Christopher Nolan, With ‘Oppenheimer,’ Aims To Capture “The Most Dramatic Moment In History”

On paper, a period drama about the creation of the Atomic Bomb isn’t necessarily the type of thing that demands a $200 million budget and IMAX cameras. But in the hands of filmmaker Christopher Nolan, a man who could make a paper bag look epic in scope, this story is “Oppenheimer” and has turned into perhaps the biggest release of the summer.  And in a new featurette about the creation of Christopher Nolan’s “Oppenheimer,” we are introduced to the myriad reasons why the filmmaker’s latest vision might be his most epic and complicated yet.

trilogy, writer-director Christopher Nolan has explored the farthest reaches of earth and space. From Gotham City to inside other people’s dreams, one might think that Nolan has left few territories uncharted, but his upcoming “Oppenheimer” will see his actors going where few Nolan characters have gone before: the bedroom.Out July 21 and starring Cillian Murphy, Nolan’s biopic of the man who invented the atomic bomb during World War II is one of this summer’s most anticipated blockbusters alongside “Mission: Impossible – Dead Reckoning Part One” and Greta Gerwig’s “Barbie.”Murphy, a six-time Nolan alum best known for his work in BBC’s “Peaky Blinders,” will take on the titular role — and take off his pants, according to reports.

Robert Pattinson played a central role in Christopher Nolan‘s decision to pursue one of this summer’s biggest movies – Oppenheimer.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” lassoed the top spot on domestic box office charts, collecting an underwhelming $60 million in its opening weekend. That’s a decent amount of money for a tentpole that’s aimed at older audiences, but “Indiana Jones 5,” one of the most expensive movies ever, cost $295 million before marketing. It’ll take a heroic feat, one that would test even an enduring legend like Indiana Jones, for the fifth installment in the decades-old franchise to become profitable in its theatrical run. It was a disappointing weekend at the box office as “Ruby Gillman, Teenage Kraken,” a $70 million-budgeted family film from DreamWorks and Universal, cratered in its sixth-place debut with $5.2 million. In addition to “Dial of Destiny” and “Ruby Gillman,” the DC superhero adventure “The Flash” tumbled to the No. 8 spot in its third weekend of release with $5 million, another embarrassing 67% drop. It has yet to cross $100 million domestically, with ticket sales at $99.2 million to date.

In three weekends, Greta Gerwig‘s “Barbie” squares off against Christopher Nolan‘s “Oppenheimer” for this summer’s big box-office battle. So which film will walk away victorious? Both movies boast stacked ensemble casts, but given its soundtrack, premise, and Margot Robbie as its lead, “Barbie” may be 2023’s movie to beat.

Tom Cruise is showing off his support for all the major movies coming out this summer in theaters.

savior of movie theaters, would love it if you bought a ticket next month to see “Mission: Impossible — Dead Reckoning.” But he’d also love it if you went out to see the other films that will be competing against it in theaters this summer, too. On Wednesday, Cruise posted a picture of him with “Mission: Impossible 7” director Christopher McQuarrie holding tickets to see “Indiana Jones and the Dial of Destiny,” which comes out on Friday, as well as Christopher Nolan’s “Oppenheimer” and Greta Gerwig’s “Barbie,” which come out the week after “Mission: Impossible 7”“This summer is full of amazing movies to see in theaters,” Cruise tweeted.

Naman Ramachandran Top global talent paid homage to director Martin Campbell (“Casino Royale,” ”Goldeneye”) and special effects supervisor Chris Corbould (“Inception,” ”The Dark Knight,” “No Time to Die”) at the second London Action Festival, which concluded Sunday. The duo, who were honored with the festival’s Moving Target Award for their outstanding contribution to action cinema, were surprised with a range of video messages from people who had worked with them. Daniel Craig described Campbell and Corbould as “two people who have had a major influence on my career.” On Campbell, Craig said: “It gave me incredible security knowing you were steering the ship [Casino Royale]. I have so much to thank you for. I’m incredibly proud of the film we made together.” On Courbould, Craig added: “I don’t know what to say. You’ve blown me up, you’ve set me on fire – but what has been so incredible in working with you is to have had the privilege of getting inside your imagination. Those have been some of the most joyous experiences on a film set that I have had in my fairly long career.”

Christopher Nolan has said there’s an “interesting relationship” between the endings of Oppenheimer and his 2011 film Inception.In the director’s upcoming biopic, Cillian Murphy plays scientist J. Robert Oppenheimer who is credited as the “father of the atomic bomb” for his role in the Manhattan Project. The film is set to be released on July 21, 2023.Speaking in an interview with Wired, Nolan explained that there’s some similarities between Oppenheimer’s ending and the ambiguous final scene in Inception, where it was left unclear whether Dom Cobb (Leonardo DiCaprio) was still in a dream.Asked whether he believed his films have an optimistic or “anti-nihilistic” outlook, Nolan said: “I mean, the end of Inception, it’s exactly that.

Christopher Nolan has revealed that early screenings of Oppenheimer have left audiences “devastated”, with some even describing it as a horror film.The biographical drama stars Cillian Murphy as the titular J. Robert Oppenheimer, who is known as “the father of the atomic bomb”, and will be released in cinemas on July 21.“Some people leave the movie absolutely devastated,” Nolan said of early screenings in a new interview with Wired magazine.“They can’t speak.

Next month, Christopher Nolan‘s “Oppenheimer” faces off against Greta Gerwig‘s “Barbie” on its opening weekend, a showdown that very well may christen the summer’s biggest movie. In “Barbie,” moviegoers know what to expect, a smart, quippy film from Gerwig with a meta twist on its subject.

Zack Sharf Digital News Director Christopher Nolan has a warning for anyone purchasing “Oppenheimer” tickets: The film might emotionally destroy you. Speaking to Wired magazine in a new interview, Nolan said that some early “Oppenheimer” viewers have had a visceral reaction to the film, which follows theoretical physicist J. Robert Oppenheimer (Cillian Murphy) as he creates the atomic bomb to end World War II. “Some people leave the movie absolutely devastated,” Nolan said about early screenings. “They can’t speak. I mean, there’s an element of fear that’s there in the history and there in the underpinnings. But the love of the characters, the love of the relationships, is as strong as I’ve ever done.”

Zack Sharf Digital News Director Christopher Nolan got honest about artificial intelligence in a new interview with Wired magazine. The Oscar-nominated filmmaker says the writing has been on the wall about AI dangers for quite some time, but now the media is more focused on the technology because it poses a threat to their jobs. “The growth of AI in terms of weapons systems and the problems that it is going to create have been very apparent for a lot of years,” Nolan said. “Few journalists bothered to write about it. Now that there’s a chatbot that can write an article for a local newspaper, suddenly it’s a crisis.” Nolan said the main issue with AI is “a very simple one” and relates to the technology being used by companies to “evade responsibility for their actions.”

McKinley Franklin editor Historian Kai Bird, co-author of the 2005 book that inspired Christopher Nolan’s “Oppenheimer,” has shared his thoughts about the upcoming film, revealing that he has high hopes for how it can resonate with the public during a conversation with David Nirenberg at Leon Levy Center for Biography in New York. “I am, at the moment, stunned and emotionally recovering from having seen it,” Bird said. “I think it is going to be a stunning artistic achievement, and I have hopes it will actually stimulate a national, even global conversation about the issues that Oppenheimer was desperate to speak out about — about how to live in the atomic age, how to live with the bomb and about McCarthyism — what it means to be a patriot, and what is the role for a scientist in a society drenched with technology and science, to speak out about public issues.”

Rebecca Rubin Film and Media Reporter “The Flash,” a superhero adventure starring Ezra Miller, emerged victorious over Pixar’s “Elemental” in a battle of the box office lightweights. This weekend’s two new releases were once expected to ignite the summer box office but instead entirely missed the mark, as “The Flash” stumbled with $55 million and “Elemental” collected just $29.5 million in their respective debuts. Both of those films fell short of already-low expectations. And worse, they were pricy endeavors, costing $200 million to make and roughly $100 million to market, so they are shaping up to be huge disappointments in their theatrical runs. In the lead-up to “The Flash,” executives at Warner Bros. worked hard to convince the public that the film is “one of the greatest superhero movies ever made.” Directed by Andy Muschietti, the story picks up as Miller’s Barry Allen a.k.a The Flash travels back in time to prevent his mother’s murder and inadvertently cracks open the DC multiverse. (Cameos abound!) But its tepid “B” CinemaScore from opening weekend crowds suggests that the moviegoing masses didn’t entirely agree with the lavish praise bestowed on the film by the people who made it. Without positive audience scores or strong word-of-mouth, “The Flash” will struggle to rebound in the coming weeks, especially as summer season heats up with the release of “Indiana Jones and the Dial of Destiny” on June 30, “Mission: Impossible 7” on July 12 and Christopher Nolan’s “Oppenheimer” on July 21.

When Christopher Nolan‘s “Oppenheimer” hits theaters next month, it marks the first film by the director not produced by Warner Bros. in nearly 20 years.

If you were ever questioning just how powerful Christopher Nolan is in Hollywood, look no further than the situation that developed between the filmmaker and Warner Bros. during the pandemic.

SPOILER ALERT: These interviews contain spoilers from the Season 6 “Black Mirror” episodes “Joan Is Awful,” “Mazey Day” and “Beyond the Sea,” now streaming on Netflix. Back after a four-year hiatus, the long-awaited sixth season of “Black Mirror” opens — fittingly — with “Joan is Awful,” an exploration of the dubious inner workings of a fictional streaming service called Streamberry. Streamberry, which bears more than a passing resemblance to “Black Mirror’s” IRL producing partner Netflix, co-opts users’ lives to create AI-driven, CGI-rendered semi-fictional dramas without its subjects’ consent. Kind of like, say, “Inventing Anna” (which had the consent of the eponymous Anna Delvey, but not her erstwhile BFF Rachel Williams, who sued the streamer for defamation last year) or “The Crown” or “The Tinder Swindler” or “Narcos” or… you get the gist.

it’ll play throughout the week and is very much worth checking out. We talked about where the short came from, being mentored by Francis Ford Coppola and Warren Beatty and his upcoming work in Marvel’s “Ironheart” and Christopher Nolan’s “Oppenheimer,” where he worked alongside Robert Downey Jr.Was this something that you had wanted to do for a while?Yeah.

Elliot Page has revealed that he once went on a double date with Leonardo DiCaprio and his mum.The Inception co-stars worked together on Christopher Nolan’s 2010 thriller, and Page recalled in a new interview how DiCaprio set Page up with a friend of his.In his new memoir Pageboy, released this week, the Juno actor discussed how he tried dating men even though he knew he wanted to be with women in order to try and “be the person so many wanted me to be”.“Like in high school, I’d wanted to convince myself it was possible, that I could enjoy it or at least tolerate it,” he wrote.Page added that he formed a “lovely connection” with a friend of DiCaprio’s called Pete after he visited the Inception set. “When I saw Leo next, I told him I liked his friend, to which he responded that his friend liked me, too,” he wrote.Pete, Page, DiCaprio and his mother then all went on a date together to Universal Studios, as Page recalled: “For our first date, we went to Universal Studios with Leo and his mother.