‘Operation Fortune: Ruse de guerre’ review: Spy comedy sputters

The stars of the new Dungeons & Dragons movie are continuing their press tour across Europe!

slap heard around the world — but the world won’t get to hear one of Chris Rock’s jokes about it.A joke about Will Smith in Rock’s Netflix special “Chris Rock: Selective Outrage” was edited out after the comedian messed it up during the live show.Rock, 58, was joking about Smith, 54, and his wife Jada Pinkett Smith, 51, toward the end of his March 4 show, specifically discussing a conversation he claims to have had with them about his hosting gig for the 2016 Oscars when he botched the joke.“Years ago, his wife said I should quit the Oscars; I shouldn’t host ’cause her man didn’t get nominated for ‘Emancipation,’ the biggest piece of s–t ever!” Rock said during Netflix’s first-ever global live-streaming event. “No, not ‘Emancipation,’ I f–ked up the joke.”The comedian meant to refer to the 2015 sports drama “Concussion,” a film based on the true story of neuropathologist Dr.

With the Academy Awards this weekend, one can’t help but think about last year’s ceremony. And last year’s Oscars will forever live in infamy, thanks to Will Smith getting onstage and slapping Chris Rock in the face for making a joke about his wife, Jada Pinkett Smith.

Netflix has edited out a mistake made by Chris Rock in his comedy special Chris Rock: Selective Outrage.In the special, the comedian addresses the moment at last year’s Oscars where Will Smith slapped him in the face onstage.At one point, Rock claims Smith and his wife Jada Pinkett Smith were upset with him beforehand when he hosted the Oscars back in 2016.“Years ago his wife said I should quit the Oscars, I shouldn’t host ‘cause her man didn’t get nominated for Emancipation, the biggest piece of shit, ever,” Rock told the crowd in Baltimore, Maryland (via Decider).After naming the wrong movie, Rock quickly corrected himself, adding: “No, not Emancipation, I fucked up the joke. She started this shit. She said that me, a fucking grown ass man, should quit his job because ‘My husband didn’t get nominated for Concussion’.”The correction was pointed out by Vulture’s Jesse David Fox on Twitter, who wrote: “They fixed the Concussion–Emancipation slip up in the version that’s now on Netflix.”He added: “It makes me wonder if there has been other tweaks!”Speaking about the Oscars slap, Rock said: “Everybody knows it happened.

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Chris Rock‘s live Netflix special on March 4, Selective Outrage, has been making headlines thanks in large part to Will Smith.Rock infamously was slapped on-stage live at the Oscars in 2022 by Smith, after the comic made a joke directed towards Smith’s wife, Jada Pinkett-Smith. Despite the incident causing outrage around the acting world, and beyond, Rock remained silent even when Smith eventually apologised.However, in Rock’s new stand-up special, which aired on the streaming giant over the weekend, he addressed the matter for the very first time. Though the DOGMA star’s response comes in the form of a multi-layered joke about the Smiths.Rock notably calls Smith a “bitch” and a “motherfucker” repeatedly throughout the segment, but also highlights how he believes Smith practices “selective outrage” whilst blasting the actor’s wife for revealing her infidelity to the Bad Boys star on her web-based talk show.The full transcript for the Netflix special can be read below:“Y’all know what happened to me, getting smacked by shug Smith.

The hook of IFC’s “Paint” seems to be “What if Bob Ross was challenged for public broadcasting painting supremacy by a younger and, yes, more inclusive artist?” Think “All About Eve” or “Showgirls,” in this case offering a set-in-their-ways veteran on-television painter and art instructor being usurped by a younger, more exciting upstart. Owen Wilson isn’t literally playing late painter Bob Ross, who died at the age of 52 in 1995. However, at least some of the comedy offered up in the latest trailer for “Paint” is contingent upon audiences being somewhat aware of the beloved, soft-spoken artist.

Chris Rock‘s new stand-up show Selective Outrage recently made history by becoming Netflix‘s first live-streamed event.The performance was broadcast from the Hippodrome Theatre in Baltimore, Maryland, on March 4 (March 5 in the UK), and also featured before and post-shows with guest stars.In his new set, Rock addresses everything from “non racist yoga pants” and spoiling his kids, to the Kardashians and his well-publicised altercation with Will Smith at last year’s Oscars.Having aired live over the weekend, the event is now available to stream on Netflix. However, the before and post-shows are not available on the service.The half-hour pre-show, titled The Show Before The Show, was hosted by Ronny Chieng (The Daily Show, M3GAN) and guests included Arsenio Hall, Leslie Jones and Deon Cole.The post-show, similarly titled The Show After The Show, was hosted by Spade and Dana Carvey, with guests including Kareem Abdul-Jabbar, JB Smoove and Arsenio Hall.In Rock’s set, the comedian spoke in detail for the first time about about the incident at last year’s Oscars, in which Will Smith walked onto the stage and slapped him after he made a joke about Jada Pinkett Smith.Addressing his run-in with Smith, Rock said: “Everybody knows it happened.

IFC Films has unveiled a new poster for “Paint”, an upcoming comedy starring Owen Wilson as a public television painter strikingly resembling the iconic Bob Ross.

Adam B. Vary Senior Entertainment Writer After nearly two years of production, Amazon Prime Video has finally pulled back the curtain on “Citadel,” the wildly ambitious new spy series starring Richard Madden and Priyanka Chopra Jonas, with the first trailer released Monday. The show is meant to serve as the mothership for several planned spin-offs based in local countries and performed in local languages: “Citadel” series set in Italy and India are already underway, with another Mexico-based show also in the works. It’s a gigantic and expensive bet on an original concept that had remained, up until this month, shrouded in mystery. As Variety previously reported, “Citadel” boasts a $185 million budget.

Film Independent Spirit Awards were handed out live Saturday night. Continuing a long-standing tradition, the 38th annual ceremony, which honors and celebrates independent filmmakers, took place at the Santa Monica Pier in Santa Monica, California. This year’s most-nominated films were , which garnered eight total nods and competed in the Best Feature category against , which had seven nods. Other top movies included , and .,, and, meanwhile, led the TV nominations with three each, while the latter three faced off in the Best New Scripted Series category.

the 2023 Oscars -- it's impossible not to think back on last year's Academy Awards, which honored plenty of impressive achievements in film, but was overshadowed by the now-infamous incident in which Will Smith stormed the stage to hit Chris Rock in the face over a joke Rock made about his wife, Jada Pinkett Smith.The moment was the most jaw-dropping awards show incident since the Best Picture mixup of 2017, with many in the room wondering if it was a staged bit, before the uncomfortable silence stretched into realization. Later in the show, the awkward tension was compounded by the fact that Smith won the Oscar for Best Actor — for his title role in the Williams' sister biopic, — and took the stage once again, this time with a mix of joy and tearful apology.As Chris Rock prepares for his history-making live Netflix special,, it's expected that he'll address the incident at length for the first time publicly, as part of the standup set. So, if you need a refresher, here's a look at how «The Slap» went down, and everything that's happened since:The Slap Heard Round Hollywood happened at the 94th Academy Awards, which were held on March 27, 2022, at Los Angeles' Dolby Theatre and was hosted by the trio of Amy Schumer, Regina Hall and Wanda Sykes.Rock took the stage midway through the ceremony to present the Oscar for Best Documentary, when he made a joke about Smith's wife.

Check your local listings to find it in a theater near you.It heads to Amazon Prime on March 7 in the UK.Super spy Orson Fortune (Jason Statham) must track down and stop the sale of a deadly new weapons technology wielded by billionaire arms broker Greg Simmonds (Hugh Grant). Reluctantly teamed with some of the world’s best operatives (Aubrey Plaza, Cary Elwes, Bugzy Malone), Fortune and his crew recruit Hollywood’s biggest movie star Danny Francesco (Josh Hartnett) to help them on their globe-trotting undercover mission to save the world.As the title “Ruse de guerre” (ruse of war) suggests, there’s plenty of scheming.

Guy Ritchie‘s new movie Operation Fortune: Ruse de Guerre is now in theaters and lots of fans are ready for an action-comedy to be back in the cinema.

Television might have more highly anticipated releases coming out in March, but the film world certainly isn’t slacking with an eclectic lineup that samples from a bit of every genre. There are superheroes in two ways, from the standard DC and major studio format to the bizarre with “Smoking Causes Coughing.” Multiple tough-to-watch coming-of-age stories have made the rounds on the festival circuit as well as high-profile science fiction films looking to attract a larger audience.

When a movie gets tangled up in all kinds of financial problems, delayed for over a year, played out internationally, sent straight to streaming in Canada, and then finally getting the green light to open in the U.S. via a new distributor and thrown into theaters with virtually no notice or time to mount a marketing campaign, you have to think there must be something very wrong here.

When it comes to the genre playgrounds he loves so much, is Guy Ritchie better off being himself or playing along? His brash, bad-lad calling cards (“Lock Stock and Two Smoking Barrels,” “Snatch”) were never terribly original, but their style-to-burn derivativeness had spirit. His Hollywood larks (“Sherlock Holmes,” “The Man From U.N.C.L.E.”) never felt honest but the occasional glimpse of a bruiser’s cockiness made for colorful upgrades in the IP machinery.After Ritchie’s return to leaner (but never in the dialogue) roots with the comically shaggy, seedy gangster wingding “The Gentlemen,” and reteaming with his best contribution to cinema — Jason Statham — for the brackish vengeance puddle “Wrath of Man,” the British filmmaker is once again aiming for sleek and starry heights with the spy-driven action comedy “Operation Fortune: Ruse de Guerre.”Statham is the “Fortune” of the title, first name Orson, an elite for-hire operative with clever ideas and expensive tastes, hired by intelligence agency rep Nathan (Cary Elwes) to determine who’s interested in a stolen package rumored to be worth $10 billion on the open market.

Audiences know Guy Ritchie can direct action, they know he can write quotable, pithy dialogue, and they know he can create memorable characters. However, for the most part, “Operation Fortune: Ruse de Guerre” either fails to deliver or under-delivers on almost all fronts.

Owen Gleiberman Chief Film Critic For 25 years, I have never been much of a Guy Ritchie fan. I found the in-your-face-and-over-the-top crime dramas that made his reputation — “Lock, Stock and Two Smoking Barrels,” “Snatch,” “Revolver,” and “RocknRolla” — to be empty-flashy exercises in the too-muchness of genre kinetics, overly infatuated with their post-Tarantino cutthroat cool. It was clear that Ritchie had talent, but the way just about every shot in his movies was designed to remind you of that turned the films into layer cakes that were more frosting than cake. After a while, he dropped the badass glitz and settled into a more conventional career, and some of those movies were okay. I confess that I enjoyed his remake of “Swept Away” (yes, the one with Madonna), and he had fun applying what was left of his high-froth ADD style to the Robert Downey Jr. “Sherlock Holmes” franchise. Yet I could never escape the feeling that Guy Ritchie had trapped himself on a hamster wheel of trying too hard. I’ve liked a few of his films. But I’ve never loved one.

SAG Awards viewers are wondering what was up with Aubrey Plaza.