Lionsgate announced on Thursday that its Kingdom Story Company drama Ordinary Angels, starring 2x Oscar winner Hilary Swank (Alaska Daily) and Alan Ritchson (Reacher), will open wide on October 13th.
27.02.2023 - 21:13 / theplaylist.net
For years now, we’ve been seeing reports of movement on another sequel to Guy Ritchie’s “Sherlock Holmes” film franchise. But with all the talk of development, we have yet to see anything official that would suggest that Robert Downey, Jr.
would once again suit up as the world’s greatest detective and take on a new case. And according to Ritchie, even though he directed the films, it’s really up to Downey, Jr.
Continue reading Guy Ritchie Says Robert Downey, Jr. Will Decide If There’s A Third ‘Sherlock Holmes’ Film: “He’s In Charge Of The Whole Thing” at The Playlist.
.Lionsgate announced on Thursday that its Kingdom Story Company drama Ordinary Angels, starring 2x Oscar winner Hilary Swank (Alaska Daily) and Alan Ritchson (Reacher), will open wide on October 13th.
EXCLUSIVE: Dav Patel is set to headline and executive produce The Key Man, a limited series telling the story of disgraced financier Arif Naqvi. Set in the Middle East, the project hails from Miramax Television. It is part of the company’s increased international focus, signaled by the hire three years ago of former NBCUniversal International Studios executive Marc Helwig — who has deep European TV industry ties — as Miramax’s Global Head of Television.
Jazz Tangcay Artisans Editor Zaib Shaikh, Canada’s Consul General to Los Angeles, hosted the country’s annual Canada at the Oscars soiree Thursday at his official residence in Hancock Park. The event was the first stop of the night for many Oscar-nominated Canadians including “Women Talking’s” Sarah Polley, Sheila McCarthy and Kate Hallet. Polley was headed to the Macro party. Other attendees were going to the Oscar Wilde Awards or the South Asian Excellence Pre-Oscars Celebration. Also in attendance were “Turning Red’s” Domee Shi, who landed an Oscar for best animated feature, Brendan Fraser and “The Whale” prosthetics makeup designer Adrien Morot.
An adaptation icon. A lot of Sam Claflin’s roles have something in common, as the actor has a habit of starring in TV shows and movies based on best-selling books.
Guy Ritchie‘s new movie Operation Fortune: Ruse de Guerre is now in theaters and lots of fans are ready for an action-comedy to be back in the cinema.
Jordan Moreau The “Pokémon Detective Pikachu” sequel has finally caught a director. Jonathan Krisel, co-creator of “Portlandia,” is in negotiations with Legendary Entertainment to direct the sequel to the live-action “Pokémon” movie from 2019. Chris Galletta will write the script. Krisel co-created, wrote and executive produced IFC’s sketch comedy show “Portlandia,” which starred fellow co-creators Fred Armisen and Carrie Brownstein in a multitude of oddball situations around Portland, Oregon. He also co-created, wrote and directed FX’s “Baskets,” starring Zach Galifianakis as a rodeo clown. Previously, Galletta wrote the 2013 coming-of-age comedy “The Kings of Summer.”
2019’s “The Gentlemen,” he’d have the usually dapper Hugh Grant play a sleazy journalist who refers to England only as “Angleterre” in an East End accent, and in 2021’s “Wrath of Man” he showcased frequent collaborator Jason Statham’s ability to switch from hilarious to killing machine.With this director, we’re never so much watching an espionage or crime movie as enjoying another off-the-rails Guy Ritchie attraction. That is, until “Operation Fortune,” the co-writer and director’s most uninspired movie in a minute. Lazily bopping around to exotic locales like Cannes, France, Antalya, Turkey, and Doha, Qatar, it’s a generic collage of mega-yachts, luxe hotels, fancy parties, disguised identities and tame fights that add up to a big nothing.Worry not about your blood pressure at “Ruse de guerre.” One chase scene in sunny Antalya, with actor Max Beesley on a vespa, is downright soothing.
When a movie gets tangled up in all kinds of financial problems, delayed for over a year, played out internationally, sent straight to streaming in Canada, and then finally getting the green light to open in the U.S. via a new distributor and thrown into theaters with virtually no notice or time to mount a marketing campaign, you have to think there must be something very wrong here.
When it comes to the genre playgrounds he loves so much, is Guy Ritchie better off being himself or playing along? His brash, bad-lad calling cards (“Lock Stock and Two Smoking Barrels,” “Snatch”) were never terribly original, but their style-to-burn derivativeness had spirit. His Hollywood larks (“Sherlock Holmes,” “The Man From U.N.C.L.E.”) never felt honest but the occasional glimpse of a bruiser’s cockiness made for colorful upgrades in the IP machinery.After Ritchie’s return to leaner (but never in the dialogue) roots with the comically shaggy, seedy gangster wingding “The Gentlemen,” and reteaming with his best contribution to cinema — Jason Statham — for the brackish vengeance puddle “Wrath of Man,” the British filmmaker is once again aiming for sleek and starry heights with the spy-driven action comedy “Operation Fortune: Ruse de Guerre.”Statham is the “Fortune” of the title, first name Orson, an elite for-hire operative with clever ideas and expensive tastes, hired by intelligence agency rep Nathan (Cary Elwes) to determine who’s interested in a stolen package rumored to be worth $10 billion on the open market.
Audiences know Guy Ritchie can direct action, they know he can write quotable, pithy dialogue, and they know he can create memorable characters. However, for the most part, “Operation Fortune: Ruse de Guerre” either fails to deliver or under-delivers on almost all fronts.
Owen Gleiberman Chief Film Critic For 25 years, I have never been much of a Guy Ritchie fan. I found the in-your-face-and-over-the-top crime dramas that made his reputation — “Lock, Stock and Two Smoking Barrels,” “Snatch,” “Revolver,” and “RocknRolla” — to be empty-flashy exercises in the too-muchness of genre kinetics, overly infatuated with their post-Tarantino cutthroat cool. It was clear that Ritchie had talent, but the way just about every shot in his movies was designed to remind you of that turned the films into layer cakes that were more frosting than cake. After a while, he dropped the badass glitz and settled into a more conventional career, and some of those movies were okay. I confess that I enjoyed his remake of “Swept Away” (yes, the one with Madonna), and he had fun applying what was left of his high-froth ADD style to the Robert Downey Jr. “Sherlock Holmes” franchise. Yet I could never escape the feeling that Guy Ritchie had trapped himself on a hamster wheel of trying too hard. I’ve liked a few of his films. But I’ve never loved one.
Katie Holmes has been hard at work over the past couple of years. While she’s currently starring in a theater production, she’s also shared the trailer for her upcoming film, “Rare Objects,” which she wrote, directed, produced, and starred in. Katie Holmes’ ex-boyfriend Emilio Vitolo is excited to welcome his first baby girlKatie Holmes steals fashion week in an olive trench coatA post shared by Katie Holmes (@katieholmes)The film stars Holmes herself and a mix of seasoned actors and newcomers, including Alan Cumming, Holmes’ frequent collaborator Derek Luke, Saundra Alexander, David Alexander Flinn, and Julia Mayorga.
Amanda Abbington has revealed she believes “nepotism” helped land her role in hit BBC drama Sherlock.
Matt Donnelly Senior Film Writer Filmmakers Christopher Nolan and Emma Thomas are set for a big honor at this year’s CinemaCon, the annual convention of movie theater owners. Nolan and Thomas will receive the NATO Spirit of the Industry award, presented by the National Association of Theatre Owners, on April 27 at Las Vegas’ The Colosseum at Caesars Palace. “I am deeply honored to present the Spirit of the Industry Award to our good friends Chris and Emma as my last official act as President of NATO,” noted NATO President and CEO John Fithian. “No one has done more to advance the theatrical experience than these two champions of cinema.”
NATO will present Christopher Nolan and Emma Thomas with its Spirit of the Industry Award at CinemaCon in April for the event’s closing night Big Screen Achievement Awards.
's return with season 4, the cast is opening up about what's in store for the Roy family in the upcoming episodes and what it's like to work on the Emmy-winning HBO drama, particularly when it comes to Jeremy Strong's notorious style of method acting on set. While playing Kendall Roy, the 44-year-old actor tends to isolate himself from the rest of the cast. «It’d be one thing if I was working on or something,» Strong says in defense of himself while speaking to .
Jeremy Strong prefers to do his own thing on the “Succession” set.
The trailer for Guy Ritchie‘s new action-comedy has been released!
READ MORE: Priscilla Presley sparks concern over 'inappropriate' postLinkJude and Sadie Frost's first child, son Rafferty, 27, was born in 1996, and the former couple also shares a daughter Iris, 22, and son Rudy, 20. The actor and Sadie divorced in 2003. Jude shares his daughter Sophia Law with American model Samantha Burke, who he met while filming Sherlock Holmes.
Most big Korean action movies are backloaded, wrapping up with three to five endings, but Byun Sung-hyun’s Kill Boksoon, which premiered as a Berlinale Special, has everything going on up front. So much so that it initially seems too much, to the extent that it sometimes feels as though there’s actually a mini-series in there bursting to get out. Surprisingly, that’s not such a crazy idea, since, once you get past the far-fetched premise—an underground network of professional contract killers, presided over the glossy conglomerate MK Ent—there’s a lot of rich character work to supplement the superbly choregraphed violence that we’ve come to expect from the region.