Netflix Gave Us Only Four Minutes With the Cast of ‘Black Mirror’: Read Our Speedy, Spoilery Interviews!

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” lassoed the top spot on domestic box office charts, collecting an underwhelming $60 million in its opening weekend. That’s a decent amount of money for a tentpole that’s aimed at older audiences, but “Indiana Jones 5,” one of the most expensive movies ever, cost $295 million before marketing. It’ll take a heroic feat, one that would test even an enduring legend like Indiana Jones, for the fifth installment in the decades-old franchise to become profitable in its theatrical run. It was a disappointing weekend at the box office as “Ruby Gillman, Teenage Kraken,” a $70 million-budgeted family film from DreamWorks and Universal, cratered in its sixth-place debut with $5.2 million. In addition to “Dial of Destiny” and “Ruby Gillman,” the DC superhero adventure “The Flash” tumbled to the No. 8 spot in its third weekend of release with $5 million, another embarrassing 67% drop. It has yet to cross $100 million domestically, with ticket sales at $99.2 million to date.

Zack Sharf Digital News Director Arnold Schwarzenegger says “The Terminator” is no longer a fantasy given the current state of artificial intelligence. Speaking at a press event in Los Angeles (via People), the actor said James Cameron’s 1984 action classic has now become a reality. The film is set in a world where an artificially intelligent defense network known as Skynet has become self-aware and has conquered humanity. “Today, everyone is frightened of it, of where this is gonna go,” Schwarzenegger said about AI. “And in this movie, in ‘Terminator,’ we talk about the machines becoming self-aware and they take over…Now over the course of decades, it has become a reality. So it’s not any more fantasy or kind of futuristic. It is here today. And so this is the extraordinary writing of Jim Cameron.”

It’s hard to believe, but Joel Schumacher‘s “Batman Forever” came out 28 years ago. And while it’s often overlooked today for Tim Burton‘s two films, Christopher Nolan‘s “The Dark Knight” trilogy, or even Matt Reeves‘ “The Batman,” Schumacher’s film was an event upon release.

VUE Cinema in the Manchester Printworks will be one of only three cinemas in the UK to showcase a special screening of Oppenheimer on IMAX.

Barbie and Oppenheimer is heating up ahead of the films’ releases – here’s who’s on track to come out on top.The two films are both set to be released on the same day next month (July 21) and have been locked into a humorous and meme-filled rivalry.Greta Gerwig’s Barbie stars Robbie in the titular role, with Ryan Gosling as Ken, while Christopher Nolan’s Oppenheimer sees Cillian Murphy play scientist J. Robert Oppenheimer who is credited as the “father of the atomic bomb” for his role in the Manhattan Project.Ahead of the films’ releases, box office projections have Barbie looking set to pick up more than double the taking of Nolan’s film.New projections from The Hollywood Reporter hint that Barbie could open with between a $70-80million opening weekend, while Oppenheimer is expecting a $40million opening.In the run-up to the release of his new film, Nolan has said there’s an “interesting relationship” between the endings of Oppenheimer and his 2011 film Inception.Speaking in an interview with Wired, Nolan explained that there’s some similarities between Oppenheimer’s ending and the ambiguous final scene in Inception, where it was left unclear whether Dom Cobb (Leonardo DiCaprio) was still in a dream.Asked whether he believed his films have an optimistic or “anti-nihilistic” outlook, Nolan said: “I mean, the end of Inception, it’s exactly that.

The campy romp Cocaine Bear and buzzy comedy series Only Murders in the Building nabbed four trophies apiece and Christopher Nolan’s upcoming Oppenheimer took three at the 23rd annual Golden Trailer Awards, which were handed out Thursday night in Los Angeles. See the full list of winners below.

In three weekends, Greta Gerwig‘s “Barbie” squares off against Christopher Nolan‘s “Oppenheimer” for this summer’s big box-office battle. So which film will walk away victorious? Both movies boast stacked ensemble casts, but given its soundtrack, premise, and Margot Robbie as its lead, “Barbie” may be 2023’s movie to beat.

Tom Cruise is showing off his support for all the major movies coming out this summer in theaters.

For months now, there has been this silly, social media-created competition between two films that are scheduled for release on the same day—Christopher Nolan’s “Oppenheimer” and Greta Gerwig’s “Barbie.” Sure, there is real competition for money when two big-budget studio films are released at the same time, but the odds are that both of these films will be huge hits for their respective studios.

Rebecca Rubin Film and Media Reporter At the end of last summer, Flix Brewhouse faced a dire situation, albeit one that wasn’t unique to the Texas-based movie theater chain. There weren’t any movies to show in August. “We were going to A24 or Briarcliff Entertainment saying, ‘Does anyone have anything we can put on our screens?” recalls Chris Randleman, the company’s chief revenue officer. That’s not the case this summer as exhibitors grapple with a different reality. Can several back-to-back blockbusters succeed at once? Or will the glut of big movies cannibalize each other? Those are the big questions as popcorn season kicks into high gear with the arrivals of Harrison Ford’s “Indiana Jones and the Dial of Destiny” (June 30), Tom Cruise’s “Mission: Impossible – Dead Reckoning Part One” (July 12), Greta Gerwig’s neon-coated “Barbie” (July 21) and Christopher Nolan’s atomic bomb drama “Oppenheimer” (also on July 21). All of those films carry big budgets and require outsized ticket sales to turn a profit.

Next month, Christopher Nolan‘s “Oppenheimer” faces off against Greta Gerwig‘s “Barbie” on its opening weekend, a showdown that very well may christen the summer’s biggest movie. In “Barbie,” moviegoers know what to expect, a smart, quippy film from Gerwig with a meta twist on its subject.

in July. While the list of titles getting deleted from Netflix in July is not as long as usual, it will be hard to let some of these go.

“Like it or not,” declared Christopher Nolan at CinemaCon in April, “J. Robert Oppenheimer is the most important person who ever lived. He made the world we live in, for better or for worse.”

This story about director the visual effects design of “Andor” first ran in the Drama Series issue of TheWrap’s awards magazine.For Disney+’s “Andor,” an erudite elucidation of the prequel universe first seen in the film “Rogue One: A Star Wars Story,” visual effects supervisor Scott Pritchard took things back to basics in real locations, despite having technology that in 1977 might have made George Lucas Vader-breathe with envy.“I’m very much of the opinion that first and foremost, we’re storytellers,” Pritchard, who first joined ILM with 2015’s “The Force Awakens,” said. “We’ve got to drive the story forward.

Rebecca Rubin Film and Media Reporter “The Flash,” a superhero adventure starring Ezra Miller, emerged victorious over Pixar’s “Elemental” in a battle of the box office lightweights. This weekend’s two new releases were once expected to ignite the summer box office but instead entirely missed the mark, as “The Flash” stumbled with $55 million and “Elemental” collected just $29.5 million in their respective debuts. Both of those films fell short of already-low expectations. And worse, they were pricy endeavors, costing $200 million to make and roughly $100 million to market, so they are shaping up to be huge disappointments in their theatrical runs. In the lead-up to “The Flash,” executives at Warner Bros. worked hard to convince the public that the film is “one of the greatest superhero movies ever made.” Directed by Andy Muschietti, the story picks up as Miller’s Barry Allen a.k.a The Flash travels back in time to prevent his mother’s murder and inadvertently cracks open the DC multiverse. (Cameos abound!) But its tepid “B” CinemaScore from opening weekend crowds suggests that the moviegoing masses didn’t entirely agree with the lavish praise bestowed on the film by the people who made it. Without positive audience scores or strong word-of-mouth, “The Flash” will struggle to rebound in the coming weeks, especially as summer season heats up with the release of “Indiana Jones and the Dial of Destiny” on June 30, “Mission: Impossible 7” on July 12 and Christopher Nolan’s “Oppenheimer” on July 21.

Rebecca Rubin Film and Media Reporter There’s been a battle brewing between two of Hollywood’s blockbuster talents. In one corner, Tom Cruise is gearing to take a victory lap from the behemoth success of “Top Gun: Maverick” with a sequel to his other big action franchise, “Mission: Impossible – Dead Reckoning Part One.” It’s expected to be one of the biggest movies of the summer when it opens on July 12. In the other corner, Christopher Nolan, one of the few directors so famous that his name alone can draw crowds, is readying to release his highly anticipated “Oppenheimer.” The big-budget drama about the creation of the atomic bomb launches just a week later on July 21.

The Directors Guild of America has released a new video of associate directors and stage managers touting their support of the guild’s tentative agreement for new film and TV contract. The pact, which covers directors and members of their teams, is being put to the members for ratification.  

If you were ever questioning just how powerful Christopher Nolan is in Hollywood, look no further than the situation that developed between the filmmaker and Warner Bros. during the pandemic.

Elliot Page is looking back on their time on the set of “Inception”.

Uzo Aduba is expecting her first child!The celebrated actress debuted her burgeoning baby bump while she walked the red carpet at the 2023 Tony Awards at the United Palace Theater in New York City on Sunday.The alum — aptly decked out in a bright orange Christian Siriano suit ensemble — unbuttoned her suit jacket to give fans a better look at her burgeoning bump while she also cradled her stomach as she posed for snapshots and smiled.Aduba, 42, also posed for some sweet, beaming pics with her filmmaker husband, Robert Sweeting.The dad-to-be was all smiles as well, as he looked dapper in a traditional tuxedo that was the perfect complement to his ladylove's glow.Aduba first revealed that she and Sweeting had tied the knot in secret in September 2021, on their 1st anniversary.«When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible,» Aduba captioned a pic from her wedding day, quoting Nora Ephron's iconic line from the Billy Crystal-Meg Ryan rom-com   «For some, it feels like we wait our whole lives for our someone,» she shared.