‘Batman Forever’: Akiva Goldsman Remembers When Robin Williams Was Attached To Play The Riddler

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” lassoed the top spot on domestic box office charts, collecting an underwhelming $60 million in its opening weekend. That’s a decent amount of money for a tentpole that’s aimed at older audiences, but “Indiana Jones 5,” one of the most expensive movies ever, cost $295 million before marketing. It’ll take a heroic feat, one that would test even an enduring legend like Indiana Jones, for the fifth installment in the decades-old franchise to become profitable in its theatrical run. It was a disappointing weekend at the box office as “Ruby Gillman, Teenage Kraken,” a $70 million-budgeted family film from DreamWorks and Universal, cratered in its sixth-place debut with $5.2 million. In addition to “Dial of Destiny” and “Ruby Gillman,” the DC superhero adventure “The Flash” tumbled to the No. 8 spot in its third weekend of release with $5 million, another embarrassing 67% drop. It has yet to cross $100 million domestically, with ticket sales at $99.2 million to date.

Zack Sharf Digital News Director Arnold Schwarzenegger says “The Terminator” is no longer a fantasy given the current state of artificial intelligence. Speaking at a press event in Los Angeles (via People), the actor said James Cameron’s 1984 action classic has now become a reality. The film is set in a world where an artificially intelligent defense network known as Skynet has become self-aware and has conquered humanity. “Today, everyone is frightened of it, of where this is gonna go,” Schwarzenegger said about AI. “And in this movie, in ‘Terminator,’ we talk about the machines becoming self-aware and they take over…Now over the course of decades, it has become a reality. So it’s not any more fantasy or kind of futuristic. It is here today. And so this is the extraordinary writing of Jim Cameron.”

VUE Cinema in the Manchester Printworks will be one of only three cinemas in the UK to showcase a special screening of Oppenheimer on IMAX.

Barbie and Oppenheimer is heating up ahead of the films’ releases – here’s who’s on track to come out on top.The two films are both set to be released on the same day next month (July 21) and have been locked into a humorous and meme-filled rivalry.Greta Gerwig’s Barbie stars Robbie in the titular role, with Ryan Gosling as Ken, while Christopher Nolan’s Oppenheimer sees Cillian Murphy play scientist J. Robert Oppenheimer who is credited as the “father of the atomic bomb” for his role in the Manhattan Project.Ahead of the films’ releases, box office projections have Barbie looking set to pick up more than double the taking of Nolan’s film.New projections from The Hollywood Reporter hint that Barbie could open with between a $70-80million opening weekend, while Oppenheimer is expecting a $40million opening.In the run-up to the release of his new film, Nolan has said there’s an “interesting relationship” between the endings of Oppenheimer and his 2011 film Inception.Speaking in an interview with Wired, Nolan explained that there’s some similarities between Oppenheimer’s ending and the ambiguous final scene in Inception, where it was left unclear whether Dom Cobb (Leonardo DiCaprio) was still in a dream.Asked whether he believed his films have an optimistic or “anti-nihilistic” outlook, Nolan said: “I mean, the end of Inception, it’s exactly that.

The campy romp Cocaine Bear and buzzy comedy series Only Murders in the Building nabbed four trophies apiece and Christopher Nolan’s upcoming Oppenheimer took three at the 23rd annual Golden Trailer Awards, which were handed out Thursday night in Los Angeles. See the full list of winners below.

Sarah Jessica Parker is looking back on her love story with Matthew Broderick!

In three weekends, Greta Gerwig‘s “Barbie” squares off against Christopher Nolan‘s “Oppenheimer” for this summer’s big box-office battle. So which film will walk away victorious? Both movies boast stacked ensemble casts, but given its soundtrack, premise, and Margot Robbie as its lead, “Barbie” may be 2023’s movie to beat.

Tom Cruise is showing off his support for all the major movies coming out this summer in theaters.

Monica Bellucci just confirmed she’s dating Tim Burton after months of rumors!

It was musical Monday for WGA picketers on day 56 of the Writers Guild strike, with Death Row Records representing in front of Sunset Bronson Studios, site of one of Netflix’s many Los Angeles-based offices.

Rebecca Rubin Film and Media Reporter At the end of last summer, Flix Brewhouse faced a dire situation, albeit one that wasn’t unique to the Texas-based movie theater chain. There weren’t any movies to show in August. “We were going to A24 or Briarcliff Entertainment saying, ‘Does anyone have anything we can put on our screens?” recalls Chris Randleman, the company’s chief revenue officer. That’s not the case this summer as exhibitors grapple with a different reality. Can several back-to-back blockbusters succeed at once? Or will the glut of big movies cannibalize each other? Those are the big questions as popcorn season kicks into high gear with the arrivals of Harrison Ford’s “Indiana Jones and the Dial of Destiny” (June 30), Tom Cruise’s “Mission: Impossible – Dead Reckoning Part One” (July 12), Greta Gerwig’s neon-coated “Barbie” (July 21) and Christopher Nolan’s atomic bomb drama “Oppenheimer” (also on July 21). All of those films carry big budgets and require outsized ticket sales to turn a profit.

Next month, Christopher Nolan‘s “Oppenheimer” faces off against Greta Gerwig‘s “Barbie” on its opening weekend, a showdown that very well may christen the summer’s biggest movie. In “Barbie,” moviegoers know what to expect, a smart, quippy film from Gerwig with a meta twist on its subject.

Zack Sharf Digital News Director SPOILER ALERT: This article contains major spoilers for Warner Bros. and DC Studios’ “The Flash,” now playing in theaters. “I finally got to see Nic Cage be Superman. It has been an absolute delight for me,” Kevin Smith recently told Rolling Stone about watching “The Flash.” The film and that Cage-as-Superman cameo near the end is a full circle moment for Smith, who was the screenwriter of the studio’s infamous “Superman Lives.” After launching the Batman movie franchise for Warner Bros. to great success, Tim Burton turned his attention towards Superman in 1998 with the development of “Superman Lives.” Smith penned the script, which focused on Superman’s fight against Doomsday. Despite spending over $30 million on the film’s casting and pre-production, Warner Bros. pulled the plug on “Superman Lives” due to creative differences.

“Like it or not,” declared Christopher Nolan at CinemaCon in April, “J. Robert Oppenheimer is the most important person who ever lived. He made the world we live in, for better or for worse.”

Zack Sharf Digital News Director Christopher Nolan got honest about artificial intelligence in a new interview with Wired magazine. The Oscar-nominated filmmaker says the writing has been on the wall about AI dangers for quite some time, but now the media is more focused on the technology because it poses a threat to their jobs. “The growth of AI in terms of weapons systems and the problems that it is going to create have been very apparent for a lot of years,” Nolan said. “Few journalists bothered to write about it. Now that there’s a chatbot that can write an article for a local newspaper, suddenly it’s a crisis.” Nolan said the main issue with AI is “a very simple one” and relates to the technology being used by companies to “evade responsibility for their actions.”

This story about director the visual effects design of “Andor” first ran in the Drama Series issue of TheWrap’s awards magazine.For Disney+’s “Andor,” an erudite elucidation of the prequel universe first seen in the film “Rogue One: A Star Wars Story,” visual effects supervisor Scott Pritchard took things back to basics in real locations, despite having technology that in 1977 might have made George Lucas Vader-breathe with envy.“I’m very much of the opinion that first and foremost, we’re storytellers,” Pritchard, who first joined ILM with 2015’s “The Force Awakens,” said. “We’ve got to drive the story forward.

Rebecca Rubin Film and Media Reporter “The Flash,” a superhero adventure starring Ezra Miller, emerged victorious over Pixar’s “Elemental” in a battle of the box office lightweights. This weekend’s two new releases were once expected to ignite the summer box office but instead entirely missed the mark, as “The Flash” stumbled with $55 million and “Elemental” collected just $29.5 million in their respective debuts. Both of those films fell short of already-low expectations. And worse, they were pricy endeavors, costing $200 million to make and roughly $100 million to market, so they are shaping up to be huge disappointments in their theatrical runs. In the lead-up to “The Flash,” executives at Warner Bros. worked hard to convince the public that the film is “one of the greatest superhero movies ever made.” Directed by Andy Muschietti, the story picks up as Miller’s Barry Allen a.k.a The Flash travels back in time to prevent his mother’s murder and inadvertently cracks open the DC multiverse. (Cameos abound!) But its tepid “B” CinemaScore from opening weekend crowds suggests that the moviegoing masses didn’t entirely agree with the lavish praise bestowed on the film by the people who made it. Without positive audience scores or strong word-of-mouth, “The Flash” will struggle to rebound in the coming weeks, especially as summer season heats up with the release of “Indiana Jones and the Dial of Destiny” on June 30, “Mission: Impossible 7” on July 12 and Christopher Nolan’s “Oppenheimer” on July 21.

“The Flash,” the long-in-the-works standalone superhero film that DC co-chief James Gunn called “one of the best superhero movies I’ve seen.” Starring Ezra Miller, the film brings together multiple DC worlds as The Flash races into the multiverse to change the past, crossing paths with Michael Keaton’s Batman from the Tim Burton films, a brand new Supergirl (played by Sasha Calle) and plenty more courtesy of some major cameos and surprises.Right now, “The Flash” is playing exclusively in theaters. But you may be wondering, when is “The Flash” movie streaming on Max? All your questions answered below.The film was released exclusively in theaters on June 16.Like all Warner Bros.

The Flash (★★★☆☆), look no further than IMDb, which has listed every single (uncredited) appearance on the movie’s full cast list. Some cameos are clever, while others are slightly creepy –- yet another example of CGI eerily resurrecting the dead.

J. Kim Murphy Nine years after it was first announced, “The Flash” has finally dashed into theaters, speeding toward a debut ahead of the box office competition. But the DC Studios film isn’t exactly matching the lightning pace of its superhero. The Warner Bros. release got started with $24.5 million on opening day, which includes $9.7 million in Thursday previews. That’s enough to set the Ezra Miller film on a surefire pathway to a No. 1 debut on domestic charts, but it’ll be tough for the film to match its projections heading into the weekend — some bullish ones predicting a four-day bow as high as $85 million through the Juneteenth holiday.