Peter Bart: Desperate Times Often Led To Groundbreaking Movies – Will They Do So Again?
24.08.2023 - 22:37
/ deadline.com
With festivals beckoning and box office wobbling, this obnoxious question looms ever larger: What’s next?
The strikes will end and a new season will begin but where’s that next cycle of movies and streaming content that represent groundbreaking ideas? Where will they come from?
A quick survey of past groundbreakers poses some answers, all of them disturbing.
Breakthrough movies of years past have represented the unpredictable product of corporate guile (The Avengers), artistic monomania (Avatar) or accidents of history (Barbie).
Some hits invaded the zeitgeist because they were relentlessly defiant (Midnight Cowboy) or simply inevitable (Harry Potter). Ironically, some of Hollywood’s most culturally ambitious movies were distributed at moments when films were being largely ignored by the filmgoing public – Doctor Zhivago (1965) or Lawrence of Arabia (1962).
Cinema, as with every form of pop culture, has gone through cycles of bold innovation as well as pervasive failure. Hollywood, circa the early 1960s, found its audience fleeing to television; it even tried to reinvent Elvis as a cowboy hero to remedy the defection.
Given their moment of opportunity in 1970 the filmmakers seized power from the dealmakers, only to lose it once again in the early ‘80s – hence the birth of “high concept” movies. The Beverly Hills Cops bumped away the Nashvilles.
Spurred by the ongoing strikes, there’s a growing paranoia about the intentions of the New Gatekeepers. Are Disney, Netflix, Warner Bros Discovery and Amazon exercising stifling multi-platformed dominance both psychically and commercially? Has the brave new world of streamers become a dark cloud over creative output?
Which takes us back to that stubborn question: Where do great