‘Ghostbusters: Frozen Empire’ Leads Box Office With $45 Million Debut

Elsa Keslassy International Correspondent Strand Releasing has acquired the North American rights to Ray Yeung’s “All Shall Be Well,” which world premiered at this year’s Berlinale and won the Teddy Prize for best film. The movie played last week as the opening film at the Hong Kong Film Festival. “All Shall Be Well” chronicles the lives of two women, Angie and Pat, a couple living in Hong Kong who have been together for over four decades.

Katcy Stephan Two-time Oscar winner Renée Zellweger is set to return to one of her most beloved roles in Universal Pictures’ and Working Title’s “Bridget Jones: Mad About the Boy,” an adaptation of Helen Fielding’s best-selling novel. Hugh Grant and Emma Thompson are confirmed to return alongside franchise newcomers Chiwetel Ejiofor and Leo Woodall. The film will be directed by Michael Morris (“To Leslie,” “Better Call Saul”).

Patrick Frater Asia Bureau Chief Without significant new challengers, spooky Korean drama “Exhuma” held on at the top of the South Korea box office chart for the seventh consecutive weekend. Its cumulative passed the symbolic $80 million mark. The lack of strong new release titles also meant that aggregate weekend box office in Korea slipped to a lowly $5.59 million. The Choi Min-sik-starring “Exhuma” dropped roughly 50% week-on-week to record $1.59 million between Friday and Sunday, and a 28% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief Worldwide box office is headed for a marginal decline of 3% in 2024, a setback that follows three years of recovery from a pandemic era low in 2020. Gower Street Analytics, a distribution and exhibition industry consultancy, forecasts that worldwide box office this year will aggregate at $32.3 billion, down by more than $1 billion from the $33.9 billion earned in 2023. “A $32.3 billion global box office in 2024 would represent an approximate 5% decrease year-on-year (a 3% decrease at current exchange rates) from 2023. The 2024 revised estimate is 18% lower than an average of the last three pre-pandemic years (2017-2019),” Gower Street said. The forecast comes on the eve of CinemaCon, the annual National Association of Theater Owners convention, being held in Las Vegas April 8-11. While Gower Street’s forecast is for a marginal decline, it actually represents a more than $1 billion improvement on its previous $31.5 million forecast for 2024.

Rebecca Rubin Film and Media Reporter “Godzilla x Kong: The New Empire” stomped to the top of box office charts, collecting a better-than-expected $80 million from 3,861 North American theaters in its debut. Heading into the weekend, the monster mashup was projected to earn $50 million to $55 million to start. But “Godzilla x Kong,” which sees the two otherworldly beasts team up to save the planet, trounced those projections after benefitting from several factors, including audience enthusiasm (it landed an “A-” CinemaScore”) and premium large formats (accounting for 48% of ticket sales).

Nick Vivarelli International Correspondent Switzerland’s Locarno Film Festival is set to celebrate the centennial of Columbia Pictures with a retrospective featuring classic titles spawned by the Hollywood studio between the dawn of sound and the late 1950s. The Locarno retro, titled “The Lady With the Torch –– The Centenary of Columbia Pictures,” is being curated by Ehsan Khoshbakht, co-director of Italy’s Il Cinema Ritrovato festival, which is dedicated to cinematic treasures of the past and organized in partnership with Switzerland’s Cinémathèque Suisse.

With a $45.5 million haul at the box office this weekend, “Ghostbusters: Frozen Empire” is the number one film in the country, and the Ghostbusters are back. While it remains to be seen if there will be a sequel—‘Frozen Empire’ cost $100 million, so it’ll need to make much more than “Ghostbusters: Afterlife”— fans will still have plenty of modern material to keep them happy if audiences want them.

Universal/DreamWorks Animation’s Kung Fu Panda 4 had a rock ‘em sock ‘em weekend at the international box office, adding $55.3M from 69 markets for a $135M overseas running cume, and $268.2M global (there are several key markets still to release, including France, Australia, the UK and Korea). 

“Ghostbusters: Frozen Empire” collected $45.2 million in ticket sales over the weekend, according to studio estimates Sunday, handing Sony Pictures the studio’s first No. 1 film since last summer.The opening weekend for “Frozen Empire,” in 4,345 theaters, was nearly exactly the same as the $44 million launch for “Ghostbusters: Afterlife” in 2021.“Afterlife” rebooted the franchise with a sequel built around the descendants (Carrie Coon, Finn Wolfhard, Mckenna Grace) of Harold Ramis’ Egon Spengler, along with Paul Rudd’s seismologist Gary Grooberson.Neither film has been a hit with critics, but audiences have been more receptive.

Ghostbusters: Frozen Empire is on top!

J. Kim Murphy “Ghostbusters: Frozen Empire” kicked off with $16 millionin North American ticket sales across Friday and preview screenings in 4,345 theaters. That nearly matchesthe $16.6 million that its predecessor “Ghostbusters: Afterlife” earned on its opening day in November 2021.

FRIDAY PM: As of right now, Ghostbusters: Frozen Empireis looking alright with a $16M Friday and $42M-$43M opening at 4,345 theaters. That Friday is on par with Ghostbusters: Afterlife‘s first day (plus previews) of $16.6M, and should that 3-day keep up, it will only be a $1M shy of the 2021 Jason Reitman directed title.

Jordan Moreau Ghostbusting is back at the box office! “Ghostbusters: Frozen Empire,” the fifth and latest movie in the frightening franchise, has made $4.7 million at the box office in Thursday previews. Sony and Columbia Pictures’ new movie, which reunites the original stars of the ’80s classic and the cast from the 2021 “Afterlife” sequel, is expected to top the box office this weekend with an opening between $43 million and $45 million. That launch is in line with the previous film that revived the franchise, “Ghostbusters: Afterlife,” which had a $45 million opening amid the pandemic.

“Ghostbusters: Afterlife,” shows just how wrong a tried-and-true formula can go.How could these filmmakers possibly fumble the simple plot of “Answer the phone, find the ghost, vanquish the ghost”? Start by playing up a wholesome family sitcom dynamic that sanitizes the old story into a forgettable “Growing Pains” with lasers. After the likable last film, the Spenglers have relocated from dusty Oklahoma to New York City, where grandpa Egon (the late Harold Ramis) and pals Peter (Bill Murray), Ray (Dan Aykroyd) and Winston (Ernie Hudson) first donned the beige suits and battled the Stay Puft marshmallow man.

Oddly shaped, leisurely paced, and perhaps resembling an episode of the non-existent “Ghostbusters” TV show had there been one, “Ghostbusters: Frozen Empire” is a curious film, out of time with modern editing rhythms. It’s atypical and unusual by today’s standards until you realize, ‘Oh, right, it’s a ‘Ghostbusters’ movie,’ already fitting into the oddball and unlikely genre of paranormal comedy.

Quite alarmingly, the fifth entry in the Ghostbusters series — following straight on from the unexpectedly charming Afterlife — starts by quoting all 51 words of Robert Frost’s 1923 poem Fire and Ice, which posits two very different apocalyptic scenarios for the end of the world. Has the franchise suddenly fallen prey to the glum Christopher Nolanization of what we used to think of as bubblegum entertainment? Is Paul Feig’s controversial 2016 all-female iteration about to be frozen out of the canon? Will it be worthy and… boring?

Sony’s $100M sequel to Ghostbusters: Afterlife— Ghostbusters: Frozen Empire— is looking at an opening at $45M, give or take. The previous installment, released during the pandemic in 2021, which was directed by Jason Reitman and produced by the late Ghostbusters filmmaker Ivan Reitman, opened to $44M and legged out to $129M domestic. Currently through four movies the Ghostbusters franchise stands at $945.2M; the fifth title will easily put the brand past the $1 billion mark if not this weekend, shortly thereafter.

Ed Meza @edmezavar Spinning audiences back to the mid-1970s, UFA Fiction‘s latest period series “Disko 76” is set in a pivotal time in the industrial heartland of West Germany as a new American pop music craze takes over the airwaves and dance floors. The six-part series, which premiered at the recent Berlinale Series Market, continues its international rollout at Series Mania in Lille before bowing on the RTL+ streaming platform on March 28 and on RTL Group channel Nitro on April 1. UFA Fiction quickly won over RTL+ with the idea from former UFA Fiction producer Benjamin Benedict of a family story set in the disco era, says fellow producer Sinah Swyter.

Exhuma (Korean title: Pa-myo) has taken $67.8 million at the Korean box office, having notched more than 9.3 million admissions.

The premiere date for Doctor Who is here!