Does ‘The Flash’ have a post-credits scene?

Tim Chan If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Fans of The Flash can add now another title to their collection.

**Spoilers for “The Flash” below. You’ve been warned…** After years of delays (including multiple filmmakers coming and going, as well as a global pandemic), Warner Bros.

J. Kim Murphy Nine years after it was first announced, “The Flash” has finally dashed into theaters, speeding toward a debut ahead of the box office competition. But the DC Studios film isn’t exactly matching the lightning pace of its superhero. The Warner Bros. release got started with $24.5 million on opening day, which includes $9.7 million in Thursday previews. That’s enough to set the Ezra Miller film on a surefire pathway to a No. 1 debut on domestic charts, but it’ll be tough for the film to match its projections heading into the weekend — some bullish ones predicting a four-day bow as high as $85 million through the Juneteenth holiday.

SPOILER ALERT: This article contains major spoilers for Warner Bros. and DC Studios’ “The Flash,” now playing in theaters. Ezra Miller’s speedy superhero tears apart the DC Universe in the multiverse-hopping movie, “The Flash.” After first appearing in cameos in “Batman v Superman: Dawn of Justice” and “Suicide Squad,” the Flash finally gets his own standalone movie, full of surprise appearances and shocking cameos.

The Flash director Andy Muschietti has hit back at claims that the new DC movie has bad CGI.In the build up to the film’s release, many fans shared clips of the trailer on Twitter and mocked the superhero movie’s special effects.In a new interview with i09, Msuchietti addressed the criticism head-on, and said that the “weird” look of the film’s CGI was completely intentional.The director was discussing one scene in particular, in which The Flash/Barry Allen (Ezra Miller) is seen saving babies from a nursery as a building begins collapse around him.Muschietti said: “We are in the perspective of The Flash. Everything is distorted in terms of lights and textures.

The Flash” is here, and if you’ve seen it, you probably have a lot of questions about what it all, especially that cacophonous ending, means for the DC Universe.In the film, Barry Allen (Ezra Miller) travels back in time and to other dimensions in an effort to save his mom’s life (and that of his father, who was wrongly convicted of her murder). Along the way he interacts with at least two actors playing Batman — Ben Affleck from Zack Snyder’s films, and Michael Keaton, who last played the role in 1992’s “Batman Returns” — alongside a whole lot of other characters.

The Flash” is here.And this time the scarlet speedster (played by Ezra Miller) has really gotten himself into a pickle: during an effort to travel back in time and save his mother, he’s knocked out of his timeline and winds up in a dimension where his mom is still alive (yay!) but there aren’t any other superheroes (boo!) This becomes even more problematic when Zod (Michael Shannon, reprising his role from “Man of Steel”) shows up to conquer a Superman-free earth. See, a real pickle!But a question that looms even larger than: can The Flash save both of his timelines and return home is … should you, as an audience member attending a showing of “The Flash,” stick around afterwards for a post-credits scene? Read on to find out.

Andy Muschietti has landed his next role in the DC Universe!

Zack Sharf Digital News Director SPOILER ALERT: This story contains minor spoilers from “The Flash,” now playing in theaters nationwide. Reviews for Warner Bros.’ long-in-the-works “The Flash” movie have been largely favorable to mixed, but most critics agree the film is the latest comic book tentpole to suffer from unappealing visual effects. Leaked scenes on social media have also led to fan bafflement over the film’s VFX, especially an opening sequence in which Ezra Miller’s superhero speeds to Gotham City to save a bunch of falling babies from a collapsing hospital. To say the VFX babies in “The Flash” opening scene are rendered in a hugely un-human way would be an understatement. The same goes for all of the human characters who appear during the movie’s many time travel sequences. Suffice to say, none of them look human at all.

Matt Donnelly Senior Film Writer Andy Muschietti is officially suiting up to direct a new Batman film, Variety can report exclusively. The film is one of several new DC Studios titles mapped out by leaders James Gunn and Peter Safran earlier this year. Muschietti, behind this weekend’s superhero release “The Flash,” will direct “Batman: The Brave and the Bold.” The project is based on the comic series authored by Grant Morrison, who Gunn called “exceptionally influential” on in the DC Universe in January. The comics imagine a “Bat family,” where Bruce Wayne’s biological son Damian serves as Robin to his dad’s Batman. Muschietti’s sister and creative partner Barbara will produce the project via their label Double Dream, alongside Gunn and Safran.

The Flash director Andy Muschietti and producer Barbara Muschietti have confirmed that Tom Cruise called them to praise the latest DC superhero film.Speaking to Total Film Magazine, Andy Muschietti said that Tom Cruise and Stephen King were sent early copies of the film, and that both of them had praised the movie. King publicly praised the film in May, writing on Twitter: “As a rule, I don’t care a lot for superhero movies, but this one is special.

In today’s episode of The Discourse, host Mike DeAngelo speeds his way through the DC Universe with director Andy Muschietti & producer Barbara Muschietti (“IT,” “Mama”). The talented duo is promoting their latest film, “The Flash,” which follows Barry Allen (Ezra Miller) discovering that his speed unlocks the ability to change the past that has haunted him and, in turn, plunges him into another timeline where many of the heroes he knows do not exist.

Zack Sharf Digital News Director Warner Bros.’ “The Flash” already made a few high profile fans before its theatrical release. Horror icon Stephen King got to see an early screening of the DC tentpole and raved on Twitter, “This one is special. It’s heartfelt, funny, and eye-popping. I loved it.” A report from THR also claimed that Tom Cruise was treated to an early look of the film and loved it so much that he personally called director Andy Muschietti to share raves. In a recent interview with Total Film magazine, Andy Muschietti and “The Flash” producer Barbara Muschietti confirmed Cruise’s phone call. “If anything, [we got] more confidence in the thing that we did, because the movie was finished by the time that [Cruise and King] saw it,” Andy said about getting pre-release praise from King and Cruise. “It was a confidence boost if anything.”

It is finally official, “The Flash” director Andy Muschietti has been hired to direct the new Batman movie “The Brave and the Bold.”“We saw ‘The Flash; even before taking the reins at DC Studios, and knew we were in the hands of not only a visionary director but a massive DC fan,” Gunn and Safran said in a statement. “It’s a magnificent film – funny, emotional, thrilling – and Andy’s affinity and passion for these characters and this world just resonates through every frame.

“The Flash” races into theaters this weekend, and it’s a lot of movie.The superhero film promises to be a landmark in the genre by not only being something of a send-off for the “DC Extended Universe” of films but also serving as a reboot that makes way for the new “DC Universe” of films and TV shows. As if that wasn’t enough, “The Flash” is also bringing back some long-time fan favorites and providing a unique revisionist spin on the entire DC universe as we know it by bringing back Michael Keaton as Batman and retelling the events of “Man of Steel”.

Michael Shannon is opening up about The Flash.

It’s not a spoiler, as he’s featured in most of the marketing material, but Michael Shannon is about to make his return to the DC film universe in “The Flash.” Reprising his role as General Zod, Shannon gets to revive a character who was killed in “Man of Steel” in a new film thanks to multiversal shenanigans. And though he’s clearly proud of being in the film, Shannon feels the multiverse aspect made playing Zod a different, somewhat less thrilling experience in “The Flash.” READ MORE: Sasha Calle Wants To Reprise Supergirl In The New DCU: “I Think That ‘The Flash’ Is Really A Runway To A Bigger Story For Her” Speaking to Collider,” Michael Shannon talked about his acclaimed role in “George & Tammy,” but he also spent some time talking about his return as Zod in “The Flash.” Specifically, he talked about what it’s like to return to a character that was previously killed, since the latest DC film deals with multiverse storytelling—something that is running rampant in current superhero films and TV series.

McKinley Franklin editor Michael Shannon has previously revealed that he was “a little confused” when he received the offer to join “The Flash” in a reprisal of his role of of General Zod from “Man of Steel.” Now, the actor has revealed that those complicated feelings weren’t exactly resolved while making the new DC film. In a new interview with Collider, Shannon got honest about the multiverse-traversing premise of “The Flash” and his own dissatisfaction with Zod’s arc in the film. “I’m not going to lie — it wasn’t quite satisfying for me, as an actor. These multiverse movies are like somebody playing with action figures,” Shannon said. “It’s like, ‘Here’s this person. Here’s that person. And they’re fighting!’ It’s not quite the in-depth character study situation that I honestly felt ‘Man of Steel’ was.”

In fifteen days, Sasha Calle makes her big screen debut as Supergirl in Andy Muschietti‘s long-awaited “The Flash.” And EW reports that, if the actress has her way, her time as the superheroine won’t be a one-off. And maybe, just maybe, she’ll reprise the role in “Supergirl: Woman Of Tomorrow” in the new DCU.

There is a suggested line to when a superhero movie relies too much on the fleeting high of fan service and special effects. Andy Muschietti’s “The Flash” blitzes past that line and then proceeds to run out of ideas.