Matchbox 20’s Rob Thomas Reacts to ‘Push’ in ‘Barbie,’ Greta Gerwig Explains Ryan Gosling’s Cover

Barbie movie, which is directed by Greta Gerwig and stars Margot Robbie and Ryan Gosling, is partly set in the fictional wonderland filled with plastic palm trees and bright pink houses.In a post on X (formerly Twitter), Tyson observed the film’s sun, moon, and vegetation in order to determine where such a place would be if it really existed on Earth.“In @BarbietheMovie, the moon’s orientation places Barbie World between 20 and 40 [degrees] north latitude on the Earth,” deGrasse Tyson wrote. That places it roughly somewhere between the lower half of the U.S. and the northern half of Mexico.“Palm trees further constrain latitude between 20 and 30 [degrees],” he continued.

Barbie movie has been banned in Kuwait and now faces calls for a ban in Lebanon amid complaints in the Arab nations about the film’s social values.Kuwait’s state news agency said that the nation acted to protect the country’s “public ethics”, while Lebanon’s culture minister accused the film of “promoting homosexuality”.The film is however still being shown in other conservative parts of the region, including Saudi Arabia.Barbie, which is directed by Greta Gerwig and stars Margot Robbie and Ryan Gosling, has grossed more than $1bn (£784m) worldwide within weeks of its release.Lafi al-Subaiei, the head of Kuwait’s board of film classification, said that the board usually asks for movie scenes to be cut if they are deemed to flout the country’s culture. But when a film promotes behaviour the state considers unacceptable, it is banned outright.The film “promulgate[s] ideas and beliefs that are alien to Kuwaiti society and public order”, a spokesman for the Kuwaiti Ministry of Information said (via BBC News).On Wednesday, the Lebanese Culture Minister Mohammad Mortada asked the interior ministry to “take all necessary measures to ban” Barbie.He said the film “promotes homosexuality and transsexuality… supports rejecting a father’s guardianship, undermines and ridicules the role of the mother, and questions the necessity of marriage and having a family”.Meanwhile, in the US, comedian and actor Marc Maron recently hit out at the film’s conservative critics, describing them as “insecure babies”.“The fact that certain men took offence to the point where they, you know, tried to build a grift around it in terms of their narrative as right wing [expletive] is so embarrassing for them.

Greta Gerwig is making history! Three weeks after its debut in theaters, Barbie has surpassed $1 billion at the box office, making Gerwig the first female director to hit this box office milestone as a solo director.In a statement, Warner Bros. said the fantasy-comedy movie has taken in $459 million from domestic theaters — counting the United States and Canada — and another $572.1 million overseas since it hit theaters, for a total of $1.0315 billion.

Barbie has hit the $1billion dollar mark at the global box office, just two weeks after its release.Greta Gerwig‘s film is the 53rd movie of all time to hit the milestone, and the first ever to be solely directed by a woman.The dual release of Barbie and Oppenheimer on July 21 led to a sizeable uptick in UK box office numbers last month.On the films’ first weekend, Gerwig’s comedy brought in $110million (£86.6million) at the US box office, over twice the expected takings of Christopher Nolan’s biopic about the creator of the atomic bomb.Barbie is currently the third-highest grossing film of 2023, behind The Super Mario Bros. Movie and Guardians Of The Galaxy Vol.

Greta Gerwig should be feeling closer to fine these days. In just three weeks in theaters, “Barbie” is set to sail past $1 billion in global ticket sales, breaking a record for female directors that was previously held by Patty Jenkins, who helmed “Wonder Woman.”“Barbie,” which Gerwig directed and co-wrote, added another $53 million from 4,178 North American locations this weekend according to studio estimates on Sunday.

Thania Garcia NewJeans’s latest release, the six-song EP “Get Up,” becomes the Korean all-female group’s first No. 1 and first-ever entry on the albums chart with the equivalent of 126,500 albums sold in the United States. With 500 more units, the soundtrack to Greta Gerwig’s “Barbie” blockbuster would’ve logged a tie for the top slot.

Spoiler Alert: This post contains spoilers about the final scene in Barbie. Read with caution if you haven’t seen the movie yet.

Greta Gerwig‘s Barbie movie has smashed box office records, becoming one of the most talked about films of the year. So it’s understandable, then, that fans of the director are already looking forward to her next project.Barbie, which is adapted from the popular Mattel toy franchise, was released in cinemas last Friday (July 21).

Charles Oppenheimer — the grandson of the late J. Robert Oppenheimer, whom Christopher Nolan’s new film “Oppenheimer” is centred on — has revealed one scene in the historical drama that he wouldn’t have included.

The ‘Barbenheimer’ reign has no end in sight!

Elizabeth Wagmeister Chief Correspondent After dominating the box office and breaking records with “Barbie,” Mattel has officially arrived in Hollywood. In 2018, after a tumultuous period of declining toy sales, Mattel brought in a new CEO, businessman Ynon Kreiz, who had a vision to turn the storied toy company into an IP-driven machine, essentially creating a Mattel cinematic universe. Now, with the immense success of “Barbie,” the path is clear for Mattel to make whatever they want — and they already have a ton of projects in the works with A-list partners attached.

Rebecca Rubin Film and Media Reporter “Barbenheimer” fever continues to sweep the box office. After five days of release, the inextricably linked “Barbie” and “Oppenheimer” have reached notable theatrical milestones, with ticket sales for Greta Gerwig’s fantasia romp crossing $200 million and Christopher Nolan’s somber, three-hour biopic “Oppenheimer” surpassing $100 million. “Barbie” added another $26 million on Tuesday, bringing its North American tally to $214.1 million.

Whoopi Goldberg has hit back at criticism of Greta Gerwig’s Barbie from conservative commentators like Ted Cruz and Ben Shapiro.On Tuesday’s (July 25) episode of US chat show The View, a reel of various right-wing commentators criticising the film was shown. Among the clips was Texas senator Cruz, who described it as “Chinese communist propaganda” due to its depiction of a disputed region in the South China Sea (via Business Insider).Shapiro, meanwhile, branded it “one of the worst movies I have ever seen” and “angry, feminist claptrap that alienates men from women” in his YouTube review.In response to their comments, Goldberg said: “It’s a movie! It’s a movie about a doll!“I thought y’all would be happy. She has no genitalia, so there’s no sex involved.

Matchbox Twenty’s Rob Thomas has responded to one of his tracks being featured in the Barbie movie.The American singer-songwriter reflected on Matchbox Twenty’s song ‘Push’ being featured in the Greta Gerwig film, and confirmed that he was fine with the movie poking fun at the 1997 hit.The moment in film comes after Ken – played by Ryan Gosling – returns to the Barbie world after paying a visit to the human world and discovering the patriarchy. From there, he transforms the female-dominated Barbie world into a hyper-masculine “Kendom”, rife with everything associated with toxic masculinity.‘Push’ is then the song that he, as well as all the other Kens, serenade the Barbies with on the beach – with the rendition lasting for literal hours.While the moment is meant to poke fun at the ’90s band for being ‘the ultimate bro band’, as it turns out, the frontman is completely fine with his song being used as the butt of the joke.“I want to preface this by saying that I thought it was hilarious,” he said while speaking to USA Today, also referencing another time his band was used as a joke in a Hollywood blockbuster.

plot forward in “Barbie” — and Rob Thomas loves it.Matchbox Twenty’s frontman weighed in on the inclusion of 1996’s “Push” in the new “Barbie” movie — admitting he was worried at first about it being a joke, but has since recognized it’s a clever callout.Ken (Ryan Gosling) plays the track for hours on end on his guitar for Barbie (Margot Robbie) while sitting around a campfire.The scene (and song) is a pivotal point in the film, pushing an ego-bruised Ken to embrace toxic masculinity and take over Barbie Land — which Thomas praised as a perfect choice.“I want to preface this by saying that I thought it was hilarious. But in ‘Bring It On,’ [Kirsten Dunst’s character] has this douchey boyfriend.

throughout the screening of the hotly-anticipated film has gone viral. The clip, posted Monday by TikTok user Sophia Ferreira, shows a pink-dressed fan angrily accosting the offending mom as closing credits roll. Things begin to escalate when the woman shoves her accuser into the seats — and promptly falls down.After springing back into action, she then attacks the other lady with a shoe — until two men manage to separate the worked-up women and one is escorted away.

celebrity makeover artists aren’t the only ones cashing in on the success of the “Barbie” movie.Cybersecurity experts are warning of online scammers using the summer blockbuster’s cachet to steal bank info from legions of pink-pilled moviegoers.“Cybercriminals are always on the lookout for opportunities to make phishing and other scams more attractive and believable,” Steve Grobman, chief technology officer of software security firm McAfee, said on the company’s blog. “They often leverage popular and well-publicized events such as movie premieres, concerts, or sporting events to trick users into clicking on malicious links.”The cybersecurity company reports it has documented 100 new instances of malware with “Barbie-related filenames” in the last three weeks alone — with 37% of them occurring in the US.Scammers are purportedly looking to make big bucks off the Greta Gerwig-directed comedy, which landed at No.

Barbie was more than it actually cost to make the film itself, it has been reported.Greta Gerwig‘s film, starring Margot Robbie and Ryan Gosling, came to cinemas on Friday (July 21).Ahead of its box office opening, the film hosted a host of marketing activities from making a real-life Barbie dreamhouse to pink burgers and beyond, as well as a social media-led meme trend pitting the film against Christopher Nolan‘s Oppenheimer.Now, it has been reported by Variety that the marketing budget for the film was a staggering $150million (£117m), eclipsing the $145m (£113m) it cost to actually make the film itself.Barbie is currently set to outpace Oppenheimer at the box office over the two films’ shared opening weekend.As things stand, Gerwig’s comedy is set to bring in $110million (£86.6million) at the US box office this weekend, over twice the expected takings of Nolan’s biopic about the creator of the atomic bomb. Oppenheimer is expected to gross $50million (£38.8million).Barbie’s current takings mean it will break the record for the highest-opening film in the US by a female director. Wonder Woman previously held the title, bringing in £103million (£89.1million) in 2017.Warner Bros confirmed that Barbie had earned $22.3million (£17.3million) in box office previews – the highest figure of any film this year.

SPOILER ALERT: This post includes details about the final scene of Greta Gerwig’s Barbie.

Zack Sharf Digital News Director SPOILER ALERT: This story contains spoilers for “Barbie,” now playing in theaters nationwide. Greta Gerwig’s “Barbie” ends with an ingenious final joke. Margot Robbie’s eponymous doll has become human and appears to be walking into a job interview when it’s revealed that she’s actually at a doctor’s office. “I’m here to see my gynecologist,” Barbie says with a huge smile despite not having any genitals (which is joked about earlier in the film). The movie cuts to black. “With this film, it was important for me that everything operated on at least two levels,” Gerwig told USA Today about crafting that final line. “I knew I wanted to end on a mic drop kind of joke, but I also find it very emotional. When I was a teenage girl, I remember growing up and being embarrassed about my body, and just feeling ashamed in a way that I couldn’t even describe. It felt like everything had to be hidden.