Korea Box Office: ‘Exhuma’ Dominates for Fourth Weekend, Hits $67 Million

Patrick Frater Asia Bureau Chief BBC Studios is launching ‘BBC Kids’ in Korea as a monthly subscription service on Genie TV Kids Land, a dedicated IPTV service for young children, in collaboration with telecoms and internet service provider KT. Through the partnership, BBC Studios Asia will bring a wide range of children’s content to Korean audiences, in one place for the first time. The service will feature a mix of content in English language as well as a variety of popular titles dubbed into Korean for the first time.

Patrick Frater Asia Bureau Chief Spooky Korean drama film “Exhuma” held on at the top of the local box off ice chart for the sixth consecutive weekend. It saw off challenges from significant newcomers “Troll Factory” and “Godzilla X Kong: The New Empire.” The Choi Min-sik-starring “Exhuma” dropped 32% week-on-week to record $3.08 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

IFC Films’ Late Night With The Devil topped the specialty market in its second week, as a Tollywood and a Bollywood film both made the top ten in a rare occurrence. Strong horror and Indian fare have helped buoy the box office since Covid. They continue to fill in the top ten, including this week, which boasts a monstrous hit in Godzilla x Kong: The New Empire — but is a neighborhood with fewer overall wide release due to Hollywood strikes.

Rebecca Rubin Film and Media Reporter After three days of release, “Godzilla x Kong: The New Empire” stands as the third-highest-grossing movie of the year. It has collected a mighty $194 million globally in its opening weekend, ranking behind only “Dune: Part Two” ($626 million after five weeks of release) and “Kung Fu Panda 4” ($347 million after four weeks of release) in terms of overall ticket sales. The monster mashup, from Warner Bros.

Patrick Frater Asia Bureau Chief Veteran Chinese director Zhang Yimou will be presented with a lifetime achievement award at the upcoming edition of the Festival of Far East Film in Italy’s Udine (April 24 – May 2). The lineup will include three films by Zhang: his 2023 political thriller “Under the Light” in its competition section; as well as “To Live” and “Raise the Red Lantern” in its restored classics section. The festival’s total lineup includes 74 films in total – 47 in competition and 28 out of competition) from 11 countries.

Rebecca Rubin Film and Media Reporter What happens when two otherworldly beasts team up to take on the box office? Theater owners will find out this weekend as “Godzilla x Kong: The New Empire” touches down in North America. The monster mashup, from Warner Bros. and Legendary Entertainment, is targeting $50 million to $55 million from 3,850 theaters in its first weekend of release.

Patrick Frater Asia Bureau Chief Hybe, the Korean firm behind K-pop’s BTS, has struck an expanded 10-year deal with Universal Music Group (UMG), providing Hybe’s roster of artists and labels access to UMG’s leading global network. UMG will further collaborate with Hybe’s global superfan platform Weverse, bringing more of a direct connection between UMG artists and their fandom. Hybe and UMG will additionally collaborate on artist promotions and marketing activities in North America under the oversight of Scooter Braun – who, in his time as CEO of Hybe America, acquired QC Media Holdings and incorporated SB Projects as well as Big Machine Label Group into the existing roster. Hybe and UMG first teamed up in 2017 on BTS, through a distribution agreement in Japan. In 2021, the companies expanded their relationship with a global strategic agreement which saw collaborations across multiple projects and use of Weverse for fan communication.

Patrick Frater Asia Bureau Chief Locally-produced horror-drama “Exhuma” held on to top spot at the South Korea cinema box office for a fifth consecutive weekend. Its complete dominance of the market kept “Exhuma” comfortably ahead of the holdover “Dune 2” and a couple of lower-powered new releases and allowed its running total to surpass 10 million ticket sales. That is the conventional measure of a blockbuster in Korea, a country with a population of roughly 50 million. Over the latest weekend “Exhuma” sold 618,000 tickets for a gross revenue of $4.56 million and a market share of 56%, according to data from Kobis, the database operated by the Korean Film Council (Kofic). The latest increment gives the film a total of $73.4 million earned from 10.2 million admissions.

Rebecca Rubin Film and Media Reporter “Ghostbusters: Frozen Empire” ruled over the domestic box office and arrived on the higher end of expectations. The latest installment in Sony’s supernatural comedy series has collected $45.2 million in its debut in 4,345 North American theaters. Earlier in the weekend, “Frozen Empire” looked like it would top out with $42 million but estimates were revised up after a bigger-than-expected Sunday.

J. Kim Murphy “Ghostbusters: Frozen Empire” kicked off with $16 millionin North American ticket sales across Friday and preview screenings in 4,345 theaters. That nearly matchesthe $16.6 million that its predecessor “Ghostbusters: Afterlife” earned on its opening day in November 2021.

Jordan Moreau Ghostbusting is back at the box office! “Ghostbusters: Frozen Empire,” the fifth and latest movie in the frightening franchise, has made $4.7 million at the box office in Thursday previews. Sony and Columbia Pictures’ new movie, which reunites the original stars of the ’80s classic and the cast from the 2021 “Afterlife” sequel, is expected to top the box office this weekend with an opening between $43 million and $45 million. That launch is in line with the previous film that revived the franchise, “Ghostbusters: Afterlife,” which had a $45 million opening amid the pandemic.

Patrick Frater Asia Bureau Chief V from Korean pop icons BTS will Tuesday unveil a live performance video in collaboration with French luxury brand Cartier in support of his – already hit – new digital single “FRI(END)S.” Released at 1 p.m. Korean time on Friday, “FRI(END)S” is a pop soul song that is the artist’s first solo project since “Layover,” his debut solo album released in September. The English-language song is a love song depicting one person’s confession of love to a friend.

Patrick Frater Asia Bureau Chief Previews for Universal Pictures and Dreamworks Animation’s “Kung Fu Panda 4” put the Chinese-themed film in fourth place at the mainland China box office, a week ahead of its official theatrical debut. Over the March 15-17 weekend, however, first and second places remained with holdover titles “The Pig, The Snake and the Pigeon” and “Dune: Part Two.” Taiwanese crime film “The Pig, The Snake and the Pigeon,” already playing on Netflix in territories outside China, topped the mainland China chart for the third successive weekend. According to data from consultancy Artisan Gateway, it earned $11.1 million (RMB79.1 million), for a cumulative of $73.2 million (RMB520 million).

“Kung Fu Panda 4 ” stayed at the top of the North American box office in its second weekend in theaters. The Universal and DreamWorks Animation movie earned $30 million in ticket sales, according to studio estimates Sunday.The franchise featuring the voice of Jack Black is responsible for over $1.9 billion at the box office since it launched in 2008 and spawned several animated series, shorts, video games and a holiday special.

Rebecca Rubin Film and Media Reporter Mark Wahlberg’s canine drama “Arthur the King” opens in cinemas on Friday, but it may not have enough bite to top domestic box office charts. Lionsgate’s film, a feel-good story about a man who befriends a wounded stray dog, is targeting a debut of $8 million to $10 million from 3,000 North American theaters. It’s a so-so start for the roughly $20 million-budgeted movie.

Patrick Frater Asia Bureau Chief South Korean cinema-goers will get a three-day jump on the rest of the world when the Bong Joon-ho-directed “Mickey 17” releases in January 2025 in time for the Lunar New Year holidays. Warner Bros. Pictures says that the Robert Pattinson-starring sci-fi film will open in Korea on Tuesday, Jan.

Patrick Frater Asia Bureau Chief “Pleasant Outcast,” a 10-part Korean series that is set to appear at Canneseries next month, is a companion piece to “Concrete Utopia,” the hit film from last year that was selected as South Korea’s Oscar contender. Both the Lotte Cultureworks series and “Concrete Utopia,” a dystopian drama-thriller set in a post-apocalyptic Seoul, are adapted from best-selling webtoon “Cheerful Outcast,” by Kim Soong Nyung. The film was frequently compared to William Golding’s seminal novel from the 1954 “Lord of the Flies” and its 1964 film adaptation. Using the first part of the webtoon, the series follows Dong-hyun, a high school junior, who barely survives his day-to-day bullying at school.

Patrick Frater Asia Bureau Chief “Dune 2” added $2.63 million in its second weekend in South Korea, but the sci-fi fantasy remained a long may short of the year’s runaway winner, “Exhuma,” which has dominated and dynamized box office for three weeks. “Exhuma,” about two shaman, a feng shui master and a mortician who attempt to undo the mysterious events happening to a U.S.-based Korean family, earned $6.52 million between Friday and Sunday, representing a 67% share of the overall box office market, according to data from tracking service Kobis, operated by the Korean Film Council (Kofic). It was the third weekend in a row that “Exhuma” took two-thirds of Korean box office weekend total. After nearly three weeks on release the film has earned a powerful $58.7 million from eight million admissions.

Rebecca Rubin Film and Media Reporter “Kung Fu Panda 4” topped the domestic box office, earning a solid $58.3 million from 4,035 theaters in its opening weekend. It marks the biggest debut of the franchise since the original, 2008’s “Kung Fu Panda” ($60 million), overtaking the start of the two prior entries, 2016’s “Kung Fu Panda 3” ($41 million) and 2011’s “Kung Fu Panda 2” ($47.6 million), not adjusted for inflation. Internationally, the fourth film in the martial arts-inspired animated comedy collected $22 million from 41 markets for a global tally of $80 million.

J. Kim Murphy It’s been nearly three months since an animated wide release hit theaters, the last being Illumination’s “Migration” over the holidays. That’s a little bit frightening, but with some expert timing “Kung Fu Panda 4” has arrived, benefitting from a lack of competition for family audiences to score some strong numbers in its debut.