‘For Khadjia’ Review: French Montana Doc Portrays the Immigrant Rapper in a Too-Flattering Light

Some of the Duke and Duchess of Sussex’s joint business ventures are “falling apart” and they are facing some of their biggest problems, a royal expert has claimed to OK!. Royal biographer Tom Bower said since Harry and Meghan’s Spotify podcast deal has abruptly come to an end, the pair are going to find it a struggle to keep their brand “reputable”.

Marta Balaga Photographer Libuše Jarcovjáková – no stranger to Prague’s nightlife in the 1970s and 80s, as depicted in upcoming documentary “I’m Not Everything I Want to Be” – has already earned comparisons to a certain American icon. “Libuše had this big exhibition in France in 2019 and on the radio they said: ‘She is like Nan Goldin of Czechoslovakia,’” says producer Lukáš Kokeš. Klára Tasovská directs. Recently, Goldin has been the subject of Laura Poitras’ Oscar-nominated “All the Beauty and the Bloodshed.” “The very first time we pitched this project, our tutor, ‘Navalny’s’ editor Maya Daisy Hawke, said: ‘That’s funny. My husband [Joe Bini] is actually editing a film about Goldin next door,’” laughs Kokeš.

EXCLUSIVE: A documentary now in production will examine the UPS workforce and its union, even as the package shipping company faces the possibility of a strike that could impact the entire U.S. economy.

For years, the Disney Channel has been a breeding ground for young talent, churning out stars that have gone on to make their mark in the entertainment industry. From the likes of Shia LaBeouf and Demi Lovato to Selena Gomez and Miley Cyrus, the network has provided a platform for some of the biggest names in music and acting.

Chris Jericho almost quit wrestling.

I have just two words for producer Lawrence Turman, who died Saturday at 96. “Thank you.”

Jennifer Lopez stunned in a red strapless feather Cult Gaia dress while posing on Instagram. Sarah Jessica Parker and Andy Cohen enjoyed a market green salad, house made sourdough bread, Stracciatella cheese, Kampachi Crudo, Spätzle, and more while at dinner at Gab’s in New York City. Beyoncé wore a full SIMONMILLER look featuring a swirly neon print, matching set, and bathing suit while vacationing in Lake Como, Italy. Hailey Bieber wore the LDMA Low Hide Briefs in white underneath a sheer white dress while out and about in Los Angeles, California. Addison Rae wore a Lace Trim Cami from Garage while out in Los Angeles, California.Miranda Cosgrove wore the Scanlan Theodore Crepe Knit Square Camisole in Coral while out in New York City. Jasmine Tookes wore Lack of Color’s The Jacinto hat in off white while posing on Instagram. Katy Perry wore the 8 Other Reasons Luxe Diamante Earrings in iridescent from the brand’s drop on ASOS, which features characterized by bold, futuristic and edgy styles. Carly Rae Jepsen wore I.AM.GIA's Eydis corset, shrug, and pants while performing at The Glastonbury Music Festival in England. Tinashe wore the Alpinestars T-Jaws V3 Waterproof Jacket and Prada Symbole Sunglasses to her private album release party.Becky G wore the Pressure Makes Diamonds Long Sleeve Jumpsuit in pink by White Fox while posing on Instagram.Sara Sampaio wore the Scanlan Theodore Italian Heavy Linen Jacket Natural and Italian Heavy Linen Trouser Natural while posing on Instagram. Halle Berry wore Jennifer Meyer’s 15” Yellow Gold Large Edith Link Necklace to the Cannes Lions International Festival of Creativity in Cannes, France.Kyle Kuzma posed with a bottle of Casa Del Sol on Instagram while headed to shows in Paris,

Holly Jones LaLiga Studios, created by Banijay Iberia and Spain’s LaLiga soccer league, is expanding its management team as it has created a new doc co-production, “The Power of Our Fútbol.” Paz Pérez Sanz, Marta Ruiz and Anabel López Antolín are set to join the company as art director, director of new projects, and director of production respectively.  Sanz comes on board after four years at Real Madrid TV, having created assets for multiple TV companies including Movistar Plus+, Cuatro, Telecinco and Canal+ and worked on campaigns for Disney, AXN, Discovery Max, Turner (TNT and Boing), Comedy Central, MTV and Ondas.

Netta is back, and it’s “Everything”!

“Hannah Montana” star Emily Osment is engaged!

Disney alum Emily Osment found her fairy-tale love story. The actress is engaged to boyfriend Jack Anthony.

Taylor Swift is looking back at one of her most iconic breakup songs – “Dear John.”

Chris Willman Senior Music Writer and Chief Music Critic It’s difficult to know whether Lainey Wilson would be as big a star as she’s recently become in the field of country music without the visibility boost she’s received from “Yellowstone.” The series began featuring her songs in season 2, a few years before Lainey was cast for a recurring role as a musician in season 5. The most likely answer: She’d probably be almost as big, even without the Taylor Sheridan factor. After all, it’s not a TV show that came up with the combination of country-rock singing chops, irresistible Louisiana accent and gosh-dang gung-ho that have captivated listeners to the point that, in short succession, she’s racked up four No. 1 Mediabase radio singles and been one of the leading winners at the CMA and ACM awards shows.

Chris Willman Senior Music Writer and Chief Music Critic Musical tag-teaming doesn’t have results much more fruitful than what came about when the showrunners of “A Small Light” picked Ariel Marx to compose the score for the limited series and Este Haim to serve as executive music producer. Neither Haim nor Marx was in a position to take anything about the job lightly, given that the eight-episode series for National Geographic and Disney+ tells the story of a Dutch woman, Miep Gies, who helped hide Anne Frank and her family from the Nazis. Yet, in their very separate roles, both found ways to bring musical light or even levity into a drama that inevitably skews toward tension. Este Haim took on the EMP job for the first time with “A Small Light” after previously scoring or co-composing “Maid” and “Cha Cha Smooth” — on top of her day job as one-third of the rocking sister trio Haim. For “A Small Light,” she produced episode-ending covers of songs from the first half of the 20th century, performed by Angel Olsen, Moses Sumney, Kamasi Washington, Sharon Van Etten with Michael Imperioli, Remi Wolf, Weyes Blood, duet partners Orville Peck and King Princess, and her sister Danielle.

When it comes to the world’s best beaches, you’d probably expect to find them in far-flung destinations like Thailand, the Maldives or the Caribbean. All of these places are wonderful to visit, but are often once-in-a-lifetime holidays.

In the Rearview, Maciek Hamela’s documentary about Ukrainians fleeing war in their homeland, won the Grand Jury Award for International Competition tonight at the 30th Sheffield DocFest.

Vanessa Williams has plenty of advice she’d give her younger self, knowing how far she’s come since being crowned Miss America back in 1984.

Todd Gilchrist editor “For Khadija” is billed as a documentary about French Montana, but there’s a reason that it’s named not after the hip-hop alter ego of Moroccan expatriate Karim Kharbouch, but his mother. “I felt like my mother’s story, the beginning to the end, the closure of her going back to Morocco, is when I was like, okay, now the story has a meaning,” French tells Variety. “This goes out to all the mothers that struggle, that have kids, that was forced to sacrifice.” Given the other films made about rappers and their families — including “Dear Mama,” about Afeni and Tupac Shakur and “Biggie: I Got a Story to Tell,” which heavily features Notorious B.I.G.’s mother Violetta Wallace — it’s not necessarily an unexpected place to start. But the documentary, which premieres June 16 at the Tribeca film Festival, uses the relationship between Karim and Khadija to highlight the unpredictable path that led a scrappy Moroccan child to become a worldwide rap star, while charting the financial struggles and familial strife that threatened to derail his meteoric rise.

Meghan Markle’s former show "Suits" will be made available to watch on Saturday, which happens to be the same day as King Charles III’s birthday parade.  Trooping the Colour, a royal tradition going back hundreds of years to King Charles II’s 17th-century reign, is held every summer to celebrate the monarch’s birthday.  Markle and her husband Prince Harry might be in the position to stream her former show from their California home as they have reportedly not been invited to the royal tradition, despite quietly attending Queen Elizabeth II’s final Trooping the Colour last summer during her platinum jubilee celebrations.  Buckingham Palace and Archewell, Harry and Markle's company, had no comment for People magazine, which first reported that the Sussexes weren't invited, and did not immediately return Fox News Digital’s request for comment. Late last month, Netflix announced that Markle’s show "Suits," which she starred in from 2011 to 2018, would drop on the streaming service on June 17.The show had previously been available on other streaming services like Peacock.  The Duchess of Sussex was mainly known for her role as attorney Rachel Zane on the USA legal drama before she left acting ahead of her lavish 2018 royal wedding to Prince Harry at Windsor Castle.  The couple participated in their first Trooping the Colour in 2018 following their wedding.  While Markle’s character was written out of "Suits" after its seventh season because of her royal engagement, the drama lasted nine seasons, which will all be available to binge as counter programming to Charles’ royal pomp.

Murtada Elfadl Taking on an expansive topic, the contribution of Black astronauts to the American space program, Lisa Cortés and Diego Hurtado de Mendoza’s “The Space Race” derives its strength from the specific and detailed stories of its subjects. Spanning almost 60 years of historical narrative and concentrating on a handful of scientists who broke barriers, the National Geographic doc is the type that makes the audience question how they have never heard of these people before. Cortés and de Mendoza interweave archival footage with the testimony of the astronauts in a fast-paced and informative way. Rapidly unraveling the fascinating story, they demand the audience’s attention and reward it. Blink or look away for a second and an interesting factoid might be missed. But their greatest asset proves to be the astronauts themselves. Their recollections are emotional and humorous, going a long way to paint such a captivating narrative. The astronauts talk of the weight of being an example and the challenges of having to navigate both white and Black spaces in order to succeed. Yet most movingly, they talk of the camaraderie born of being together in these hallowed and mostly white spaces.