The former chief of the Better Together campaign will stand for Scottish Labour at next year's general election.
08.11.2023 - 17:55 / deadline.com
In an era where the Marvel Cinematic Universe frequently shuttles between multiverse escapades and interplanetary conflicts, Nia DaCosta‘s The Marvels emerges as a breath of fresh air, eschewing bombast for a nuanced exploration of its characters. DaCosta, alongside writers Megan McDonnell and Elissa Karasik, anchors the superhero spectacle in the tangible and personal, making the extraordinary feel accessible and grounded.
On a desolate planet, Cree warrior Dar-Benn (Zawe Ashton) finds a bracelet, one you might be familiar with if you watch the Disney+ Ms. Marvel series. She believes this bracelet will solve her planet’s environmental issues. At home in New Jersey, Kamala Khan (Iman Vellani) daydreams about fighting crime with Carol Danvers (Brie Larson) aka Captain Marvel, when the bracelet on her arm — the same one Dar-Benn found — begins to glow. Suddenly, she gets blown back into a closet door.
Earlier that day, Carol is on her small ship outside of Earth’s atmosphere, trying to retrieve memories from her past, when she is interrupted by Nick Fury (Samuel L. Jackson) about a disturbance in time-space continuum and has Captain Marvel and Monica Rambeau (Teyonah Parrish) investigate, which exposes them to unsteady electromagnetic energy. Now every time they use their powers, Carol, Monica and Kamala switch places, no matter where they are or in the middle of doing — including destroying Kamala’s family home with her parents Muneeba and Yousuf ((Zenobia Shroff, Mohan Kapur) and brother Aamir (Saagar Shaikh) inside it.
Dar-Benn needs the quantum band used to create a rip in space and time to quantum-jump between planetary systems and siphon resources from other places or her planet will cease to exist. This is for
The former chief of the Better Together campaign will stand for Scottish Labour at next year's general election.
In most fantasy movies, the job of the production team is to create a breathtaking new world that dazzles the viewer, but this Oscar season shows a new trend: stories in which the characters themselves are taken on a journey of discovery and adventure.
Matthew Perry’s “Friends” TV mom, Nora Tyler Bing, has received messages of support from fans after the actor’s untimely death.“I was so touched because to a lot of the world thought of me as Chandler’s mom,” Fairchild said on Wednesday’s “Today” show.“So I was receiving a lot of the condolences too,” she continued. “And it was very touching to see how many lives he touched [where] people really thought he was their friend … and identified with him.”She added: “He has left a lasting legacy.”Perry died Oct.
Todd Gilchrist editor In a year in which evaluating the contributions of writers became a major point of contention across the entertainment industry, Variety is especially pleased to announce its list of 10 Screenwriters to Watch. Some among them are scribes whose work has already made waves — cultural as much as commercial — with others on the precipice of transforming this year’s awards season and the broader landscape of film for years to come.
There was a lot of star power at the Broadway opening of Spamalot!
Owen Gleiberman Chief Film Critic “When You Wish Upon a Star” is one of those songs, like “Somewhere Over the Rainbow,” that’s bigger than a song. It was first heard, of course, in the 1940 Walt Disney animated classic “Pinocchio,” where it was sung by Jiminy Cricket.
Ray Davies has recalled being shot almost 20 years ago, and explained that he now has some sympathy for the gunman.The former Kinks frontman was involved in a shooting in New Orleans back in 2004, leading to him being hospitalised.He and a friend were walking home from dinner when a mugger attacked them both, threatening the woman with a gun before taking her handbag and piling into a getaway car.Davies chased after the assailant, who turned, aimed the gun and shot him in the leg at point-blank range.The musician went on to recount the ordeal in his 2013 memoir Americana: the Kinks, the Road and the Perfect Riff. During a new interview with NME, Davies was asked about how it felt to relive the incident while writing the book.In response, he said it was a “cathartic” experience because he “didn’t feel like the good guy” when he replayed the scene on the page.“Just before he shot me, he looked afraid – and he had a gun,” Davies told NME.
Peter Hook & The Light have announced a huge 2024 world tour that will see the band play the ‘Substance’ albums from Joy Division and New Order in full – find dates and ticket information below.The New Order and Joy Division co-founder will be touring with his band from May next year, spanning New Zealand, Australia, North America, the UK and Ireland.The tour will open at the Opera House in Wellington, New Zealand on May 16, followed by eight more dates across New Zealand and Australia. From August 31, they’ll continue with a North American run that starts at History in Toronto, Canada.
Clayton Davis Senior Awards Editor Could A24 wrestle another Oscar contender into the mix while already having two strong candidates with “Past Lives” and “The Zone of Interest”? At the beginning of “The Iron Claw,” the narrator says the Von Erich family is cursed. Towards the latter half of the film, when the supposed curse has reared its ugly head, a man sitting directly in front of me with a woman begins to weep physically and audibly intensely. The woman grabbed his head to comfort him, but it was proving too much for the gentleman, who grabbed his crutches and walked out of the Samuel Goldwyn Theater in Beverly Hills.
Iman Vellani and Nia DaCosta are surprising fans at a screening for their new movie The Marvels!
The Peasants Sound and Screen performance stood out with a full line of Polish dancers in the aisles. Composer Lukas Rostkowski, aka L.U.C., said the animated film’s score also included a choir of refugee singers from Ukraine.
Alison Herman TV Critic To witness Emma Stone’s latest leading role in a TV series, a gripping portrait of self-delusion on par with any of her Oscar-honored star turns, viewers will have to pay a hefty toll: They’ll have to sit through a predictably agonizing odyssey from two auteurs who’ve already mastered the art of making audiences squirm. Here, the creators combine their talents to reach new depths of discomfort.
The Marvels hits theaters this Friday (November 10), but critics have already had a first look at the latest entry in the Marvel Cinematic Universe!
The Marvels,” and film journalists are calling the Nia DaCosta-directed tentpole a “short and sweet,” “astonishingly wacky” film filled with “action-packed goodness.” Although many have been hesitant about the superhero movie’s potential, with a few already predicting “The Marvels” as a box office bomb — a surprising number of positive reactions poured in on social media Tuesday night. The Washington Post reporter Herb Scribner described the film as “exactly what a comic book movie should be,” while “Deep Dive” host Erik Voss called it “astonishingly wacky.” “It’s funny, silly, short and sweet, action-packed. Loved the cosmic sci-fi moments,” Scribner wrote on X/Twitter.
broken up into two parts — with the first turn dropping Nov. 16 and the second premiering a month later.The last segment will take viewers into the modern era of the British royal family, beginning with Princess Diana’s untimely death in 1997 and ending in the mid-2000s.While there has been controversy over how Netflix would portray the late Princess of Wales’ passing from a Parisian car crash alongside her lover, Egyptian billionaire Dodi Fayed, the event will still be played out in some form on screen.It was reported last month that the series wouldn’t show the actual tragic event and wouldn’t even present a dead body to those who tune in.“We did film Diana, but very respectfully — not in a big close-up,” director Christian Schwochow told Deadline, adding that the historical moment was shot with enormous sensitivity.
The final trailer before the premiere of The Marvels this Friday just dropped during Monday Night Football’s game between the New York Jets and the Los Angeles Chargers.
Zack Sharf Digital News Director Marvel Studios is set to launch a new banner titled “Marvel Spotlight” with the upcoming release of the limited series “Echo,” starring Alaqua Cox as Maya Lopez. The character made her Marvel Cinematic Universe debut in “Hawkeye,” but knowledge of that series and the MCU at large won’t be a requirement to watch “Echo.” Brad Winderbaum, Marvel’s head of streaming, recently told Marvel.com that Marvel Spotlight “gives us a platform to bring more grounded, character-driven stories to the screen, and in the case of ‘Echo,’ focusing on street-level stakes over larger MCU continuity.
A private funeral took place for Friends star Matthew Perry who was laid to rest at the Forest Lawn Cemetery in Los Angeles on Friday. The actor, most famous for portraying Chandler Bing in the hit US sitcom Friends, tragically passed away on 28 October at his home in LA at the age of 54.
Thania Garcia Megan Thee Stallion is shedding her past in the new music video for her first official solo single since 2022, “Cobra.” Released under her own Hot Girl Productions, “Cobra” lyrically touches on Megan’s fight to keep her head above water after dealing with back-to-back obstacles. “Breakin’ down and I had the whole world watching,” Megan declares in the first verse before questioning: “Every night I cried, I almost died / And nobody close tried to stop me / Long as everybody gettin’ paid, right?” The song’s scaley visuals portrayed essentially the same narrative, as Megan faces a venomous cobra and finds herself as the main attraction when she begins to literally shed pieces off her skin like a snake as witnesses record.
Marvel creatives, including studio chief Kevin Feige, assembled in Palm Springs for the studio’s annual retreat. Most years, the vibe would have been confident — even cocky — given how the premier superhero brand, owned by Disney since 2009, has remade the entertainment business in its image.