Stephen Sondheim’s Final Musical ‘Here We Are’ to Premiere Off-Broadway in Fall

Zack Sharf Digital News Director Thomas Haden Church was one of the many Spider-Man alum who returned for Marvel’s 2021 blockbuster “Spider-Man: No Way Home.” Church reprised his role of Flint Marko/Sandman from Sam Raimi’s 2007 “Spider-Man 3,” but his screen-time in “No Way Home” was fairly limited when compared to fellow returning villains like Electro (Jamie Foxx), Green Goblin (Willem Dafoe) and Doctor Octopus (Alfred Molina). In a new interview with The DisInsider, Church said conversations are taking place about future big screen appearances for Sandman. “We had a whole story involving his his daughter, for ‘No Way Home,'” Church said about the character. “And it just ended up [cut]. There was just so much going on…Amy [Pascal] and Kevin [Feige], we all had a lot of conversations. And I would say that conversations have been had about the possibility of Sandman coming into an a future iteration of it.”

The Broadway revival of Sweeney Todd is officially open!

Stephen Sondheim’s horror-musical in which throats are gruesomely slashed and cannibalism is positively hilarious. 2 hours and 45 minutes with one intermission. At the Lunt-Fontanne Theatre, 205 W.

The “Mean Girls” musical has cast “Mad Men” star Jon Hamm as Coach Carr. The Emmy-winning actor and star of “Confess, Fletch” and “Beirut” will play the school’s gym teacher and sex-ed instructor.

Jenelle Riley Deputy Awards and Features Editor Pictured: Casting directors Katja Zarolinski and Geoff Josselson of JZ Casting. This article first appeared as part of Jenelle Riley’s Acting Up newsletter – to subscribe for early content and weekly updates on all things acting, visit the Acting Up signup page. Casting director Geoff Josselson just checked off a major bucket list item. When he was asked what show he dreamed of casting, he would say “Into the Woods.” And just last year, working with Telsey Casting, Josselson was part of the team that assembled the heralded Broadway revival starring Sara Bareilles, Brian D’Arcy James and Joshua Henry. Josselson is on a bit of a Stephen Sondheim spree — with Telsey he also helped cast the new production of “Sweeney Todd,” starring Josh Groban and Annaleigh Ashford. And he and his partner at JZ Casting, Katja Zarolinski, just collaborated for the first time with the Pasadena Playhouse to cast “A Little Night Music,” playing at the theater April 25-May 1. 

Mae Whitman has been acting since she was two years old, but her new Hulu series,, is like nothing she's ever done before.«I've never done a musical. I've never gotten to dance,» she shared with ET on the set of the upcoming musical rom-com.

A musical adaptation of the NBC television series Smash, will open on Broadway in the 2024-2025 season.

Rebecca Rubin Film and Media Reporter At long last, “Smash,” a stage musical adaptation of the NBC series, is finally heading to Broadway. Original producers of the show Steven Spielberg, Robert Greenblatt, Neil Meron will serve as lead producers on the musical, which is expected to debut in the 2024-2025 season. Theater veteran Susan Stroman (“The Producers”) is directing the production, with a score by Marc Shaiman and Scott Wittman (“Some Like It Hot,” Hairspray,” “Mary Poppins Returns”), who wrote dozens of songs — including “Let Me Be Your Star” — for the television show, many of which will be used in the musical. They will also be writing additional new material.

Smash is finally heading to Broadway.

Pacific Overtures (★★★★☆) sounds doubly refreshing to ears eager to venture somewhere less familiar in Sondheim-land.The score, with music and lyrics by Sondheim, also simply sounds lovely filling the openness of director Ethan Heard’s in-the-round staging, grazing the graceful, watercolor-hued screens set designer Chika Shimizu has wrapped around the Max Theatre. Alexander Tom conducts a nine-piece orchestra — complete with a booming taiko war drum — that breathes vitality into those plunking, repeated quarter notes that so sing of Sondheim.Heard’s talented cast sings with passion, too, caressing the stories inside the songs to find touching notes of humor, pathos, pride, and prejudice.

EXCLUSIVE: Bat in the Sun Productions and Bascule Productions Ltd. have set a North American theatrical release for the late Power Rangers star Jason David Frank’s final film, Legend of the White Dragon.

Stephen Sondheim’s final, long-awaited musical Here We Are will make its world premiere this September in a strictly limited Off Broadway engagement to be directed by two-time Tony winner Joe Mantello.

Netflix and A24 answer that age-old Clara Peller question on April 6, bringing the dark comedy Beef to the streaming service.

The upcoming Broadway revival of the Stephen Sondheim musical Merrily We Roll Along starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez will play its first performance at the Hudson Theatre on Tuesday, September 19, producers announced today.

Julia MacCary editor Got “beef” with the driver who cut you off while you were backing out? Be warned — things could spiral. Netflix released the trailer for its highly anticipated dark comedy series “Beef,” which stars Steven Yeun and Ali Wong. Along with the first look footage, the streamer also unveiled a debut date of April 6. The show will comprise of 10 episodes with a runtime of roughly 30 minutes each. The series follows the aftermath after two strangers get into a road rage incident and cause a big reaction. Failing contractor Danny Cho (Yeun) butts heads with picture-perfect entrepreneur Amy Lau (Wong) following the entanglement. As their feud continues, it begins to impact their own lives and relationships.

Steven Yeun and Ali Wong are facing off.The duo star in Netflix's upcoming dark comedy series, , which follows two strangers -- failing contractor with a chip on his shoulder, Danny Cho (Yeun), and a self-made entrepreneur with a seemingly picturesque life, Amy Lau (Wong) -- whose lives become chaotic as ever following a road rage incident.In the official trailer, which the streamer released Wednesday, the madness goes up a hundred notches after they have a not-so-great encounter in a parking lot, which takes place as both reach a boiling point in their lives. Not letting their run-in go, Danny chases Amy down city streets, determined to make her life a living hell. And so begins their never-ending revenge spiral.«I have a very full life that I'd love to get back to.

meeting up with a 16-year-old on the Growlr dating app.According to a memo from the Broward County State Attorney’s Office explaining its decision, the teen’s parents wanted to pursue charges against Parson but did not want to subject their son to be questioned on the stand and were reticent to allow prosecutors to speak with him to help determine the facts of the case.Assistant State Attorney Danielle Lennox, of the office’s sexual battery and child abuse unit, wrote in the memo that a victim advocate from the office had begun reaching out to the family after the charges against Parson were filed.In a May 2022 phone conference with the victim’s parents, Lennox explained what the process of pursuing prosecution would entail, but they were reticent to have their son speak with her.Lennox agreed to give them time to think and scheduled a follow-up meeting with the parents to arrange an in-person interview with the teen, but was unable to reach the family.

A.D. Amorosi For Apple TV+’s first French-English, multi-language, adventure series “Liaison,” creator-writer Virginie Brac and Emmy-winning (“24”) director Stephen Hopkins chose evocative composer Walter Mair – known for commercials, video games and compositional elements and arrangements for Netflix’s “Squid Games” – to bring a mix of electronic and live instrumentation to its war-torn, lovelorn storyline. Creating a tensely menacing and intricate score for an emotional tale starring Vincent Cassel (who also serves as executive producer) and Eva Green gives the six-episode thriller an epic, yet intimate sweep. Mair’s textural feel for frenetic movement and incendiary intrigue found the composer utilizing writing and orchestrating skills familiar from his battle work on violent video games such as Rockstar’s “Grand Theft Auto” series, Sony’s sci-fi franchise “Killzone,” and “Tom Clancy’s Splinter Cell: Conviction.”

A stage adaptation of Sufjan Stevens’ acclaimed 2005 album Illinois will make its world premiere this summer in a production by The Fisher Center at Bard where Daniel Fish’s eye-opening Tony-winning revival of Oklahoma! got its start.