Eddie Redmayne chills out with some fans at the premiere of The Good Nurse during the 2022 Zurich Film Festival at Kongresshaus on Sunday (September 25) in Zurich, Switzerland.
06.09.2022 - 10:31 / variety.com
Leo Barraclough International Features Editor Academy Award-winner Eddie Redmayne will be awarded a Golden Eye for his career achievements during the 18th Zurich Film Festival (Sept. 22-Oct. 2). The British actor will receive the award in person on Sept. 25 prior to presenting the European premiere of Tobias Lindholm’s thriller “The Good Nurse,” in which he plays a nurse who poses a deadly threat to his patients. He will also participate in a ZFF Masters session. Redmayne is one of his generation’s leading character actors. The broader public will recognize him as Newt Scamander from the fantasy franchise “Fantastic Beasts,” the arthouse crowd will know him from more challenging dramas like “Trial of the Chicago 7.” Redmayne won the Academy Award for best actor for his portrayal of the paralysed physicist Stephen Hawking in “The Theory of Everything” (2014).
Redmayne will be accompanied at the screening of “The Good Nurse” by Lindholm. “Eddie Redmayne is one of contemporary cinema’s most versatile actors. He furnishes his characters with a rare human depth and captivates us with his extraordinary powers of expression. Eddie was already in Zurich in 2007 when he played the lead role alongside Julianne Moore in the opening movie ‘Savage Grace.’ Back then he was a newcomer, now he returns as an Academy Award winner – and we’re super excited,” Christian Jungen, the festival’s artistic director, said. “In ‘The Good Nurse,’ Redmayne once again proves his versatility with a performance that keeps us riveted to our seats.” Lindholm added: “Eddie was a joy to work with. He is incredibly caring, incredibly well prepared, and incredibly technical. His preparation allows him to work with great freedom and – what looks like – great
Eddie Redmayne chills out with some fans at the premiere of The Good Nurse during the 2022 Zurich Film Festival at Kongresshaus on Sunday (September 25) in Zurich, Switzerland.
Ed Meza @edmezavar “Becoming an Astronaut,” an ambitious documentary that will focus on four new astronauts who will be announced by the European Space Agency (ESA) this November, has won the Focal Audience & Market Strategies pitching event at the Zurich Film Festival. Organized by Focal, the Lausanne-based foundation for film and audiovisual media training, Audience & Market Strategies is a three-part training program that helps producers promote their projects at an early stage. This year’s event showcased eight Swiss projects in various states of development. The program culminated with the pitching event, in which the producers presented their projects to sales company representatives, industry experts and an international jury comprising Stephen Kelliher of Bankside Films, Netflix’s Lars Wiebe, Olivier Tournaud of Cinephil, Sven Wälti, head of film at Swiss pubcaster SRG SSR, and Deadline’s Diana Lodderhose.
Clayton Davis “Glass Onion: A Knives Out Story,” “White Noise” and “The Whale” are among the first films announced for this year’s Middleburg Film Festival in Virginia, celebrating its tenth anniversary. “Everything Everywhere All at Once” breakout star Stephanie Hsu will be given the Rising Star Award, for her incredible performance in The Daniels’ critically-acclaimed dramedy, which has generated awards buzz. The fest will also hold a special screening of the movie after its huge success, becoming A24’s first film to surpass $100 million. The entire festival will be held in person with screenings, conversations and events from Oct. 13-16. Opening the fest on Thursday is Netflix’s “White Noise” starring Adam Driver. Writer and director Noah Baumbach will return after bringing “Marriage Story” (2019), to accept the 10th Anniversary Spotlight Filmmaker Award.
Olivia Wilde is looking stunning on the red carpet!
EXCLUSIVE: The UK Jewish Film Festival (November 10-20) has revealed its lineup of 2022 gala screenings and premieres, including special presentations of the single shot drama Shttl and Three Minutes: A Lengthening, the WWII drama co-produced by Steve McQueen and narrated by Helena Bonham Carter.
Asghar Farhadi will preside over the jury for the International Feature Film Competition at this year’s Zurich Film Festival.
Leo Barraclough International Features Editor Iran’s Asghar Farhadi, who directed the Oscar winners “A Separation” and “The Salesman,” U.S. producer Christine Vachon, whose credits includes Oscar winner “Boys Don’t Cry,” and Oscar nominees “Far from Heaven” and “Carol,” and Romania’s Alexander Nanau, the director of the Oscar nominated “Collective,” are among the jury members at the 18th edition of the Zurich Film Festival, which takes place from Sept. 22 to Oct. 2. Farhadi will head the jury for the International Feature Film Competition. He is joined by the U.K.’s Clio Barnard, who directed the BAFTA nominated “The Arbor,” “The Selfish Giant” and “Ali & Ava”; L.A.-based Brazilian Daniel Dreifuss, a producer on the Oscar nominated “No” and “All Quiet on the Western Front,” Germany’s Oscar entry; Swiss/Italian screenwriter and director Petra Volpe, whose credits include Tribeca prizewinner “The Divine Order”; and Sweden’s Peter “Piodor” Gustafsson, the producer of Ali Abbassi’s “Border,” which won the main award in the Un Certain Regard section at Cannes.
It would be empty hyperbole to declare Eddie Redmayne our worst living actor; in all likelihood, the honor belongs to someone nobody’s ever heard of, so bad that they never became famous in the first place. But in Tobias Lindholm’s new drama “The Good Nurse,” Redmayne still makes a bold argument for some qualified version of the statement. During the early stretches that see him in one of his two settings as a performer – so anemic and withdrawn that he appears to be trying to stop existing – one might wonder whether he’s merely the worst of his Hollywood class.
Jessica Chastain and Eddie Redmayne passed through the Toronto Film Festival Monday morning where they discussed their true-crime thriller The Good Nurse.
Brent Lang Executive Editor It was supposed to be all about the movies. But even here at the Toronto International Film Festival, an ocean away from the United Kingdom, the death of 96-year-old Queen Elizabeth II has loomed large. It has provided an opportunity for festival organizers, filmmakers and talent to reflect on the life and legacy of a monarch whose 70-year reign ranks as the longest in her country’s history. That’s partly due to Canada’s status as a member of the British Commonwealth, but it’s also because the festival is such an international A-list affair, one that attracts movie stars and directors who have often had personal encounters with the queen.
It would be empty hyperbole to declare Eddie Redmayne our worst living actor; in all likelihood, the honor belongs to someone nobody’s ever heard of, so bad that they never became famous in the first place. But in Tobias Lindholm’s new drama “The Good Nurse,” Redmayne still makes a bold argument for some qualified version of the statement. During the early stretches that see him in one of his two settings as a performer – so anemic and withdrawn that he appears to be trying to stop existing – one might wonder whether he’s merely the worst of his Hollywood class.
Jessica Chastain and Eddie Redmayne are stepping out for the premiere of their new movie!
Tomris Laffly During a career of 16 years that spanned numerous East Coast hospitals since the late ‘80s, real-life nurse Charles Cullen confessed to murdering at least 29 patients with a fatal cocktail of drugs he dripped into his victims’ bloodstream. That figure was only his confirmed body count, however. As a title card suggests at the end of Tobias Lindholm’s shrewd and absorbing drama “The Good Nurse” — a Netflix original that just premiered at Toronto — the real number of his victims was predicted to be as high as a blood-curdling 400. Hopping from one job to the next, the serial killer went undetected by the authorities, with his connection to the unusual deaths remaining as an open-secret suspicion at every facility he worked at. In order to avoid legal ramifications, none of the hospitals reported him — they just made him someone else’s problem, as the story of any corrupt institution goes.
First a little warning. I had the good fortune to see The Good Nurse knowing absolutely nothing about it except it was a Netflix movie starring Jessica Chastain and Eddie Redmayne. I had no idea which one was even ‘the good nurse’ of the title, and I was not familiar with the book it is based on, or even the fact it is actually a true story. For all I knew it was like a female version of Freddie Highmore in The Good Doctor. Netflix set up a screening for me at a local screening room. I sat by myself for two hours stunned by what I was seeing slowly take place, a turn of events I did not see coming as I realized I had the same experience in some ways as a viewer as Chastain’s character, Amy Loughren had in real life.
Deadline’s studio at the 2022 edition of the Toronto Film Festival continued with Day 2 by hosting fest-goers such as Viola Davis and John Boyega from The Woman King; Sterling K. Brown from Biosphere; Lily James from What’s Love Got To Do With It? and Eddie Redmayne from The Good Nurse. Click on the photo above to launch the gallery.
Jessica Chastain looks drained from her work in this still from Netflix’s The Good Nurse.
Nurses are supposed to make sure their patients are comfortable and well-taken care of. But what if that kindly nurse, who you expect to do what’s best, is actually trying to kill you? That’s the question that is asked in the new Netflix thriller, “The Good Nurse.” As seen in the trailer for “The Good Nurse,” the film follows the astonishing true story of a nurse who is suspected of poisoning his patients, leading to their untimely deaths.
Eddie Redmayne To Be Honored With Zurich’s Golden Eye
Mark Rylance in cannibal-love story Bones and All, which debuted on Thursday. The 26-year-old posed for photos alongside his co-star Russell, who opted for a green gown with a large bow on the front, which she paired with long, white gloves. Earlier this year the actor attended the 94th Academy Awards wearing no shirt underneath an embroidered lace jacket and high-waisted pants from Louis Vuitton.