally as the star of Oscar-winning film “Il Postino.” Which is why Martone was well-suited to direct the multi-layered doc about Troisi’s legacy “Somebody Down There Likes Me” that is screening in the Berlinale Special sidebar. For starters, they are both Neapolitan, and were born only a few years a part. Troisi – who in “Il Postino” played the simple postman who rides his bicycle on a sandy Italian island to deliver mail to his sole client, the Nobel Prize-winning poet Pablo Neruda – died tragically of congenital heart failure at age 41 in June 1994, the day after “Il Postino” finished shooting at Rome’s Cinecittà studios.
Nick Vivarelli International Correspondent New Disney+ original series “The Good Mothers,” which provides a fresh female take on the Calabrian mob, marks a case of truly organic collaboration between the U.K. and Italy to ensure that a great story didn’t risk losing an iota of authenticity. The show, which is competing in the “Berlinale Series” section, depicts the Calabrian mob through the prism of three daring women inside the ‘Ndrangheta organized crime clan who collaborated with a female prosecutor and withstood the consequences of their attempt to escape its iron grip. It is produced produced by Juliette Howell, Tessa Ross and Harriet Spencer for London’s House Productions, which originated the project, and by Mario Gianani and Lorenzo Gangarossa for Rome’s Wildside, a Fremantle company, which helped to firmly root the story in its Calabrian context.
Is this the end? Sex Education‘s fourth season made headlines before its premiere after several cast members confirmed their departures from the show.
Nick Vivarelli International Correspondent Paris-based Italian director Giacomo Abbruzzese says making the Berlin Film Festival competition cut with his first feature, “Disco Boy,” which toplines German star Franz Rogowski (“Passages,” ”Undine”), is “certainly a dream come true.” But he also points out that his remarkable debut was a long time coming. A graduate of several film schools, including France’s prestigious Le Fresnoy, Abbruzzese started developing “Disco Boy” in 2013 following an encounter in a French disco with a classical dancer who had been a soldier.
Nick Vivarelli International Correspondent The life of Turkey’s most famous photographer, Ara Guler, known globally for his portraits of scores of 20th century icons ranging from Pablo Picasso to Winston Churchill, is set to become a biopic directed by writer-director duo Aren Perdeci and Ela Almayanac (“Lost Birds”). Guler worked for many years for the photo agency Magnum, after its co-founder, celebrated photographer Henri Cartier-Bresson, personally signed him up. Besides documenting top 20th century personalities, Guler, who died in 2018, gained fame for his images of a bygone Istanbul, which earned him the moniker “Istanbul’s Eye.” He established a long collaboration with Nobel Prize-winning Turkish author Orhan Pamuk. Guler’s photographs were included in the 2003 Pamuk book “Istanbul: Memories and the City.” He also directed the 1975 doc “End of the Hero,” about a World War I battle cruiser.
Nick Vivarelli International Correspondent The Berlinale red carpet on Saturday became a protest platform against Iran’s repressive regime when a group of Iranian filmmakers and talents, joined by jury president Kristen Stewart, chanted “Women, Life, Freedom!” and demanded the release of imprisoned journalists and an Iranian rapper. Actress Golshifteh Farahani, who is also on the jury; “Holy Spider” actress Zar Amir Ebrahimi; and “The Siren” director Sepideh Farsi were among dozens of Iranian film professionals participating in the protests hosted by Berlinale co-directors Mariette Rissenbeek and Carlo Chatrian. Protesters with signs demanded freedom for female Iranian journalists Niloofar Hamedi and Elaheh Mohammadi who are behind bars, accused of “conspiring against national security” for being the first to report on Mahsa Amini’s death, and for the release of dissident Iranian hip hop artist Toomaj Salehi who has been accused of spreading propaganda and could face the death penalty.