‘Avatar: The Way Of Water’ Finds Sea Of Green To Finish No. 1 In Deadline’s 2022 Most Valuable Blockbuster Tournament

network reversed course and renewed the drama series “S.W.A.T.” for a seventh and final season. A description for the “East New York” finale teases that the “Haywood’s (Amanda Warren) leadership is called into question after a tragic shooting close to home, and her relationship with Suarez (Jimmy Smits) is put to the test.” “True Lies” will wrap up its run with a two-part finale.

There will be no second season for CBS’ True Lies. The network has canceled the reboot of James Cameron’s hit 1994 action comedy movie after one season. The news comes ahead of the show’s Season 1 finale on May 17.

announced, and Broadway’s corniest new musical picked up nine including Best Musical — tying “& Juliet” and “New York, New York” for the second-most nominated show of the year. What’s the musical, you’re wondering? “Shucked.” What’s it about? Ask any cast member or audience member alike and they’ll tell you the same thing.

's eagerly awaited return with season 3 in the fall, Apple TV+ renewed the hit drama starring Jennifer Aniston and Reese Witherspoon for a fourth season. The news comes as the two stars recently wrapped filming on the new episodes, which continues to follow the interconnected lives and personalities that make up the titular a.m. talk show's team at a TV network struggling to modernize with the times. Season 3, which is directed by Mimi Leder and led by showrunner Charlotte Stoudt, features several new additions to the sprawling ensemble cast, including Jon Hamm and Nicole Beharie as well as Tig Notaro, Stephen Fry and Natalie Morales in recurring roles. The upcoming season also sees the return of season 2 newcomers Julianna Margulies and Greta Lee, who will appear alongside Emmy-winner Billy Crudup, Karen Pittman and others. While plot details are still under wraps, Witherspoon has dropped a few hints about season 3, teasing to ET that «it's really juicy and good» and that «there is lots of romance this year.» Not only that, but when it comes to all the new additions to the cast, she said they all «have just upped the game.» season 3 debuts in the fall on Apple TV+.

The Morning Show continues.

William Earl One of Apple TV+’s biggest shows has been renewed early. “The Morning Show,” the newsroom drama starring Reese Witherspoon and Jennifer Aniston, has received an early renewal for Season 4 on the streamer. Meanwhile, Season 3 is set to debut this fall. Witherspoon and Aniston are executive producers, with Mimi Leder directing and executive producing, and Charlotte Stoudt acting as showrunner and executive producer for Season 3. “The Morning Show” is produced by the Media Res, Hello Sunshine and Echo Films. Season 3 will introduce new cast members Jon Hamm and Nicole Beharie, as well as the return of stars such as Julianna Margulies, Tig Notaro, Stephen Fry and Natalie Morales.

EXCLUSIVE: Ioan Gruffudd (San Andreas) has closed a deal to join Will Smith and Martin Lawrence in Bad Boys 4, the newest installment in the hit series of buddy cop action comedies from Sony Pictures.

Sigourney Weaver has put a lot of time in space and says she is done playing Ellen Ripley in the Alien franchise.

James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after cleared over a half-billion dollars in profit after all ancillaries.

The weekend is finally here, which means a host of exciting new films and shows are dropping on streaming services. If you’re looking forward to a lazy couple of days in front of the TV but are at a loss for what to watch, we know just the thing.

Following another impressive week of sales, Avatar: The Way of Water swims into a second week at the top of the Official Film Chart.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

William Earl Kate Winslet is returning to HBO, but she’s a long way from Easttown. The Oscar-winning actor is leading the upcoming HBO limited series “The Regime,” which was teased during the April 12 Warner Bros. Discovery streaming press event. The lush teaser is filled with mystery and political intrigue, and the official logline doesn’t give too many clues, simply saying that the series “tells the story of one year within the walls of the palace of a modern European regime as it begins to unravel.” The cast includes Matthias Schoenaerts, Guillaume Gallienne, Andrea Riseborough, Martha Plimpton, Hugh Grant, Danny Webb, David Bamber, Henry Goodman, Stanley Townsend, Louie Mynett, Rory Keenan, Karl Markovics and Pippa Haywood.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

“Alas, one of you will betray me,” said Mikey Day tonight as Jesus Christ on Saturday Night Live. “It is foretold and though I have committed no crime, I will be arrested, tried and found guilty,” he added.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.