Production Designers for ‘The Fabelmans,’ ‘Glass Onion,’ ‘Severance’ and More Assess the Work of Art Directors Guild Nominees

The Price Is Right is on the move. The popular CBS daytime game show, produced by Fremantle, will leave Television City, where it has taped since its 1972 launch, and relocate to a new facility in Glendale, Haven Studios, in which Fremantle is the investor with a long-term lease.

A man has been stabbed in broad daylight in Glasgow city centre after a disturbance.

The hook of IFC’s “Paint” seems to be “What if Bob Ross was challenged for public broadcasting painting supremacy by a younger and, yes, more inclusive artist?” Think “All About Eve” or “Showgirls,” in this case offering a set-in-their-ways veteran on-television painter and art instructor being usurped by a younger, more exciting upstart. Owen Wilson isn’t literally playing late painter Bob Ross, who died at the age of 52 in 1995. However, at least some of the comedy offered up in the latest trailer for “Paint” is contingent upon audiences being somewhat aware of the beloved, soft-spoken artist.

Scarlett Johansson, Penélope Cruz, Michael Fassbender and Owen Wilson are in talks to star in the big-budget Netflix comedy marking Nancy Meyers’ return to directing, Deadline can confirm.

While doing research for his work on All Quiet on the Western Front, production designer Christian M. Goldbeck was excited to find rare non-propaganda photographs of the battlefields and trenches. These images were pivotal in the design process to show the reality of the war. “We decided in a very early stage to make it visceral and physical, to show what we can lose in war,” he says. “To beautify war would be propaganda.”

Patrick Frater Asia Bureau Chief Global streaming operation Netflix is forecast to spend $1.9 billion on local content in the Asia-Pacific region this year as group revenue from the region accelerates to 12%, according to a new report. The content investment spending figure represents a 15% hike. Netflix will grow revenues this year by 12% year-on-year to exceed $4 billion compared with 9% growth in 2022, says a new report published on Monday by Media Partners Asia.

K.J. Yossman Jessica Henwick is still riding high from the BAFTA awards when she sits down with Variety to discuss her pivot to writing and directing. Her short film, “Bus Girl,” didn’t win in the Best Live Action Short category on the night but Henwick appears genuinely thrilled simply to have been nominated for the project, which she wrote, directed and starred in. “I really had very low expectations for ‘Bus Girl,’ my first short,” Henwick says. “I did not think it would get into festivals, I certainly didn’t think it would get the BAFTA nomination. I literally just did it because I wanted to see: am I capable or is [directing] a fantasy? Because I didn’t go to film school or drama school. I dropped out of school when I was 16 and I have no formal qualifications at all. So it really was a trial by fire.”

CCTV images of a man have been released by police following a serious assault in Glasgow city centre.

Bill Murray and star Jeannie Berlin set foot on the red carpet of the 2023 SAG Awards holding hands.Murray and Berlin appeared quite close when they arrived together for Sunday's soiree at the Fairmont Century Plaza in Los Angeles. The star wore a black tuxedo with a colorful bow tie, while Berlin sported an all-black suit and shades.Berlin, who portrayed Hadassah Fabelman in the Steven Spielberg film, was there for the film's nomination in the Best Ensemble Cast in a Motion Picture category.

Excellence in Sci-Fi / Fantasy Film: “Everything Everywhere All at Once” – Shirley Kurata Excellence in Contemporary Film: “Glass Onion: A Knives Out Mystery” – Jenny Eagan Excellence in Period Film: “Elvis” – Catherine Martin Excellence in Sci-Fi / Fantasy Television: “House of the Dragon”: “The Heirs of the Dragon” – Jany Temime Excellence in Contemporary Television: “Wednesday”: “Wednesday’s Child is Full of Woe” – Colleen Atwood & Mark Sutherland   Excellence in Period Television: “The Crown”: “Ipatiev House” – Amy Roberts Excellence in Variety, Reality-Competition, Live Television: “Lizzo’s Watch Out for the Big Grrrls”: “Girl Run That Sh*t Back” – Carrie Cramer & Jason Rembert Excellence in Short Form Design: Yeah Yeah Yeahs: “Spitting Off the Edge of the World” (Music Video) – Natasha Newman-Thomas  

Jazz Tangcay Artisans Editor SPOILER ALERT: This interview contains spoilers from Episode 7 of “The Last of Us,” now streaming on HBO Max. “The Last of Us” production designer John Paino’s biggest challenges is bringing the much-beloved world of the video game to life and populating the HBO show with easter eggs. This week, Paino delivers one of his most significant nods yet in a “blink-and-you-miss-it moment.” Named after the game’s downloadable expansion pack, Episode 7, titled “Left Behind,” explores Ellie’s (Bella Ramsey) backstory before she meets Joel (Pedro Pascal) and reveals what happened the night she discovered she was immune to cordyceps infection. In the present, Ellie is desperately trying to save Joel’s life after he was stabbed last episode. In doing so, she remembers one of the happiest, and saddest, days of her life. The episode flashes back to when Ellie’s friend and crush Riley (Storm Reid) snuck her through an abandoned mall. Tragically, the two are attacked and bitten by clickers after a night of fun. It was that night that Ellie discovered she was immune, but Riley was sadly not as lucky.

It’s been a little under a year since it was announced that Aziz Ansari’s feature film directorial debut, “Being Mortal,” experienced a production shutdown after sexual misconduct allegations were levied at star Bill Murray.

Open’er Festival has announced its next batch of acts for 2023, including Metro Boomin, Caroline Polachek, Rina Sawayama and more.Also added to the bill are Paolo Nutini, Young Fathers, Alyona Alyona, Warhaus and Ken Carson, who join the previously announced headliners Arctic Monkeys, Kendrick Lamar, Lil Nas X and Lizzo, with the likes of Christine and the Queens, Queens Of The Stone Age, Machine Gun Kelly and more also on the bill.The Polish festival will be held at Gdynia-Kosakowo Airport in Gdynia from June 28-July 1, 2023. Tickets are on sale now.Poland!! I'll be back in the summer to play @opener_festival https://t.co/7f8kUjgx5q pic.twitter.com/fnxjcVA65k— RINA SLAYWAYAMA (@rinasawayama) February 24, 20232022 saw Open’er return after a pandemic-enforced break, with headliners including Imagine Dragons, A$AP Rocky, Twenty One Pilots, Dua Lipa and The Killers.Reviewing the festival’s return, NME wrote: “Two decades after its humble beginnings as a one-day event in Warsaw, Poland’s Open’er Festival returned to Gdynia earlier this month, with some of the world’s biggest names filling out its four-day extravaganza.“Like many other festivals across the globe, it marked the first time in three years that the event had been able to go ahead, and the atmosphere at the Babie Doły Military Airport site was one of pure celebration.”Caroline Polachek! An exceptional artist and author of this year's crtically acclaimed album "Desire, I Want to Turn Into You" is coming to Open'er! June 30, Gdynia, Tent Stage.

Zoe Hewitt It’s not often in a career that having your hard work go by unnoticed is actually the ultimate compliment. Movie crews, almost uniformly across any filmmaking disciplines, find themselves in this nebulous zone where the less their work stands out, the more accolades they get from critics, peers and audiences. If costumes stand out, the characters feel a bit off. If set decoration draws attention, it doesn’t seem like the story is grounded in a real-life environment.   Stunts may be the only exception to the rule. Seeing daring escapades on screen becomes the bait to get audiences into seats. Who didn’t have great expectations of what Tom Cruise and company would pull off in “Top Gun: Maverick”? 

An urgent search has been launched for a missing Scots woman who may have travelled to Glasgow.

Ed Meza @edmezavar German distributor and world sales company Kinostar has acquired Polish filmmaker Maria Sadowska’s erotic thriller “Temptation.” Based on the bestselling novel by Edyta Folwarska, “Temptation” tells the story of young journalist Inez, whose assignment to cover soccer star Maks Wygoda leads her onto a dangerous journey. “Temptation” was produced by Daniel Markowicz of Warsaw-based Lightcraft, who also produced and directed the recent hit Netflix actioner “Lesson Plan,” and executive producers Paulina Nowak and Anita Dabrowska. “Maria and Daniel are extremely talented, and we are very happy to start working with Lightcraft on this movie, with hopefully many more to follow,” said Kinostar head Michael Roesch.

Marta Balaga The Polish film industry is embracing variety and high-profile international collaborations, with a slew of new co-productions already generating buzz among buyers and festival programmers. “More and more established filmmakers, who used to look for collaborators in Romania or Hungary, are now coming to Poland — mostly because we are backed by concrete institutions and because there is money,” says producer Klaudia Śmieja-Rostworowska of Madants, heading to Berlinale’s European Film Market with “Ultima Thule” and Goran Stolevski’s “Housekeeping for Beginners.” “Our crews speak English and work abroad. We are visible internationally,” she adds.

FEATURE FILM CATEGORIESPeriod Feature Film:  “Babylon” (Production designer: Florencia Martin)Fantasy Feature Film:  “Everything Everywhere All at Once” (Production designer: Jason KisvardayContemporary Feature Film:“Glass Onion: A Knives Out Mystery” (Production designer: Rick Heinrichs)Animated Feature Film: “Guillermo del Toro’s Pinocchio” (Production designers: Guy Davis, Curt Enderle)TELEVISION, COMMERCIAL AND SHORT-FORM CATEGORIESOne-Hour Period Single-Camera Series:“Pachinko”: “Chapter One” (Production designer: Mara LePere-Schloop)One-Hour Fantasy Single-Camera Series:The Lord of the Rings: The Rings of Power: “Adar” (Production designer: Ramsey Avery)One-Hour Contemporary Single-Camera Series:Severance: “Good News About Hell” (Production designer: Jeremy Hindle)Television Movie or Limited Series:“Guillermo del Toro’s Cabinet of Curiosities” (Production designer: Tamara Deverell)Half-Hour Single-Camera Series:“Our Flag Means Death”: “Pilot” (Production designer: Ra Vincent)Multi-Camera Series:    “How I Met Your Father”: “Pilot” (Production designer: Glenda Rovello)Variety, Reality or Competition Series:“Saturday Night Live”: “Jack Harlow Hosts Season 48 Episode 4, Jack Harlow Musical Guest” (Production designers: Keith Raywood, Eugene Lee, Akira Yoshimura, N.

Nicole Kidman and Kathryn Newton model their looks at the 27th Annual Art Directors Guild Awards on Saturday evening (February 18).

Jazz Tangcay Artisans Editor The 27th Annual Art Director’s Guild Awards returned to an in-person ceremony at the InterContinental Los Angeles Downtown on Saturday evening, with “Babylon” and “Glass Onion: A Knives Out Mystery” among the top honors. “Guillermo del Toro’s Pinocchio” took home the award for animated feature. “Pachinko,” “The Lord of the Rings: Rings of Power” and “Severance” were among the main TV winners. The eventual winner of the production design Oscar has landed an ADG nomination. Nicole Kidman presented the Art Directors Guild’s Cinematic Imagery award to “Elvis” director Baz Luhrmann and his longtime producing partner and Oscar-winning production and costume designer Catherine Martin. Their 30-year collaboration includes films such as “The Great Gatsby,” “Australia,” “Romeo + Juliet,” “Strictly Ballroom” and “Moulin Rouge!”