13 Movies To Watch In March: ‘Operation Fortune,’ ‘John Wick 4,’ ‘Scream 6,’ ‘Tetris,’ Shazam! Fury Of The Gods’ & More

EXCLUSIVE: Former Universal Pictures Distribution and Marketing EVP John C. Hall has joined the team at American-European media fund APX Group, as it continues to restructure and expand ahead of a planned listing on the New York Stock Exchange later this year.

EXCLUSIVE: Suranne Jones and Ruth Leslie are headed to the skies for the second season of BBC ratings hit Vigil, while Dougray Scott and Romola Garai are among nine new cast members joining them.

“Shazam: Fury of Gods” is anticipated to overtake “Scream VI” and rule the box office this week, but the total gross won’t shatter any records.

fill out your brackets because the full 2023 men’s NCAA tournament bracket is out now. On Tuesday, March 14, March Madness tips off with 68 teams all vying to become the 2022-23 national champion. Like last year, the NCAA tournament is being broadcast across multiple networks and we've got you covered on how to watch 2023 March Madness from anywhere. From the First Four games taking center stage in Dayton, Ohio, this week to the Final Four and the National Championship game, the NCAA has set the times and channels for each game during this year’s tournament.The men’s NCAA tournament games will be broadcast on CBS, TBS, TNT, and truTV.If you want access to allthe March Madness games online, that's happening on Sling TV and Hulu with Live TV.

Vanity Fair Oscar party, which you'll be able to watch below.) As for the nominees and winners, it sure seems that it's going to be Everything Everywhere All at Once's night, but there's also been enough surprises from the BAFTAs and the SAG Awards to know that no one is a lock. One thing we do know is that whether Jamie Lee Curtis, or Ke Huy Quan wins, we're going to get deeply inspiring, emotional speeches that will be all over our Instagram feeds the next day.If the Oscars aren't your thing, then not to worry: There are more than enough premieres this week to look forward to, starting with the return of Ted Lasso, which may or may not be its final season.

What to watch: 7 movies and shows to stream this week - Feb 24What to watch: 7 movies and shows to stream this week - March 3The second part of the fourth season of “You” is now available on Netflix. The series, starring Penn Badgley, relocates serial killer Joe to London, introducing him to a murder mystery involving the wealthy and damaged elite. It’s a change of pace from previous seasons, yet a welcome reinvention for the series.

Jenna Ortega has a plan for Wednesday Addams in season 2 of the hit Netflix show.

Scream VI, the sixth movie in the beloved horror film franchise, is now in theaters

exited “Scream 6” over a salary dispute. The antagonist in all the films is a mask-wearing murderer named Ghostface.

John Legend and Chrissy Teigen hold hands in all white ensembles while leaving the Loved01 Skincare Launch party on Tuesday (March 7) in West Hollywood.

Sarah Jessica Parker and John Corbett are hard at work on season two of And Just Like That.

, Debbie arrives in Morocco and is ready to start her new life with Oussama, who's 43 years younger than her. Despite her two failed marriages in the past and her son, Julian's, reservations, Debbie is moving from Georgia to be with Oussama. In the clip, Oussama tells cameras that he and Debbie are «like a team» as he goes to pick her up from the airport.

Check your local listings to find it in a theater near you.It heads to Amazon Prime on March 7 in the UK.Super spy Orson Fortune (Jason Statham) must track down and stop the sale of a deadly new weapons technology wielded by billionaire arms broker Greg Simmonds (Hugh Grant). Reluctantly teamed with some of the world’s best operatives (Aubrey Plaza, Cary Elwes, Bugzy Malone), Fortune and his crew recruit Hollywood’s biggest movie star Danny Francesco (Josh Hartnett) to help them on their globe-trotting undercover mission to save the world.As the title “Ruse de guerre” (ruse of war) suggests, there’s plenty of scheming.

Guy Ritchie‘s new movie Operation Fortune: Ruse de Guerre is now in theaters and lots of fans are ready for an action-comedy to be back in the cinema.

2019’s “The Gentlemen,” he’d have the usually dapper Hugh Grant play a sleazy journalist who refers to England only as “Angleterre” in an East End accent, and in 2021’s “Wrath of Man” he showcased frequent collaborator Jason Statham’s ability to switch from hilarious to killing machine.With this director, we’re never so much watching an espionage or crime movie as enjoying another off-the-rails Guy Ritchie attraction. That is, until “Operation Fortune,” the co-writer and director’s most uninspired movie in a minute. Lazily bopping around to exotic locales like Cannes, France, Antalya, Turkey, and Doha, Qatar, it’s a generic collage of mega-yachts, luxe hotels, fancy parties, disguised identities and tame fights that add up to a big nothing.Worry not about your blood pressure at “Ruse de guerre.” One chase scene in sunny Antalya, with actor Max Beesley on a vespa, is downright soothing.

When a movie gets tangled up in all kinds of financial problems, delayed for over a year, played out internationally, sent straight to streaming in Canada, and then finally getting the green light to open in the U.S. via a new distributor and thrown into theaters with virtually no notice or time to mount a marketing campaign, you have to think there must be something very wrong here.

When it comes to the genre playgrounds he loves so much, is Guy Ritchie better off being himself or playing along? His brash, bad-lad calling cards (“Lock Stock and Two Smoking Barrels,” “Snatch”) were never terribly original, but their style-to-burn derivativeness had spirit. His Hollywood larks (“Sherlock Holmes,” “The Man From U.N.C.L.E.”) never felt honest but the occasional glimpse of a bruiser’s cockiness made for colorful upgrades in the IP machinery.After Ritchie’s return to leaner (but never in the dialogue) roots with the comically shaggy, seedy gangster wingding “The Gentlemen,” and reteaming with his best contribution to cinema — Jason Statham — for the brackish vengeance puddle “Wrath of Man,” the British filmmaker is once again aiming for sleek and starry heights with the spy-driven action comedy “Operation Fortune: Ruse de Guerre.”Statham is the “Fortune” of the title, first name Orson, an elite for-hire operative with clever ideas and expensive tastes, hired by intelligence agency rep Nathan (Cary Elwes) to determine who’s interested in a stolen package rumored to be worth $10 billion on the open market.

Audiences know Guy Ritchie can direct action, they know he can write quotable, pithy dialogue, and they know he can create memorable characters. However, for the most part, “Operation Fortune: Ruse de Guerre” either fails to deliver or under-delivers on almost all fronts.

Owen Gleiberman Chief Film Critic For 25 years, I have never been much of a Guy Ritchie fan. I found the in-your-face-and-over-the-top crime dramas that made his reputation — “Lock, Stock and Two Smoking Barrels,” “Snatch,” “Revolver,” and “RocknRolla” — to be empty-flashy exercises in the too-muchness of genre kinetics, overly infatuated with their post-Tarantino cutthroat cool. It was clear that Ritchie had talent, but the way just about every shot in his movies was designed to remind you of that turned the films into layer cakes that were more frosting than cake. After a while, he dropped the badass glitz and settled into a more conventional career, and some of those movies were okay. I confess that I enjoyed his remake of “Swept Away” (yes, the one with Madonna), and he had fun applying what was left of his high-froth ADD style to the Robert Downey Jr. “Sherlock Holmes” franchise. Yet I could never escape the feeling that Guy Ritchie had trapped himself on a hamster wheel of trying too hard. I’ve liked a few of his films. But I’ve never loved one.

Charna Flam John Leguizamo will receive the Miami Film Festival‘s Impact Award on March 11. Leguizamo’s new MSNBC series, “Leguizamo Does America,” will screen ahead of the award presentation.