Meghan Markle was 'threatened' after being told she wasn't 'the only powerful woman', according to a body language expert.
12.04.2023 - 18:51 / deadline.com
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.
Minions: The Rise of GruIllumination/Universal
Similar to how moviegoers love Jurassic World dinosaurs, they are absolute devotees to Minions and can’t resist them no matter how many movies — and Minions: The Rise of Gru repped the fifth to star them. Absence makes the heart grow fonder and creating anticipation for this film was the fact that was stalled by Covid; the release date pushed from July 2020 to July 2022. Universal was one of the first studios to pursue a controversial theatrical day-and-date release quite early during the pandemic with DreamWorks Animation’s Trolls World Tour, utilizing a Premium VOD and theatrical debut (in whatever drive-ins were available back in March 2020). However, Illumination boss Chris Meledandri always had a full-bodied
Meghan Markle was 'threatened' after being told she wasn't 'the only powerful woman', according to a body language expert.
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Tyler, The Creator performed three new songs from the deluxe version of his sixth album ‘Call Me If You Get Lost‘ at a pop-up show in Los Angeles.The rapper took to Twitter to announce that he would perform on April 26 at the El Rey Theatre in Los Angeles. The intimate show which he said would be “just me and a mic nothing special” instantly sold out.The show’s set included the live debut of ‘Dogtooth’ and ‘Sorry Not Sorry’ from the new deluxe version of the record, titled ‘Call Me If You Get Lost: The Estate Sale’ – featuring tracks that originally didn’t make the cut of the record.
CinemaCon 2023 officially drew to a close this evening in Las Vegas, with NATO handing out its Big Screen Achievement Awards to such recipients as Christopher Nolan, Emma Thomas, Zendaya, Chris Meledandri and Melissa McCarthy. The evening’s sentiment continued the running theme of the four-day conference: celebrating and preserving the theatrical experience.
Refresh for updates The studio that owns the highest grossing movie of the year so far, Universal with its billion bound Super Mario Bros Movie, brought the stars and filmmakers to CinemaCon. Could we expect anything less?
The CW has always had a thing or two for an international acquisition and it seems that this strategy is continuing under new ownership.
James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after cleared over a half-billion dollars in profit after all ancillaries.
Legendary author Judy Blume has written 29 books and swore the only one she would never consider selling for the screen was 1970’s Are You There God? It’s Me, Margaret, her timeless coming-of-age book that became a rite of passage for just about every girl, like Margaret, going from age 11 to 12, and probably their mothers as well. Blume held fast until 2018 when writer-director Kelly Fremon Craig and her mentor, Oscar-winning filmmaker James L. Brooks, came calling with just the right idea for an adaptation. The deal was sealed. The movie is here. Blume says she is probably the only author to say the movie is better than her book.
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.
Mark Wright couldn't contain his pride as he and his wife Michelle Keegan finally got the chance to meet his "premature warrior" nephew Dustin. In a slew of snaps shared on his Instagram account, the former The Only Way Is Essex star couldn't wipe the smile from his face as he stood next to stunning former Corrie actress Michelle as she cradled the newborn, who is the second child of Mark's brother Josh Wright and his wife Hollie, in her arms. "We finally met our little premature warrior Dustin," the 36 year old television personality began in his caption for the snaps.
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.
SPOILER ALERT: This story contains spoilers for “The Super Mario Bros. Movie,” in theaters now. With “The Super Mario Bros Movie,” Mario has officially entered Hollywood, as the adventurous mustachioed plumber takes on Bowser alongside Princess Peach for the first time on the big screen.
Selome Hailu Catherine the Great and Peter III of Russia are doing all they can to make it work before they call it quits. Hulu released a trailer for the newest installation of “The Great,” the satirical series that follows Catherine’s (Elle Fanning) rise to power. After she imprisoned Peter’s (Nicholas Hoult) friends and attempted to murder him in Season 2, Season 3 sees them try to improve their marriage. The trailer opens with Catherine and Peter seated beside each other, confessing to the problems in their relationship. “There was some bloodshed,” Catherine says. “She tried to kill me,” Peter responds. “I did,” Catherine admits, before asking, “How can we trust each other?”
The Super Mario Bros. Movie came out last week (April 5), and enjoyed the highest grossing opening weekend for a video game movie ever.Directed by Aaron Horvath and Michael Jelenic, the film boasts an ensemble voice cast including Chris Pratt as Mario, Anya Taylor-Joy as Peach, Charlie Day as Luigi, Jack Black as Bowser, Keegan-Michael Key as Toad and Seth Rogen as Donkey Kong.The film is a collaboration between Nintendo, Universal Pictures and Illumination, the animation studio best known for films Despicable Me, Minions and The Secret Life Of Pets.While a sequel hasn’t been officially announced, the film’s success practically guarantees one is coming.
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.
The reviews are in from the world premiere of Lee Cronin‘s “Evil Dead Rise” at SXSW 2023 last month. And the verdict? Pretty solid all around (although The Playlist’s review didn’t match the consensus).