Dennis Harvey Film Critic “Righteous Thieves” ends with its protagonists having a wee festival of self-congratulation, sipping champagne as they promise themselves — and perhaps threaten viewers — they’ll have more adventures like the one that’s just wrapped. Their delight is not infectious, because this dopey caper’s prior 90 minutes have been rather like hoisting a flute of promised champers only to taste flat Fresca. Director Anthony Nardolillo and writer Michael Corcoran’s film strikes a pose of sly ingeniousness throughout that is uncorroborated by any actual cleverness, surprise, wit, tension, thrills or much else you’d hope for in a high-end-heist tale. The “righteous” part — that our heroes are reclaiming artworks stolen by Nazis long ago — feels no less superficial than everything else in this uninspired genre piece. Lionsgate opens it in seven U.S. theatrical markets March 10, simultaneous with digital and on demand release.