‘Grounded’ Review: Operatic Soar

“Mary Poppins” and “Peter Pan,” the reason being that it’s a nostalgia trip for the studio’s 100th anniversary. Well, as far as birthday celebrations go, “Wish” is about as special as throwing your “I’m a century old!” bash at a rest-stop Arby’s.Will young kids enjoy themselves? Of course.

House prices in certain parts of Greater Manchester are defying the market trend as prices are still soaring. Across the country, the average cost of a home is gradually going down as the property market is experiencing a 'cooldown', according to Halifax.

Every November, the Tallinn Black Nights Film Festival embraces the cold of the coming winter, Estonia’s capital shining bright in the darkness of night, showcasing the latest the Baltics and beyond can offer. Each year, for over two weeks, the annual festival, now in its 27th year, offers up hundreds of features and shorts presenting them to both the international press and the cinema-going public. Nearly ten years ago, the festival was awarded A-class status, which puts it alongside the likes of Berlin, Cannes, Venice, Karlovy Vary, Warsaw, and San Sebastian. For the past few years, we’ve been invited along to sample its many delights.This year, the festival played host to 185 feature films from 73 different countries, including 51 world premieres and 24 international premieres, distributed among 5 competitive programmes and 14 side programmes.

Pulp appeared to debut a new song called ‘Background Noise’ live last night (November 17) – check it out below.This summer saw Pulp reunite for a string of reunion gigs across the UK and Ireland – including a massive show at London’s Finsbury Park, two Sheffield homecoming gigs, a headline set at Latitude, and a finale at London’s Eventim Apollo in Hammersmith.The band were performing at the Autódromo Hermanos Rodríguez during the Corona Capital Festival in Mexico yesterday when the new song received its live debut.Introducing the song, Cocker said they had a new song that “we want to play…for you” while also dedicating it to his girlfriend who was watching in the audience.Check out the new song here and the band’s full set list below:Pulp played:‘I Spy’‘Disco 2000’‘Background Noise’ (new song)‘Pink Glove’‘Weeds’‘Weeds II (The Origin of the Species)’‘F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.’‘Sorted for E’s & Wizz’‘This Is Hardcore’‘Do You Remember the First Time?’‘Babies’‘Sunrise’‘Underwear’‘Common People’This December will see the band play what is currently their last scheduled gig together at Edinburgh’s Hogmanay celebrations on New Year’s Eve. Visit here for tickets and more information.Cocker said of the gig: “When your grandkids ask, ‘Do you remember the first time Pulp played Edinburgh’s Hogmanay?’ What will your answer be? Come along and start 2024 in the very best way possible.

Jacob Elordi, on a roll), a handsome member of the upper crust.And so do we. Sure, he’s a bit vapid, flaky and self-absorbed. Who cares? Let’s give Felix the benefit of the doubt, because he is attractive and rich!When Felix’s bike tire blows, smitten Oliver graciously lends him his ride, and a hot-lava friendship commences.

Monty Python would often dryly announce, “and now for something completely different.”Well, not much is different about the revival of “Monty Python’s Spamalot,” the musical that’s based on their 1975 film “Monty Python and the Holy Grail,” that opened Thursday night at the St. James Theatre.

Cruella,” “Joker” and “Star Wars: Episode I — The Phantom Menace,” only strewn with young-adult corpses, silly clothes and Roman names.The trouble is that by the end of the over two-and-a-half-hour movie, directed by Francis Lawrence, viewers still can’t quite put their fingers on why Coryo (Tom Blyth) picks the nasty path he ultimately does. Is it a basic lust for power? A lightbulb realization that survival is more important than morality? Who knows? A lot is shoved into a long and anticlimactic third act, but we’re left hungry for a meatier conclusion.“Songbirds and Snakes” is set during the 10th annual Hunger Games — a televised battle to the death that pits 24 low-class kids against each other in an arena — 64 years before the events of the first film.

Jazz Tangcay Artisans Editor There is no task too tough for “Gen V’s” makeup department head Colin Penman. Across three seasons of Prime Video’s and Sony Pictures Television’s “The Boys,” and now its spinoff, “Gen V,” Penman has been assigned to creating an exploding penis, a five-foot-tall penis and, most recently, puppets who get into a bloody massacre. The show’s executive producers Eric Kripke and Michele Fazekas wanted to take a fight sequence idea to the next level for “Gen V.” Penman happened to have puppet-making skills on his resume.

New Zealand has voted the pūteketeke as its “Bird of the Century” after John Oliver announced on his show earlier this month that Last Week Tonight was taking up the mantle of “official campaign manager.”

Emily Longeretta It was “Whitney Houston Night” on “Dancing With the Stars” — and every couple pulled out every stop. Last week, Xochitl Gomez and Val Chmerkovskiy struggled after she suffered an ankle injury and a wardrobe malfunction.

he listed his sprawling 26-acre estate in Oyster Bay for an eye-watering $49 million. Records show Joel acquired the property, initially spanning 14 acres, in 2002 for $22.5 million.

In 2010, writer and director Gareth Edwards blew away cinema-goers with his haunting science-fiction tale, Monsters. The film was made on a micro-budget, but managed to appear vastly more expensive. Edwards’ skills caught the eye of the studios and he was quickly hired to direct Godzilla. After that came Rogue One: A Star Wars Story. Then came a quiet period for Edwards, but now he has returned with another science-fiction epic, The Creator. Whereas Godzilla and Rogue One were both based on pre-existing properties, The Creator sees Edwards get back to his basics.

The Marvels” likely won’t be able to reach even a third of its predecessor’s debut. The comic book film landed the second-lowest opening day gross ever across the 32 features in the Marvel Cinematic Universe, earning $21.5 million from 4,030 venues. That includes $6.6 million in previews.

Fat Ham, James Ijames relocates Shakespeare’s Hamlet from the kingdom of Denmark to a modern-day backyard in “North Carolina, or Virginia, or Maryland, or Tennessee.”The playwright infuses the tale with the culturally specific atmosphere of Black Americana — pork on the grill, brown liquor flowing, and Frankie Beverly singing “Before I Let Go” as a grown and sexy couple grooves to the music. But instead of a pondering prince, we have melancholy only-son Juicy (Marquis D.

Romeo and Juliet.The co-production with the Glimmerglass Festival is filled with cavorting Capulet partiers as fun as Madonna’s Celebration Tour dancers and an energized cast with fabulous voices. It is impending doom delivered with entertainment and style.In his debut as an opera director, Simon Godwin — normally seen leading the Shakespeare Theatre Company — brings a naturalness to the performances, which feel almost as if the singers are playing themselves.It’s a warmth that infuses the story, keeping it present and alive.

Merrily We Roll Along,” “Sweeney Todd” and final show “Here We Are” are all playing at the same time. Over in London is a sublime revue of favorite Sondheim standards called “Old Friends” at the Gielgud Theatre that’s led by a deep-feeling Bernadette Peters and Lea Salonga.Two hours and 30 minutes with one intermission. At the Gielgud Theatre in London.

Lionsgate revenue jumped to over $1 billion in the latest quarter, up from $858 million, driven by a nearly 80% jump in the motion picture division.

In an era where the Marvel Cinematic Universe frequently shuttles between multiverse escapades and interplanetary conflicts, Nia DaCosta‘s The Marvels emerges as a breath of fresh air, eschewing bombast for a nuanced exploration of its characters. DaCosta, alongside writers Megan McDonnell and Elissa Karasik, anchors the superhero spectacle in the tangible and personal, making the extraordinary feel accessible and grounded.

Greater Manchester’s NHS has plunged a further £100m into debt - meaning the deficit has spiralled by more than £800,000 a day over the last four months, the Manchester Evening News can reveal.

Confederates renders a frank, witty, and delightfully twisted exploration of racial biases, be they unconscious or firmly resolved.The play, directed by Stori Ayers in a riveting new production at Mosaic, derives some suspense from the anticipation that its parallel plotlines might connect. But whether or not the individual stories of embattled college professor Sandra (Nikkole Salter) and enslaved rebel Sara (Deidre Staples) actually meet, their experiences as Black women, though separated by centuries, are still intertwined.Even Nadir Bey’s evocative set design suggests as much, combining Sandra’s office and Sara’s plantation cabin within the same space.