Janelle Monáe was fashionably late as she strolled onstage at the BFI Southbank, where she headlined the London Film Festival’s final major keynote ‘screen talk’ Friday afternoon.
24.09.2022 - 22:43 / variety.com
Ed Meza @edmezavar “Becoming an Astronaut,” an ambitious documentary that will focus on four new astronauts who will be announced by the European Space Agency (ESA) this November, has won the Focal Audience & Market Strategies pitching event at the Zurich Film Festival. Organized by Focal, the Lausanne-based foundation for film and audiovisual media training, Audience & Market Strategies is a three-part training program that helps producers promote their projects at an early stage. This year’s event showcased eight Swiss projects in various states of development. The program culminated with the pitching event, in which the producers presented their projects to sales company representatives, industry experts and an international jury comprising Stephen Kelliher of Bankside Films, Netflix’s Lars Wiebe, Olivier Tournaud of Cinephil, Sven Wälti, head of film at Swiss pubcaster SRG SSR, and Deadline’s Diana Lodderhose.
Produced by Franziska Sonder of Ensemble Film and set to be directed by Roman Hodel, who made a splash with his 2020 short documentary “The Game,” “Becoming an Astronaut” will follow the astronauts, chosen by ESA after an exhaustive selection processes that included more than 22,500 applicants, over a four-year period in an ongoing competition to see who will be first to travel to space. Sonder has gained unprecedented access to ESA for the project. Special mentions went to two projects, including “Dom,” from producer Corinna Dästner of DockLab. The documentary tackles the timely topic of Russians who have fled their native country out of political conviction and their unhappiness with the Kremlin’s policies and the war in Ukraine. It follows a group of people from across Russia that has found shelter in
Janelle Monáe was fashionably late as she strolled onstage at the BFI Southbank, where she headlined the London Film Festival’s final major keynote ‘screen talk’ Friday afternoon.
While your future planning probably only extends to Thanksgiving, the Sundance Film Festival is already thinking ahead to January, the 2023 edition of their festival. Today, the nonprofit Sundance Institute announced today the first two films in the lineup for the 2023 Sundance Film Festival and they are the 25th Anniversary and digital restoration screening of “SLAM” and the uncensored director’s cut and restoration of “The Doom Generation.” Directed by Marc Levin and written by Levin, Saul Williams, Sonja Sohn, and Richard Stratton, “SLAM” was first introduced to audiences at the 1998 Sundance Film Festival, where it premiered in the U.S.
Ed Meza @edmezavar U.S. streaming service Topic has inked an exclusive U.S. and Canadian rights deal with Germany’s Beta Film for four European crime series ahead of this year’s Mipcom TV programming mart in Cannes. Dedicated to crime and suspense, Topic, part of First Look Entertainment, picked up the third season of critically acclaimed Austrian-German series “Pagan Peak”; Finnish title “Helsinki Syndrome”; “Silent Road” from Greece; and Croatian-Ukrainian co-production “The Silence.” The agreement also includes renewals of Italian political thriller “1992” and follow-up seasons “1993” and “1994.” Described as Italy’s “House Of Cards,” the show examines how Italian politics were shaken to the core by a major criminal investigation against widespread corruption in the 1990s.
Japanese director Naomi Kawase will preside over the international jury of the 44th edition of the Cairo International Film Festival, running November 13 to 22.
The 16th Film London Production Finance Market opened Tuesday morning with a keynote talk featuring BFI CEO Ben Roberts who spoke at length about his 10-year funding plan for British cinema and the financial issues hitting the industry, including the recent shuttering of the Edinburgh Film Festival.
Naman Ramachandran Oscar and Venice-winning filmmaker Laura Poitras (“Citizenfour,” “All the Beauty and the Bloodshed”) and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday. They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.
Peter Caranicas Deputy Editor Moving in parallel with the recent upsurge of film production in Greece, the Los Angeles Greek Film Festival (LAGFF), an annual showcase for new works from Greek filmmakers worldwide, plans to expand its activities on an international scale. The fest, now in its 17th year, is launching the Global Greek Film Initiative (GGFI), an umbrella program to advance cultural exchange between Greece, the U.S. and the Greek diaspora, provide opportunities for employment and economic growth within Greece, and serve as the North American hub for Greek film programs and initiatives. Lia Bozonelis, a Greek-American writer-producer and LAGFF Board Member who conceived the idea of the year-round multifaceted program, said that “Greece is experiencing a hard-won opportunity with the amount of international production pouring in.”
Italian producer Lorenzo Mieli gave a spirited and often humorous rundown of his career as a producer working with directors such as Luca Guadagnino and Paolo Sorrentino during a keynote talk at the London Film Festival Monday.
The strengths and possibilities of cinematic language were heavy on Alejandro G. Iñárritu’s mind as he sat down for a keynote ‘screen talk’ at the London Film Festival on Sunday afternoon.
K.J. Yossman “White Noise” director Noah Baumbach spoke about his career highlights – and low points – as well as his creative partnership with Greta Gerwig during the BFI London Film Festival on Friday afternoon (Oct. 7). Asked about the eight-year gap between making “Mr. Jealousy” and “The Squid and the Whale,” Baumbach quipped: “I thought, you know what? I really needed about eight years off.” “No, it wasn’t by design, it was by accident,” he quickly clarified. “I sort of had two careers in a way. I had this early career very quickly and I was really figuring it all out as I was doing it. I had never really been on a movie set before I made ‘Kicking and Screaming.’ But I had this sense of how a movie should be and what I wanted a movie to be. And then after ‘Mr. Jealousy’ [the way] I experienced it at the time is that I was having trouble getting things made. I think, also, I didn’t really know what I wanted to make. And I think maybe, in some ways, my ambitions sort of exceeded my ability.”
Emma Thompson, Stephen Graham, and Lashana Lynch passed through the London Film Festival on Wednesday, where they discussed their new film Matilda The Musical, directed by Matthew Warchus.
Marta Balaga Laura Mora’s “The Kings of the World” was named Best Film at Zurich Film Festival. The jury, presided over by Asghar Farhadi and featuring Clio Barnard, Daniel Dreifuss, Petra Volpe and Piodor Gustafsson, was taken with the coming-of-age drama about young friends living on the streets of Medellín, one that has triumphed at San Sebastian as well. Film Factory Entertainment handles sales. “I am so happy the jury voted for it. I am convinced this film will stand the test of time,” artistic director Christian Jungen told Variety. “It shows that film can be an art form, but it also provides social criticism on the situation in Colombia. Where poor, regular people can’t easily access their rights.”
Charlotte Gainsbourg revealed the lasting impact of working with Danish director Lars von Trier at a Masterclass at the Zurich Film Festival this week, where she also received its honorary Golden Eye career award.
Rebel Wilson is having a blast on the red carpet!
Eddie Redmayne chills out with some fans at the premiere of The Good Nurse during the 2022 Zurich Film Festival at Kongresshaus on Sunday (September 25) in Zurich, Switzerland.
When September rolls around, it means one thing for many of the top filmmakers in the world – time to hit the road. Venice, Telluride and Toronto come in rapid succession, to the point of overlapping. But for documentary filmmakers eager to showcase their work, there’s another important stop to make in September: the Camden International Film Festival in mid-coast Maine.
Clayton Davis “Glass Onion: A Knives Out Story,” “White Noise” and “The Whale” are among the first films announced for this year’s Middleburg Film Festival in Virginia, celebrating its tenth anniversary. “Everything Everywhere All at Once” breakout star Stephanie Hsu will be given the Rising Star Award, for her incredible performance in The Daniels’ critically-acclaimed dramedy, which has generated awards buzz. The fest will also hold a special screening of the movie after its huge success, becoming A24’s first film to surpass $100 million. The entire festival will be held in person with screenings, conversations and events from Oct. 13-16. Opening the fest on Thursday is Netflix’s “White Noise” starring Adam Driver. Writer and director Noah Baumbach will return after bringing “Marriage Story” (2019), to accept the 10th Anniversary Spotlight Filmmaker Award.
Ed Meza @edmezavar The 18th Zurich Film Festival kicks off Sept. 22 with a muscular lineup that includes some of the year’s most anticipated international pics while also putting the spotlight on Swiss and German-language cinema. In addition to a strong selection of U.S. films, including Oscar-winning writer-director Florian Zeller’s “The Son” and Neil Jordan’s “Marlowe,” Zurich is also honoring Sony Pictures Classics’ Michael Barker and Tom Bernard for their contribution to cinema. “We are very proud that this year about one-fourth of our program are world or European premieres, which – especially when it comes to American films – are quite hard to get because there’s a lot of competition,” says ZFF artistic director Christian Jungen.
The People’s Choice Award from the just wrapped 2022 Toronto International Film Festival has gone to Steven Spielberg’s The Fabelmans. First Runner Up is Canada’s own Sarah Polley’s Women Talking. And Second Runner Up was Rian Johnson’s Glass Onion: A Knives Out Mystery. The Documentary Award went to Black Ice, and the Midnight Madness winner was Weird: The Al Yankovich Story .
People’s Choice Award: “The Fabelmans,” Steven SpielbergFirst Runner-up: “Women Talking,” Sarah PolleySecond Runner-up: “Glass Onion: A Knives Out Mystery,” Rian JohnsonPeople’s Choice Documentary Award: “Black Ice,” Hubert DavisFirst Runner-up: “Maya and the Wave,” Stephanie JohnsSecond Runner-up: “752 Is Not a Number,” Babak PayamiMidnight Madness People’s Choice Award: “Weird: The Al Yankovic Story,” Eric AppelFirst Runner-up: “Pearl,” Ti WestSecond Runner-up: “The Blackening,” Tim StoryPlatform Jury Prize: “Riceboy Sleeps,” Anthony ShimShawn Mendes Foundation Changemaker Award: “Something You Said Last Night,” Luis De FilippisAmplify Voices Award for Best Canadian Feature Film: “To Kill a Tiger,” Nisha PahujaAmplify Voices Award: “Leonor Will Never Die,” Martika Ramirez EscobarAmplify Voices Award: “While We Watched,” Vinay ShuklaIMDbPro Short Cuts Award for Best Film: “Snow in December,” Lkhagvadulam Purev-OchirHonorable Mention: “Airhostess 737,” Thanasis NeofotistosIMDbPro Short Cuts Award for Best Canadian Film: “Simo,” Azziz ZorombaHonorable Mention: “Same Old,” Lloyd Lee Choi IMDbPro Short Cuts Share Her Journey Award: “Nanitic,” Carol NguyenNETPAC Award: “Sweet As,” Jub ClercFIPRESCI Prize: “A Gaza Weekend,” Basil Kahlil