The fourth movie in the popular John Wick film franchise, John Wick: Chapter 4, has finally been released in theaters!
03.03.2023 - 22:07 / justjared.com
Guy Ritchie‘s new movie Operation Fortune: Ruse de Guerre is now in theaters and lots of fans are ready for an action-comedy to be back in the cinema.
Fans who are checking out the movie will likely want to know if they should stick around after the credits for an additional scene. Many movies these days, especially ones that are part of a franchise, will include extra footage at the end to tease future installments or to give audiences some bonus content.
So, do you need to stick around after Operation Fortune: Ruse de Guerre?
Keep reading to find out if you need to wait for a post-credits scene…
We can confirm that YES, there is a scene during the credits, so make sure to stick around to check it out. There’s nothing all the way at the end of the credits, so feel free to leave once the scene ends.
SPOILERS: In the end credits scene, Josh Hartnett‘s character Danny Fortune is seen filming a scene for his next movie and he’s dressed up like Hugh Grant‘s Greg Simmonds. In the scene, Danny mimics the threats that Greg made at the end of the movie about the missiles. He delivers the exact same monologue and then goes behind the camera and we discover that Greg is directing the movie.
So, what’s the movie even about?
Super spy Orson Fortune (Jason Statham) must track down and stop the sale of a deadly new weapons technology wielded by billionaire arms broker Greg Simmonds (Grant). Reluctantly teamed with some of the world’s best operatives (Aubrey Plaza, Cary Elwes, Bugzy Malone), Fortune and his crew recruit Hollywood’s biggest movie star Danny Francesco (Hartnett) to help them on their globe-trotting undercover mission to save the world.
The fourth movie in the popular John Wick film franchise, John Wick: Chapter 4, has finally been released in theaters!
Zachary Levi is commenting on the report that Dwayne “The Rock” Johnson blocked his character Black Adam from appearing in an end credits scene for Shazam! Fury of the Gods.
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Check your local listings to find it in a theater near you.It heads to Amazon Prime on March 7 in the UK.Super spy Orson Fortune (Jason Statham) must track down and stop the sale of a deadly new weapons technology wielded by billionaire arms broker Greg Simmonds (Hugh Grant). Reluctantly teamed with some of the world’s best operatives (Aubrey Plaza, Cary Elwes, Bugzy Malone), Fortune and his crew recruit Hollywood’s biggest movie star Danny Francesco (Josh Hartnett) to help them on their globe-trotting undercover mission to save the world.As the title “Ruse de guerre” (ruse of war) suggests, there’s plenty of scheming.
Television might have more highly anticipated releases coming out in March, but the film world certainly isn’t slacking with an eclectic lineup that samples from a bit of every genre. There are superheroes in two ways, from the standard DC and major studio format to the bizarre with “Smoking Causes Coughing.” Multiple tough-to-watch coming-of-age stories have made the rounds on the festival circuit as well as high-profile science fiction films looking to attract a larger audience.
2019’s “The Gentlemen,” he’d have the usually dapper Hugh Grant play a sleazy journalist who refers to England only as “Angleterre” in an East End accent, and in 2021’s “Wrath of Man” he showcased frequent collaborator Jason Statham’s ability to switch from hilarious to killing machine.With this director, we’re never so much watching an espionage or crime movie as enjoying another off-the-rails Guy Ritchie attraction. That is, until “Operation Fortune,” the co-writer and director’s most uninspired movie in a minute. Lazily bopping around to exotic locales like Cannes, France, Antalya, Turkey, and Doha, Qatar, it’s a generic collage of mega-yachts, luxe hotels, fancy parties, disguised identities and tame fights that add up to a big nothing.Worry not about your blood pressure at “Ruse de guerre.” One chase scene in sunny Antalya, with actor Max Beesley on a vespa, is downright soothing.
Creed III is nearly here!
Joe Otterson TV Reporter “Star Trek: Discovery” will end with the upcoming Season 5 at Paramount+, Variety has learned. In addition, the fifth and final season will now debut in early 2024 as opposed to this year as originally thought. Filming is mostly complete on Season 5, but according to an individual with knowledge of the situation, there will be some additional filming that has yet to take place.
When a movie gets tangled up in all kinds of financial problems, delayed for over a year, played out internationally, sent straight to streaming in Canada, and then finally getting the green light to open in the U.S. via a new distributor and thrown into theaters with virtually no notice or time to mount a marketing campaign, you have to think there must be something very wrong here.
When it comes to the genre playgrounds he loves so much, is Guy Ritchie better off being himself or playing along? His brash, bad-lad calling cards (“Lock Stock and Two Smoking Barrels,” “Snatch”) were never terribly original, but their style-to-burn derivativeness had spirit. His Hollywood larks (“Sherlock Holmes,” “The Man From U.N.C.L.E.”) never felt honest but the occasional glimpse of a bruiser’s cockiness made for colorful upgrades in the IP machinery.After Ritchie’s return to leaner (but never in the dialogue) roots with the comically shaggy, seedy gangster wingding “The Gentlemen,” and reteaming with his best contribution to cinema — Jason Statham — for the brackish vengeance puddle “Wrath of Man,” the British filmmaker is once again aiming for sleek and starry heights with the spy-driven action comedy “Operation Fortune: Ruse de Guerre.”Statham is the “Fortune” of the title, first name Orson, an elite for-hire operative with clever ideas and expensive tastes, hired by intelligence agency rep Nathan (Cary Elwes) to determine who’s interested in a stolen package rumored to be worth $10 billion on the open market.
Audiences know Guy Ritchie can direct action, they know he can write quotable, pithy dialogue, and they know he can create memorable characters. However, for the most part, “Operation Fortune: Ruse de Guerre” either fails to deliver or under-delivers on almost all fronts.
Owen Gleiberman Chief Film Critic For 25 years, I have never been much of a Guy Ritchie fan. I found the in-your-face-and-over-the-top crime dramas that made his reputation — “Lock, Stock and Two Smoking Barrels,” “Snatch,” “Revolver,” and “RocknRolla” — to be empty-flashy exercises in the too-muchness of genre kinetics, overly infatuated with their post-Tarantino cutthroat cool. It was clear that Ritchie had talent, but the way just about every shot in his movies was designed to remind you of that turned the films into layer cakes that were more frosting than cake. After a while, he dropped the badass glitz and settled into a more conventional career, and some of those movies were okay. I confess that I enjoyed his remake of “Swept Away” (yes, the one with Madonna), and he had fun applying what was left of his high-froth ADD style to the Robert Downey Jr. “Sherlock Holmes” franchise. Yet I could never escape the feeling that Guy Ritchie had trapped himself on a hamster wheel of trying too hard. I’ve liked a few of his films. But I’ve never loved one.
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is not only the third in a trilogy of movies from director Peyton Reed but it also officially kicks off Phase Five of the Marvel Cinematic Universe. The film starring Paul Rudd as Scott Lang formally introduces Jonathan Majors as Kang the Conqueror and the film franchise's new big bad after he first made a surprise appearance in the season 1 finale of . Kang's presence is expected to be a major presence in the remaining projects of both Phase Five and Phase Six, with presumably being one of the final chapters in that saga.
“Succession” is coming to an end.
Succession will end after its upcoming fourth season, creator Jesse Armstrong has confirmed.The multi-award winning HBO drama debuted in 2018 and will air its highly-anticipated fourth season next month.Speaking to The New Yorker, Armstrong confirmed that the new season would be the show’s last, saying: “There are a few different aspects. One, we could have said it as soon as I sort of decided, almost when we were writing it, which I think would be weird and perverse.“We could have said it at the end of the season.