Michael Shannon could have been part of the Star Wars universe.
11.06.2023 - 14:39 / theplaylist.net
If you manage to go in blind to “Eric Larue,” the directorial debut of actor Michael Shannon, you might think the titular character is dead. His parents, Janice and Ron (Judy Greer and Alexander Skarsgård, respectively), go through the motions of their everyday routines with a gaping hole in their emotional lives.
It feels a bit like the somber sadness of “Rabbit Hole,” the Nicole Kidman-starring adaptation of the David Lindsay-Abaire play about the grief over a lost child. Continue reading ‘Eric Larue’ Review: Michael Shannon’s Directorial Debut Gives Judy Greer the Spotlight She Deserves [Tribeca] at The Playlist.
.Michael Shannon could have been part of the Star Wars universe.
Michael Shannon recently reprised his role as General Zod in the new “Flash” film for DC Studios. This marks the first time the actor has had a starring role in a huge franchise film since the original time we saw Zod in 2013’s “Man of Steel.” And according to Shannon, that’s not by mistake, as the actor doesn’t really have any interest in acting in franchise films, not even a “Star Wars” feature.
Michael Shannon, who recently reprised his role of General Zod in The Flash, is opening up about why he turned down a role in the Star Wars franchise back in 2016.
Zack Sharf Digital News Director Michael Shannon revealed in a recent interview with Empire magazine (via Insider) that he turned down a role in the “Star Wars” franchise due to his overall wariness over big Hollywood franchise movies. Shannon did not reveal the role, but he said his reason for rejecting came down to him being “a bit wary about those giant movies” because they “take a lot of time and I don’t find them very stimulating to work on.” “I don’t ever want to get stuck in a franchise,” Shannon said. “I don’t find them interesting and I don’t want to perpetuate them. If I’m making something, I want there to be some kind of purpose to it — I don’t want to make mindless entertainment. The world doesn’t need more mindless entertainment. We’re inundated with it.”
The Flash (★★★☆☆), look no further than IMDb, which has listed every single (uncredited) appearance on the movie’s full cast list. Some cameos are clever, while others are slightly creepy –- yet another example of CGI eerily resurrecting the dead.
on her blockbuster Eras Tour, then blame it on the Boss.According to no less than Paul McCartney, Bruce Springsteen is responsible for this concert season’s trend of marathon shows — stretching three hours and beyond — put on by everyone from Swift and Beyoncé to the “Born to Run” rocker himself.“I blame Bruce Springsteen,” McCartney, 80, joked about the New Jersey legend’s famously epic-length concerts, during a talk with Conan O’Brien at NYC’s Tribeca Performing Arts Center on Thursday night. “I told him so.
The Flash” is here.And this time the scarlet speedster (played by Ezra Miller) has really gotten himself into a pickle: during an effort to travel back in time and save his mother, he’s knocked out of his timeline and winds up in a dimension where his mom is still alive (yay!) but there aren’t any other superheroes (boo!) This becomes even more problematic when Zod (Michael Shannon, reprising his role from “Man of Steel”) shows up to conquer a Superman-free earth. See, a real pickle!But a question that looms even larger than: can The Flash save both of his timelines and return home is … should you, as an audience member attending a showing of “The Flash,” stick around afterwards for a post-credits scene? Read on to find out.
Jennifer Lopez and Ben Affleck epitomized love and happiness during their recent outing. The couple radiated joy as they attended the Los Angeles premiere of Affleck’s new movie, The Flash.Lopez, looking stunning in a Gucci gown with a black zip-up bodice and peach-colored skirt, accessorized her look with a black Kurt Geiger clutch bag. Her hair was styled in a sleek, long ponytail, highlighting her natural beauty.Affleck looked dashing in his all-black outfit, consisting of a suit, button-down shirt, and lace-up dress shoes.
A compelling introduction to the cultural history of the Jamaican musical genre dancehall, Ben DiGiacomo and Dutty Vannier’s “Bad Like Brooklyn Dancehall” sheds light on what one interviewee calls the associated “attitude, culture, and lifestyle” that crops up around dancehall music. Produced by Shaggy, one of the most notable names to push the genre into popular culture, ‘Bad Like Brooklyn’ may seem paint-by-numbers in its formal approach to introducing and dissecting a cultural movement — there are a lot of talking heads, archival footage, etc.
The Flash.Directed by Andy Muschietti (It, Mama), this superhero crossover blends DC’s past and present; featuring Ben Affleck’s Batman, Michael Shannon as General Zod from Man Of Steel, alongside Michael Keaton’s return as the caped crusader.Other cast members include Sasha Calle as Supergirl, Ron Livingstone as Henry Allen, Kiersey Clemons as Iris West and Maribel Verdu as Nora Allen.There are two post-credits scenes; one halfway through and another at the very end of the credits.DC hasn’t officially announced a sequel. The Flash was developed and filmed under the previous leadership at DC Studios, so it’s unclear whether Miller’s version of the character will continue to exist under James Gunn and Peter Safran’s new plans.Speaking during an interview on the Discourse podcast, Muschietti said Miller wouldn’t be recast in any potential sequel, despite their past arrests and alleged abuse.Asked about having Miller return, Muschietti said: “If [a sequel] happens, yes.
Sasha Calle is looking chic in a superhero cape at the premiere of The Flash!
Sometimes, a company logo in the opening credits says it all. Redbox Entertainment – yes, they of the DVD kiosks that still exist – helped produce “Maggie Moore(s).” It’s easy to see why they would want a part of the film: stick the distinctive mugs of stars Jon Hamm and Tina Fey on a tile, and it’s bound to pick up some curious viewers who assume the presence of the “Mad Men” and “30 Rock” stars lend the project some prestige.
Some names, once viewed on a marquee or YouTube ad, tend to draw a specific audience ranging from real fans to, “Oh yes, that guy.“ I could put the Duplass brothers, Mark and Jay, into both of these categories, with a lengthy filmography largely encompassing projects their company Duplass Brothers Productions has spearheaded, such as 2010’s “Cyrus” and “Jeff, Who Lives at Home”; Mark, in particular, has emerged as the higher profile of the two, consistently delivering as an actor in diverse roles ranging from horror (“Creep”) to TV comedy (“The League”) offbeat humor (“Greenberg,” “Safety Not Guaranteed,” “Tully”) and more. “The Long Long Night,” another Mark Duplass vehicle, would likely fall into the latter category; originating from show creator/co-star Barret O’Brien, the six-episode series depicts the falling out between two former best friends, Pete (Duplass) and Carroll (O’Brien) and the night that kicked it off, told through black and white footage of said night in question as well as video messages the two send each other months later as they attempt to repair the damage done. Continue reading ‘The Long Long Night’: Simplicity & Complexity Somehow Propel The Unique Duplass Bros.
None of us were privy to the casting process for Alice Troughton’s “The Lesson,” but I sincerely hope, with my entire heart, that they opened a bottle of champagne after locking in Richard E. Grant.
Michael Shannon didn’t hold back as he voiced his opinion on what it was like reprising his role as General Zod in “The Flash”.
Michael Shannon is opening up about The Flash.
It’s not a spoiler, as he’s featured in most of the marketing material, but Michael Shannon is about to make his return to the DC film universe in “The Flash.” Reprising his role as General Zod, Shannon gets to revive a character who was killed in “Man of Steel” in a new film thanks to multiversal shenanigans. And though he’s clearly proud of being in the film, Shannon feels the multiverse aspect made playing Zod a different, somewhat less thrilling experience in “The Flash.” READ MORE: Sasha Calle Wants To Reprise Supergirl In The New DCU: “I Think That ‘The Flash’ Is Really A Runway To A Bigger Story For Her” Speaking to Collider,” Michael Shannon talked about his acclaimed role in “George & Tammy,” but he also spent some time talking about his return as Zod in “The Flash.” Specifically, he talked about what it’s like to return to a character that was previously killed, since the latest DC film deals with multiverse storytelling—something that is running rampant in current superhero films and TV series.
McKinley Franklin editor Michael Shannon has previously revealed that he was “a little confused” when he received the offer to join “The Flash” in a reprisal of his role of of General Zod from “Man of Steel.” Now, the actor has revealed that those complicated feelings weren’t exactly resolved while making the new DC film. In a new interview with Collider, Shannon got honest about the multiverse-traversing premise of “The Flash” and his own dissatisfaction with Zod’s arc in the film. “I’m not going to lie — it wasn’t quite satisfying for me, as an actor. These multiverse movies are like somebody playing with action figures,” Shannon said. “It’s like, ‘Here’s this person. Here’s that person. And they’re fighting!’ It’s not quite the in-depth character study situation that I honestly felt ‘Man of Steel’ was.”
Premiering Saturday night in the Tribeca Film Festival’s Spotlight Narrative category, Eric Larue is an intense and devastating account of the after effects of a school shooting, but the focus is almost entirely on the parents of that boy who shot and killed three male classmates and is now in prison. Adapted by Brett Neveu from his own 2002 stage play, it has taken on new weight in the two decades since it was first presented at Chicago’s Red Orchid Theatre in light of the seemingly endless numbers of school shootings and the fact that the number one cause for deaths of young people is now by gun. But for his feature film directorial debut actor Michael Shannon was most interested in looking at the effects of this traumatic life-changing incident from the point of view of the parents, those of the kids killed, and particularly the pair of the young teen who murdered them.
well, and that includes some of the most heart-wrenching moments of the film. Janice’s meeting with the mothers is a powerhouse of a scene, strapping the audience in for a long, uncomfortable ride on a train of unending harsh realities.