Netflix Merchandise And Streaming Gift Cards To Be Sold In 2,400 Walmart Stores In U.S.

Addressing Wall Street analysts during Disney’s quarterly earnings call, the company’s top executives sought to emphasize their progress toward attaining streaming profitability.

Is Disney suddenly giving off Netflix vibes?

John Malone, billionaire Liberty Media chairman and architect of the Warner Bros Discovery merger, believes WBD’s mix of ad-free and ad-supported streaming under CEO David Zaslav will succeed “if he makes good stuff.”

Roku has welcomed Netflix into the ad streaming market.

Dahmer continues to make a killing for Netflix by dominating Nielsen’s U.S. streaming chart for the week of Oct. 3-9..

Netflix launched its ad tier Thursday, and several popular series are missing from the streamer’s library due to licensing restrictions, including originals House of Cards and Arrested Development.

Fatal Attraction '80s (thanks, Marvel!), but Hollywood still makes them occasionally. (Fingers crossed for something smutty .) And thanks to streaming, you can get the erotic movies of yore anytime, any place.The sexiest movies, in our esteemed (and steamy) opinion, are those that let the tension build up between the leads for a while. But if you're looking for gratification of the more instant variety, we've also included stories where they bang the whole way through (ahem, Fifty Shades).There's a lot of talk about HBO these days, but steamy movies will never be replaced by TV.

YouTube is getting into the third-party streaming subscription game, launching Primetime Channels, a hub where consumers can sign up for Showtime, Starz, Paramount+ and more than 30 other services.

From January to September this year, almost a million people in the UK have ditched some of the most popular streaming sites. Subscription services such as Netflix, Disney+ and Amazon Prime have taken a hit, with the rising cost of living meaning that people are cutting back on their expenses.

Hocus Pocus 2 set a record in Nielsen’s weekly streaming ratings, drawing more than 2.7 billion minutes of streaming from September 26 to October 2.

At 15 million paid subscribers, Peacock isn’t on the same level as other streaming services, but NBCUniversal CEO Jeff Shell says that’s no accident.

The band has a new home: Girls5eva is moving to Netflix from rival streamer Peacock for its third season.

Back at the beginning of the pandemic, in May 2020, it was announced that Edgar Wright and his filmmaking friend, Joe Cornish, were creating a production company and teaming with Netflix on a variety of projects. It appears the first project to come from that deal is coming soon, as we finally get a teaser for “Lockwood & Co.” READ MORE: ‘Attack The Block 2’: John Boyega Officially Returning For Alien Invasion Comedy Sequel; Joe Cornish Set To Write & Direct As seen in the teaser, which is basically just a scene from the series, “Lockwood & Co” is a spooky detective series about a girl with psychic powers who teams up with a couple of guys to form a ghost-hunting agency.

Dahmer, which had already been anointed as the second-biggest series in Netflix history based on the company’s own data, dominated Nielsen’s U.S. streaming chart for September 19 to 25.

Todd Spangler NY Digital Editor Just over three years ago, Netflix unequivocally shot down the idea that it would ever roll out an ad-supported streaming service. “When you read speculation that we are moving into selling advertising, be confident that this is false,” the streamer said in its second-quarter 2019 investor letter. “We believe we will have a more valuable business in the long term by staying out of competing for ad revenue and instead entirely focusing on competing for viewer satisfaction.” Clearly, Netflix’s thinking about advertising has changed. Both Netflix and Disney+ are launching ad-based tiers this fall, seeking to broaden their addressable markets and tap into a new revenue stream as subscriber growth has slowed — in Netflix’s case, it lost 1.2 million in the first half of 2022, compared with a net gain of 5.5 million in the prior-year period.

Netflix co-CEO and chief content officer Ted Sarandos tossed cold water on hopes that the streamer’s recent deal with major cinema chains for Glass Onion: A Knives Out Mystery could be the start of something bigger.

Sky has launched a TV box which plugs into the back of the television and will operate using the household WiFi.

Selome Hailu During the 2020-21 TV season, a study found that streaming companies put more women in positions of creative power than broadcast networks did, though broadcasters featured slightly more women as major characters in their shows. But a year later, that same study has found that streamers now beat out networks on both fronts by slight margins. The study, titled “Boxed In,” has been run by Dr. Martha Lauzen, executive director of San Diego State University’s Center for the Study of Women in Television and Film, for 25 years now. Lauzen also conducts the yearly studies “Celluloid Ceiling” and “Thumbs Down: Gender and Film Critics, and Why It Matters.” Boxed In” considers one randomly selected episode of different series appearing on the broadcast networks (ABC, CBS, NBC, FOX, CW) during primetime and streaming services (Amazon Prime, Apple TV+, Disney+, HBO Max, Hulu, Netflix, Paramount+, Peacock). In 2021-22, the study tracked over 3,000 characters and more than 3,800 production credits, adding to a total of over 53,000 characters and 66,000 credits since the study began during the 1997-98 TV season.

Guardian, the total number of UK homes with at least one paid-for subscription has fallen by 937,000 between January and September.According to consumer behaviour insights company Kantar Worldpanel, just over 16million homes in the UK pay for at least one video-on-demand subscription service.Dominic Sunnebo, global insight director at Kantar Worldpanel, said: “One million households have stopped streaming. The reason people are cancelling is the need to save money.“The most recent quarter saw two of the most anticipated releases of the year, they ranked as the top two most enjoyed pieces of subscription video-on-demand content during the period, and yet we still saw a continuation of the negative trend of the market getting smaller.”The two aforementioned shows are Game Of Thrones prequel House Of The Dragon and The Lord Of The Rings: The Rings Of Power.